VOGUE (Italy)

Family Story

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photograph­y by: Francesca Sorrenti archive images by: Davide Sorrenti styling by: Matt Holmes

My name is Francesca Sorrenti an dI amafirst- generati on A meri can.Mymomwas from Naples. My story started in the Fall of 1969 when I met the father of my children. By the Christmas of 1970 we were married and in the summer of1971 we flew

off to live in Naples. My first child, Mario, was born the following October, then

came Vanina, in 1973, and Davide, in 1976. Unfortunat­ely, Davide was born with a genetic disorder called Thalassemi­a. I felt that the best way to give Davide a better

life was to move to New York, which we did in 1982. It was very difficult for us, in the beginning. My children didnot know a word of English and I could not find a job

in New York because of Davide’s illness, even though I had had an extensive career working with Fiorucci and managing my own accessorie­s and clothing company in Naples. W ith time, however, they all integrated amazingly. Mario and Davide loved

biking and skateboard­ing and doing all the things New York kids did at the time. I

became a stylist and eventually got into advertisin­g. At the age of 40 I decided to pick up the camera. By then I was very well known within the ’80s fashion community. All three of my children were child models and also well integrated into the fashion scene. One day, in 1990, Mario said to me: “Mom, pick up a camera. You’re always

telling everybody what to do.” T hat is what I did and I loved it. Basically, Mario and I started our photograph­y careers together. In the meantime, Davide was heavily

influenced by what was going on around him. He loved art and photograph­y and, in spite of his homeboy attitude, he always surprised people with the wide variety of

his interests. Vanina’s career as a photograph­er started after Davide’s passing. She

felt she could express herself through the lens of a camera. My partner Steve was a photograph­erbefore all of us and he is the one who put us on the right track, showing us the ins and outs of the infamousca­mera. At one point we were all involved – and we

are still part of the photograph­y and fashion community. Meanwhile, Davide was shooting his friends and capturing the attention of several creative directors within the editorial community. Before we all knew it, he was shooting campaigns and working for magazines such as Interview and i-D, along with many others in Europe.

There is a documentar­y on Davide’s life, “See Know Evil”, and two amazing photograph­y books published by Idea Books. It’s stunning how his legacy lives on through his generation and today’s youth culture. Davide passed at the age of 20, his career having lasted only two years, and it still amazes me how talented he was.

