The Jerusalem Post

CONCERT REVIEW

- • By URI EPPSTEIN

Jerusalem Music Academy Anniversar­y of the Eden-Tamir Center Wise Auditorium October 17

Some 50 years ago, on a sunny spring day, this writer walked with a friend near a half-destroyed house in Ein Karem, a deserted Christian-Arabic village in the outskirts of Jerusalem, and remarked: “In this villa I would like to live, if only I possessed the resources to purchase it.” My architect friend volunteere­d at once to restore the house.

A week later, I met my pianist classmate Alexander Volkovisky (later Tamir) of the then-Rubin Music Academy (whose name was changes after the philanthro­pist’s death). He exclaimed joyfully, “Just imagine, Uri, [Jerusalem mayor] Teddy Kollek has given me this house on condition that I establish there a music center. And that’s what I am going to do with my pianist colleague Bracha Ende (later Eden).

“Congratula­tions”, I said with a forced smile, trying to share Alex’s joy.

That’s how the Eden-Tamir Music Center came into being, running weekly chamber music concerts ever since, performed by local and foreign prestigiou­s musicians.

A world premiere in the Music Academy’s Commemorat­ion Concert of the Eden-Tamir Music Center’s 50-year anniversar­y was “Homage to Mozart” by Bracha Bdil, a disciple of Tamir. Perhaps, if Mozart were not mentioned in the piece’s title, one could enjoy it on its own merits, if any. Mozart’s need of a homage by an academy student did not become clear, however, by this work in which the Mozartian flavor was conspicuou­s by its absence, and its melodies and harmonies sounded appealing, though rather naïve.

The rest of the program consisted, appropriat­ely, of works from the Eden-Tamir repertoire: Bach’s Three Concertos for Two Pianos and Mozart’s Two Piano Concerto, performed by the Academy’s piano teachers who did their best to recreate he Eden-Tamir spirit, though without their brilliance, with a string ensemble conducted by Michael Klinghoffe­er.

With a film screening of Eden-Tamir, and Tamir’s reminiscen­ces, this was a nostalgic event as well as a musical event.

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