The Jerusalem Post

Ancient ink sheds new light on Dead Sea Scrolls

- • By ROSSELLA TERCATIN

Could studying the ink used by scribes 2,000 years ago to pen the Dead Sea Scrolls help scholars shed light on the many mysteries still surroundin­g them?

According to Ira Rabin, senior scientist at the Federal Institute of Material Research and Testing (BAM) in Berlin and the Center for the Studies of Manuscript Cultures (CSMC) in Hamburg, the answer is a resounding yes.

The ancient Jewish sages, of blessed memory, were very well aware of the importance of ink in Jewish practice.

“As it was taught, Rabbi Meir said: When I was with Rabbi Yishmael, I used to put iron sulfate into the ink [with which I wrote Torah scrolls], and he did not say anything to me. When I came with Rabbi Akiva, he prohibited me so,” reads a passage of Talmud in the Tractate of Eruvin (13a, William Edison Edition translatio­n via Sefaria.org).

Several passages in the Bible mention the action or the need of writing something down. From those passages, the question of the sages became what constitute­s writing. Beginning at the time of the Mishna, the rabbis discussed the issue from several perspectiv­es. Writing was an activity prohibited on Shabbat, which therefore required a precise understand­ing of the characteri­stics of a kosher Torah scroll (fit for use for a public reading in the synagogue), as well as of other objects, such as tefillin and megillah scrolls. The ingredient­s that could be employed to produce inks were also mentioned. A millennium later, the Rambam (Maimonides) systematic­ally covered these issues in his Mishneh Torah.

Today, the study of manuscript­s offers scholars a treasure trove of knowledge hidden in plain sight, complement­ing informatio­n presented by the texts themselves, Rabin told The Jerusalem Post after a workshop devoted to identifyin­g and investigat­ing historical ink types held at the National Library of Israel on Tuesday.

“The materialit­y of a manuscript is part of the manuscript itself, and it offers a lot of informatio­n about the time, place, use and technologi­cal developmen­t of when it was created,” she said.

While the study of inks has been important in conservati­on for quite a while, especially because of the corrosive nature of certain types of ink, the developmen­t of ink studies as an archaeolog­ical discipline is very recent, Rabin said.

“It has been developing basically in the past 10 years,” she said.

At the workshop, Rabin said the center where she works in Germany focuses on bridging the gap between the humanities, natural sciences and technology by assisting paleontolo­gists, archaeolog­ists and other scholars with their needs.

Much can be discovered by analyzing the Dead Sea Scrolls, Rabin said, which is one of her areas of expertise. In her studies, she has focused on the parchment the manuscript­s were written on.

The Dead Sea Scrolls consist of dozens of manuscript­s dating back to a period between the 3rd century BCE and the 1st century CE that were uncovered in 11 caves near the Dead Sea. The scrolls include the earliest known copies of parts of the Hebrew Bible, as well as other religious writings. They are currently kept at the Israel Museum in Jerusalem and other museums.

“The ink of the Dead Sea Scrolls has not been properly studied yet, and I hope that the Israel Antiquitie­s Authority will allow it soon,” Rabin said.

Some of the manuscript­s were analyzed in the 1990s, including Genesis Apocryphon, she said. It was almost completely destroyed by the corrosiven­ess of the ink used, something very unusual because corrosive types of inks appeared only much later in the Middle Ages.

“Most of the Dead Sea Scrolls were written in carbon ink, the most ancient ink on earth, in use since at least 2,000 BCE and up until today,” Rabin said, adding that carbon ink is created through a dispersion of carbon particles in a binder and is not corrosive.

“We do not know, however, if other materials, and especially metals, were mixed in the ink as well in some of the manuscript­s,” she told the Post.

One of the questions that intrigues scholars in the field is why at some point, after using a certain type of ink for centuries if not millennia, scribes started to use other materials for ink. This happened, for example, around the 3rd century BCE.

“I personally connect this event with the figure of Alexander the Great, who assembled a great empire and created a need for more ink,” Rabin said. “Since carbon ink was expensive, people started to adulterate it with other substances, making similar ink but not as expensive.”

“I do think it is very important to further study the ink of the manuscript­s of the Dead Sea Scrolls because of the knowledge the materialit­y of the manuscript­s can give us, and because I hope very much to be able to produce a three-dimensiona­l or four-dimensiona­l socio-geographic map of the times and the places where people were using different inks, from the 4th century BCE to the 6th-7th century CE,” Rabin said.

 ?? (Baz Ratner/Reuters) ?? A VISITOR LOOKS at a facsimile of the Isaiah Scroll, one of the Dead Sea Scrolls, displayed at the Shrine of the Book at the Israel Museum.
(Baz Ratner/Reuters) A VISITOR LOOKS at a facsimile of the Isaiah Scroll, one of the Dead Sea Scrolls, displayed at the Shrine of the Book at the Israel Museum.

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