THE FULL LIST OF WINNERS

The Irish Times - Friday - The Ticket - - THEATRE | THEATRE AWARDS -

BESTPRODUC­TION

Red by John Lo­gan, a Prime Cut and Lyric Theatre co­pro­duc­tion

BESTOPERA

The Sec­ond Vi­olin­ist, com­posed by by Don­nacha Den­nehy with li­bretto by Enda Walsh, a Land­mark Pro­duc­tions and Wide Open Opera co­pro­duc­tion

BESTNEWPLA­Y

The Same by Enda Walsh, pro­duced by Cor­cadorca

BESTDIRECT­OR

Emma Jor­dan for Prime Cut and Lyric Theatre’s co­pro­duc­tion of Red

BESTENSEMB­LE

Re­al­ity:Check Pro­duc­tions for Disco Pigs and Suck­ing Dublin by Enda Walsh

BESTACTRES­S

Cather­ine Walsh and Eileen Walsh for their roles as Lisa for Cor­cadorca’s pro­duc­tion of The Same by Enda Walsh

BESTACTOR

Pa­trick O’Kane for his role as Rothko in Prime Cut and Lyric Theatre’s co­pro­duc­tion of Red and his role as Woyzeck in Land­mark Pro­duc­tions and Gal­way In­ter­na­tional Arts Fes­ti­val’s co­pro­duc­tion of Woyzeck in Win­ter

BESTSUPPOR­TINGACTRES­S

Ros­aleen Line­han for her role as Hurdy Gurdy Man in Land­mark Pro­duc­tions and Gal­way In­ter­na­tional Arts Fes­ti­val’s co­pro­duc­tion of Woyzeck in Win­ter, and her role as Mags in the Gate Theatre pro­duc­tion of The Red Shoes

BESTSUPPOR­TINGACTOR

Marty Rea for his role as Nick Car­raway in the Gate Theatre pro­duc­tion of The Great Gatsby and his role as Jemmy Maguire in Druid Theatre Com­pany’s pro­duc­tion of King of the Cas­tle

BESTSETDES­IGN

Ciarán Bag­nall for Prime Cut Pro­duc­tions and the Lyric Theatre’s co­pro­duc­tion of Red and the Gate Theatre pro­duc­tion The Great Gatsby

BESTLIGHTI­NGDESIGN

Aedín Cos­grove and Paul Keogan for Cor­cadorca’s pro­duc­tion of Far Away

BEST COS­TUME DE­SIGN

Peter O’Brien for the Gate Theatre pro­duc­tion of The Great Gatsby

BESTSOUNDS­CAPE

Mel Mercier for Cor­cadorca’s pro­duc­tion of Far Away

BESTMOVEME­NTDIRECTIO­N

Laura Mur­phy for Bram Stoker Fes­ti­val’s pro­duc­tion of Whitby

JUDGES SPE­CIAL AWARD

Abbey Theatre for Free First Pre­views

AU­DI­ENCE CHOICE

Hen­town – Anu Pro­duc­tions

SPECIALTRI­BUTEAWARD

Eleanor Methven

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