The Jerusalem Post

A wholesale assault on political correctnes­s

- FILM REVIEW • By PETER DEBRUGE

loS anGeleS ( Variety. com/ reuters) – no one knows “fake news” better than Sacha baron cohen, who pioneered a form of bogus journalism as political satire with Da Ali G Show

and 2006 spinoff feature Borat.

that film – which I considered revolution­ary enough to merit a place on Sight & Sound poll of the greatest films of all time – brilliantl­y blurred the lines between staged shtick and candid camera routines, bending the mockdoc format to reveal both the bigotry and generosity of everyday americans as they interacted with what they perceived to be a clueless foreign reporter.

now, baron cohen is back in character – and just in time for the 2020 uS presidenti­al election – with stealth sequel Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan.

here, shot and delivered amid an unpreceden­ted global pandemic, is a staggering act of comedic revolt with built- in viral potential, which is shaping up to be the kind of october surprise capable of sparking laughs, shaping public discourse and engaging voters as seriousmin­ded messaging can’t.

It seems almost fitting that such a critique should come in the guise of pseudo- socialist propaganda. With disruptive stunts directed at such high- profile republican operatives as mike pence and rudy Giuliani ( the latter will have some serious explaining to do), plus boundary- pushing bits involving abortion counseling, right- wing conspiracy theories and a Ku Klux Klan cameo at a cpac event, Borat 2 finds the fearless comedian taking indirect aim at america’s “magnificen­t new premier,” mcdonald trump.

oblique is a smart way to play it, since trump has proven virtually impervious to parody during his term. he’s easy to tease, but surprising­ly tough to tarnish, as countless caricature­s have demonstrat­ed.

rather than attack the president outright, baron cohen and his team of co- writers ( all seven collaborat­ors are back on the case) chip away at trump’s reputation by presenting borat as a long- distance admirer, impressed to see a world leader who speaks his language of misogyny and racism.

a decade and a half ago, it was enough for baron cohen to say something extreme in character and let people’s reactions expose their biases ( as when he convinced bystanders to sing along with antisemiti­c folk song “throw the jew down the Well” in an episode of Da Ali G Show). now trump does that for him on a near- daily basis.

but that’s not the only challenge baron cohen faces going in to the project: how do you dupe americans when so many of them are already in on the joke? to the extent that the comedian’s strategy depends on punking

people while in character, will that still work now that borat is a widely recognized comic star?

turns out, if you lose the character’s trademark gray suit, one can still get away with an awful lot – and more still if there are producers working behind the scenes to grease the wheels with donations ( which is reportedly how they arranged for baron cohen, dressed in “country joe” disguise, to perform at a three percenters event protesting the government’s pandemic response).

even more than in his previous feature outing, Borat Subsequent Moviefilm delivers a consistent, coherent feature- length narrative, punctuated with outrageous, unpredicta­ble set pieces.

director jason Woliner ( who’s worked with post- Borat stunt comics brett Gelman and nathan Fielder) spins a story of evolving father- daughter dynamics along which the team is free to orchestrat­e what will prove to be unforgetta­ble real- world sketches – such as the crashing of a debutante ball in mason, Georgia, a relic of slave- holding times where rich white men present their daughters to high society.

the sequel catches up with borat in a Kazakh prison as he’s finishing out a hard- labor sentence for bringing shame to his s*** hole country ( keep in mind, Borat was never intended as a critique of the real Kazakhstan, which stands in for any nation your average american would have trouble locating on a map). called in by the propaganda minister, he’s given a new mission: earn trump’s respect – and by extension, the world’s – by delivering a ridiculous gift into the corrupt politician’s inner circle.

at first, borat’s goal is to present johnny the monkey to “no. 1 ladies’ man” mikhael pence. Failing that, borat decides to offer his 15- year- old daughter tutar ( Irina nowak) as a child bride, which vaguely explains what baron cohen was doing crashing the conserativ­e political action conference in fullbody trump disguise earlier this year.

For the most part, the filmmakers have done an amazing job of keeping the lid on the sequel’s biggest surprises, and it would be a shame to spoil them here. Still, it’s important to acknowledg­e that in an era of deepfakes, it’s not always clear what baron cohen got away with and what has been shaped in the editing room. ( In any case, that really is him pretending to take a dump outside trump Internatio­nal hotel and tower.)

certainly, what’s more effective about the “borat approach” to satire than, say, alec baldwin’s abrasive trump caricature on Saturday Night Live, is the way that baron cohen, like the president – and like fellow real estate scion paris hilton, if This Is Paris is to be believed – has essentiall­y committed to staying in character for years.

In a sense, it takes one phony to expose another, and baron cohen zeroes in on the hypocrisy of trump’s selective xenophobia ( ban immigrants, but marry european models) by treating melania as a positive example to foreign girls, like tutar, who watches a disneystyl­e cartoon about a Slovenian peasant girl who became an american princess.

“I will never live in a golden cage like melania,” tutar moans after one of many setbacks in borat’s attempt to marry her off to “vice premier” pence or backup- plan Giuliani. as for the cage, well, that’s just one of many ways the movie imagines the kind of casual chauvinism practiced in “Kazakhstan.” both borat and tutar regularly consult a state- sanctioned parenting binder for guidance on how to be good citizens, and while the instructio­ns contained therein are too exaggerate­d to rankle anyone in the States, they serve as a valid critique of centuries of patriarcha­l control.

In some scenes, as with a republican women’s meeting, one wishes the filmmakers had come up with a more effective plan than simply trying to embarrass a room full of conservati­ves.

unlike his Showtime series, Who Is America?, baron cohen lets democrats almost entirely off the hook, which is consistent with a larger strategy ( whose consequenc­es will surely be felt both in this election and in the years to come) to put aside any questionin­g of the left in order to defeat trump – with one major exception.

Borat Subsequent Moviefilm constitute­s a wholesale assault on political correctnes­s. In that sense, it pushes trump’s own tactic of spewing hyperbole (“What is more dangerous, this virus or the democrats?” borat asks) and toxic stereotype­s ( as in borat’s nazi- era notion of a “typical jew”) to such extremes, even free speech advocates may find themselves wanting him to rein it in. then again, it’s not hard to imagine another film in which borat is elected leader of his home country upon his return – although baron cohen already made that movie, and The Dictator was a dud.

Frankly, nothing the comedic actor has done since Borat has had quite the same impact, so it’s a relief that the Subsequent Moviefilm is no dashed- off affair, but a parody on par with the original.

Granted, audiences have a better idea of what to expect now, and the shaky camerawork and extreme attempts to make even scripted bits look spontaneou­s distract more than they add in the year 2020. but borat has lost none of his bite, treading that same fine line between sophomoric humor and pointed political satire.

at a time when a reality- tV president treats his rallies like stand- up comedy shows, cracking jokes to cheering crowds, this may be one of the few counter- punches to cut through the noise. the movie’s big twist involving a key campaign adviser may be “fake news,” but it’s also a case of baron cohen trumping trump at his own crooked game.

 ?? ( Amazon Prime Video) ?? A SCENE from the ‘ Borat’ sequel.
( Amazon Prime Video) A SCENE from the ‘ Borat’ sequel.

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