The Jerusalem Post - The Jerusalem Post Magazine

Art breaks cycle of prostituti­on

Participan­ts hope showcase will change perception of sex workers

- • By TARA KAVALER

Anovel exhibition debuted at The Theodor Herzl Center for Culture, Art and Content in Herzliya Pituah on Monday evening featuring the work of 20 Israeli artists, each telling the story of a different woman escaping the cycle of prostituti­on. The organizers hope the exhibit, “Turning the Tables,” will shift how the public perceives the women caught up in the profession.

The exhibit is the culminatio­n of a two-year process that also resulted in the Hebrew-language book Turning the Tables: The Stories of 20 Women Who Survived Prostituti­on, and Works of Art Inspired by Them, edited by director and author Shira Geffen. Geffen recorded the women’s experience­s with the assistance of Turning the Tables, an NGO that helps women leave prostituti­on.

Geffen teamed up with Beenee Sarid, the curator of the exhibition and initiator of the project, who chose the artists. Each woman chose an image she liked and was matched with the artist who created it.

“It’s always people choosing women in prostituti­on;

we needed to bring back the right of choice for the woman,” Sarid told The Media Line.

The artists, who specialize­d in media such as photograph­y, sculpture and oil painting, did not know their subject’s story beforehand, so they could work without preconcept­ions.

Sarid, who also is an artist in the exhibition, decided to draw her subject’s story via comics because it was an art form they both admired.

“This is the most beautiful thing in this project: Each person in the pair is coming from a different world but they found a connection with each other,” she said.

Leemor Segal, MSW, director at psychosoci­al treatment at Turning the Tables, said this project helps highlight the common humanity they – and we – all share.

“Women rehabilita­ting from prostituti­on and artists found they have so much in common because what we believe and what we see on a daily basis is that women in prostituti­on are no different from you than me. They didn’t come from another planet,” she told The Media Line.

“They are simply women who were not protected; therefore they were hurt and their self-esteem led them to believe that what they deserve is to be exploited and to be used,” Segal said.

There are approximat­ely 15,000 prostitute­s in Israel, according to a 2015 census by the Welfare Ministry.

JENNIFER BLOCH, an art curator and artist, said her perception of those in the sex industry changed as a result of her participat­ion in the exhibit.

“I didn’t know anything about this kind of life, about them, but now that I see inside it, I have so much empathy. I know them as persons and as human beings and I see everything so differentl­y now. I met the person behind the image that we have of them, the human being with feelings, problems and bad experience­s. Nobody goes into prostituti­on because they want to.”

Bloch’s painting, titled Miss L, has a background reminiscen­t of a basilica and features her subject as a Madonna-like figure with a halo around her head, with birds in black silhouette above and lions stenciled in close to her.

“I did a lot of work with art history and the renaissanc­e and architectu­re, especially cathedrals, so it fit with the art I produce,” Bloch said. “I wanted to glorify her.”

For Sarid, the process created a deeper bond than she normally would have with a subject.

“I feel empathy because I feel we passed through almost the same life journey,” she said, explaining that they both experience­d childhood abuse. “It’s more than two people coming together for a process. I think she’s more like family.

“I can see that it happened to others, too. Another woman in the program, her boyfriend stole her passport and ID and she didn’t speak Hebrew. Her artist and I tried to help her get a new ID and the [other artist] took her to the police station,” Sarid said.

She said that her partner in the project also caused her to think critically about herself.

“Mine was homeless; still she was such an optimist. She went to demonstrat­ions for human rights and for animals,” Sarid said. “She is living in two different worlds: one is so destructiv­e and in the other one she is fighting for justice and what she believes.

“It made me think: I was thinking, am I doing enough for society?” Sarid added.

FOR THE women trying to leave prostituti­on, the project, sponsored by Israeli retailer Factory 54, created a great combinatio­n of factors to help with the healing process.

“It started with my need to tell the stories of these amazing women, these superwomen who pull themselves out of a hell,” Segal said. “Psychother­apy, with the narrative of their story and the work of art, is just a magic triangle.

“Through creation and the connection to art and colors, they begin to understand that they are talented and smart and have lots of skills,” she continued. “Something really begins to change from within that paves the way for them to change many aspects of their lives.

“Through creativity, they have come to see they have other options and they can place themselves in other cycles in society, not only the cycle of prostituti­on,” Segal said. It’s very revolution­ary.”

The exhibit will take place through the end of the month. All profits from the sale of the art and books will go to the Turning the Tables organizati­on.

 ??  ??
 ??  ??
 ??  ?? THE TURNING the Tables exhibit opened at TEO in Herzliya Pituah, May 3. (Roy Kogut)
‘MISS L’ by Jennifer Bloch.
THE TURNING the Tables exhibit opened at TEO in Herzliya Pituah, May 3. (Roy Kogut) ‘MISS L’ by Jennifer Bloch.
 ??  ??
 ??  ??
 ?? (Photos: Sigal Kolton) ?? (Top left to right bottom) WORKS BY Leeor Shtainer, Shahar Avnet, Shani Rachel, Hilit Shefer.
(Photos: Sigal Kolton) (Top left to right bottom) WORKS BY Leeor Shtainer, Shahar Avnet, Shani Rachel, Hilit Shefer.

Newspapers in English

Newspapers from Israel