OLIVIERO TOSCANI Photographs of Andy Warhol

Antonio Colombo Arte Contemporanea, Milano September 16 - October 30, 2021

Antonio Colombo Arte Contemporanea is pleased to present Photographs of Andy Warhol, a solo exhibition by the Italian photographer Oliviero Toscani, curated by Luca Beatrice. In 1975 Oliviero Toscani was one of the leading figures of Italian and international photography. Just past 30, he had already produced the ad campaign that made him famous and controversial. With Jesus Jeans and the famous slogans “he who loves me will follow me” and “you shall have no other jeans before me,” he tackled the first storm of criticism in his long career, which would lead one decade later to the long relationship with Benetton, a true Copernican revolution of advertising imagery. At the time, New York meant Andy Warhol. After surviving a murder attempt in 1968, Warhol was going through a phase of rethinking of his work: he concentrated on the silkscreen portraits by commission, produced an experimental trilogy of Paul Morrissey, Flash, Heat, Trash with Joe Dallesandro, and above all he was busy with his latest discovery, the Polaroid, which enabled him to shoot thousands of instant images of those who came to see him at the Factory, which in the meantime had been moved to Union Square. The frequent visitors to the Factory included Oliviero Toscani, with his camera, who captured the flamboyance of Warhol, using him as the model and protagonist of this cycle of black and white shots, in a rough, immediate approach, without any retouching or correction, capturing the improvised creative frenzy of a place whose fascinating energy lives on in the images.For this exhibition, Toscani has personally selected 50 photographs taken from 1971 to 1975, most of which have never been shown elsewhere, including little-known images that bear witness to his years in New York. The immediate impact resembles that of photojournalism, where the personalities are at the center of the scene, but the fulcrum is represented precisely by the camera, as an appendix of the body, a tool of investigation. Dressed like a gentleman at leisure, with his taste for Brooks Brothers shirts, Toscani’s Warhol is more ordinary than usual. When he is not making photos, he is ordering contact prints, talking with friends, and only rarely strikes a pose. With respect to other “official” photographers of the Factory, like Stephen Shore, Billy Name and Nat Finkelstein, Oliviero Toscani’s gaze is less clinging, less inclined to succumb to Warhol’s “divinity”; instead, it bears witness to very natural moments of life, to something authentic that has never faded with the passing decades. ▲ coglie il lato vanesio utilizzandolo come modello e protagonista di questo ciclo di immagini in bianco e nero, dal taglio ruvido e immediato, senza alcun ritocco né aggiustamento, dove testimoniare la frenesia creativa improvvisata di un luogo che ha mantenuto inalterato il suo fascino.

Visitabile fino al 30 ottobre, questa mostra si rivela un’ottima occasione per indagare non solo l’autore, ma anche il modello, magicamente connessi in questi scatti degli anni ‘70. ▲