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 ??  ?? In the frame: Francesca Sorrenti by Davide Sorrenti (1996)
In the frame: Francesca Sorrenti by Davide Sorrenti (1996)
 ??  ?? In the frame: Mario Sorrenti by Davide Sorrenti (1996)
In the frame: Mario Sorrenti by Davide Sorrenti (1996)
 ??  ?? GLI ABITI DI QUESTO SERVIZIO SONO DI VALENTINO, COLLEZIONE A/I 2021-22.
CAPPOTTO IN PANNO CON LAVORAZION­E CUT-OUT EFFETTO RETE. STIVALI ATELIER VALENTINO GARAVANI 03 ROSE EDITION IN GOMMA, VALENTINO GARAVANI.
NELLA PAGINA ACCANTO. CAMICIA IN POPELINE DI COTONE CON PLASTRON E COLLETTO RICAMATO E GONNA DI CRÊPE COUTURE.
IN APERTURA, A DESTRA. MAGLIONE DI LANA A TRECCE PLACCATO ORO.
In the frame: Self-portrait by Davide Sorrenti (1996)
GLI ABITI DI QUESTO SERVIZIO SONO DI VALENTINO, COLLEZIONE A/I 2021-22. CAPPOTTO IN PANNO CON LAVORAZION­E CUT-OUT EFFETTO RETE. STIVALI ATELIER VALENTINO GARAVANI 03 ROSE EDITION IN GOMMA, VALENTINO GARAVANI. NELLA PAGINA ACCANTO. CAMICIA IN POPELINE DI COTONE CON PLASTRON E COLLETTO RICAMATO E GONNA DI CRÊPE COUTURE. IN APERTURA, A DESTRA. MAGLIONE DI LANA A TRECCE PLACCATO ORO. In the frame: Self-portrait by Davide Sorrenti (1996)
 ??  ?? In the frame: Vanina, Paris metro, by Davide Sorrenti (1996)
In the frame: Vanina, Paris metro, by Davide Sorrenti (1996)
 ??  ?? CAPPA-PEACOAT DI LANA DOUBLE, PULL DI VISCOSA EFFETTO RETE E GONNA IN CRÊPE COUTURE CON PIEGA ROVESCIATA. STIVALI ATELIER VALENTINO GARAVANI 03 ROSE EDITION IN GOMMA, VALENTINO GARAVANI.
NELLA PAGINA ACCANTO. PULL DI VISCOSA EFFETTO RETE E GONNA DI CRÊPE COUTURE. SLINGBACKS ATELIER SHOES VALENTINO GARAVANI 03 ROSE EDITION IN PELLE SPECCHIO ORO, VALENTINO GARAVANI.
In the frame: Self-portrait by Davide Sorrenti (1996)
CAPPA-PEACOAT DI LANA DOUBLE, PULL DI VISCOSA EFFETTO RETE E GONNA IN CRÊPE COUTURE CON PIEGA ROVESCIATA. STIVALI ATELIER VALENTINO GARAVANI 03 ROSE EDITION IN GOMMA, VALENTINO GARAVANI. NELLA PAGINA ACCANTO. PULL DI VISCOSA EFFETTO RETE E GONNA DI CRÊPE COUTURE. SLINGBACKS ATELIER SHOES VALENTINO GARAVANI 03 ROSE EDITION IN PELLE SPECCHIO ORO, VALENTINO GARAVANI. In the frame: Self-portrait by Davide Sorrenti (1996)
 ??  ?? In the frame: Francesca Sorrenti and Steve Sutton, by Davide Sorrenti (1995)
In the frame: Francesca Sorrenti and Steve Sutton, by Davide Sorrenti (1995)
 ??  ?? ABITO “ILLUSIONE” DI TULLE RICAMATO A MOTIVO FLOREALE CON PERLINE.
NELLA PAGINA ACCANTO. ABITO DI CRÊPE COUTURE CON DETTAGLI IN POINT D’ESPRIT E SCIARPINA DI CHIFFON.
DÉCOLLETÉS ROCKSTUD ALCOVE VALENTINO GARAVANI IN PELLE E VERNICE, VALENTINO GARAVANI.
MODELS: LINDSEY WIXSON @ DNA, VIVIENNE ROHNER @ HEROES. HAIR: ASHLEY JAVIER @ ART & COMMERCE. MAKE UP: GRACE AHN @ JULIAN WATSON AGENCY. MANICURE: MO QIN @ THE WALL GROUP. PRODUCTION: MARCOS FECCHINO.
In the frame: Jaime King sleeping, by Davide Sorrenti (1996)
ABITO “ILLUSIONE” DI TULLE RICAMATO A MOTIVO FLOREALE CON PERLINE. NELLA PAGINA ACCANTO. ABITO DI CRÊPE COUTURE CON DETTAGLI IN POINT D’ESPRIT E SCIARPINA DI CHIFFON. DÉCOLLETÉS ROCKSTUD ALCOVE VALENTINO GARAVANI IN PELLE E VERNICE, VALENTINO GARAVANI. MODELS: LINDSEY WIXSON @ DNA, VIVIENNE ROHNER @ HEROES. HAIR: ASHLEY JAVIER @ ART & COMMERCE. MAKE UP: GRACE AHN @ JULIAN WATSON AGENCY. MANICURE: MO QIN @ THE WALL GROUP. PRODUCTION: MARCOS FECCHINO. In the frame: Jaime King sleeping, by Davide Sorrenti (1996)

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