Art Market Magazine

AMNON DAVID AR

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Amnon David Ar, Born in Herzelia, Israel in 1973, to a non-artistic family. However, Ar's creative talent was recognized at a very young age, and he started his formal art education at the age of 14. After military service in the IDF was cut short by a flare-up of Alopecia, Ar studied at the prestigiou­s Bezalel Academy of Arts in Jerusalem.

As he could not find the kind of artistic training he was after at that time, he left the Bezalel Academy at the end of the first year and began searching for his own style and artistic language.

While he is considered to be mostly self-taught, Ar sought advice from the establishe­d painters Oswald Adler and Abraham Bykov. He first gained internatio­nal acclaim when his work was praised by the Rembrandt House Museum curator, Dr. Bob Van Den Boogert, who marked Ar as one of the great draftsmen of our time.

This, as well as winning the first Shiff prize for figurative painting at the Tel Aviv Museum, led to numerous exhibition­s in Israel, Europe, and the USA, including: Forum Gallery (New York, 2005), Medici Gallery (London 2011), Vielliers Gallery (Amsterdam 2007), solo exhibition­s at the

Tel Aviv Museum of Art, Ramat Gan Museum of Israeli Art, Haifa Museum of Art, and Ashdod Museum of Art to mention a few.

Being an admirer of great masters such as Velazquez, Vermeer, Rembrandt, Monet, and Schiele, I aim to make a painting from observatio­n innovative and relevant to our era. Like many of these masters, I work solely from observatio­n, dedicating most daylight hours to painting and drawing using natural light. I believe that following the invention of the camera, figurative painting has to offer something different – emotion, atmosphere, perceptive analysis, and psychologi­cal interpreta­tion. I am continuall­y looking for beauty and individual­ity in our trash-filled, noisy, capitalist environmen­t, intentiona­lly focusing on the trivial and ordinary, thus forming a mirror-like image of Pop art.

I am particular­ly intrigued and fascinated by the material and texture of objects, many of which I obsessivel­y collect. One of my main interests is exploring the effect of light on color and atmosphere. In that respect, my move from Israel to Europe is like an earthquake, passing from the Mediterran­ean Israeli sun to Berlin's more subtle and moderate northern light. I hope that this change, among others, will be reflected in my work.

Ar is one of the great draftsmen of our time.

- Dr.Bob Van Den Boogert, Curator of the Rembrandt house museum, 2005

 ??  ?? Ofir 2006. Oil on canvas 62X100 cm
Ofir 2006. Oil on canvas 62X100 cm
 ??  ?? Self portrait in foreshorte­ning 2008 Oil on panel. 45X35 cm.
Self portrait in foreshorte­ning 2008 Oil on panel. 45X35 cm.
 ??  ?? Untitled 2009
Oil on canvas. 30X42 cm.
Untitled 2009 Oil on canvas. 30X42 cm.
 ??  ?? Vanitas 1999
Oil on canvas.50X60 cm.
Vanitas 1999 Oil on canvas.50X60 cm.
 ??  ?? Self portrait in convex mirror 2008 Oil on canvas. 94X89 cm.
Ha’Mashbir corner of Levinsky 2010 Oil on canvas. 80X61 cm.
Intimacy 2007
Oil n canvas. 63X60 cm.
Self portrait 2006
Oil on canvas. 64X48 cm.
Self portrait in convex mirror 2008 Oil on canvas. 94X89 cm. Ha’Mashbir corner of Levinsky 2010 Oil on canvas. 80X61 cm. Intimacy 2007 Oil n canvas. 63X60 cm. Self portrait 2006 Oil on canvas. 64X48 cm.
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 ??  ?? James 2012 Oil on canvas 50X80 cm.
Nude 1997 Oil on canvas 50X80 cm.
James 2012 Oil on canvas 50X80 cm. Nude 1997 Oil on canvas 50X80 cm.

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