Daily Observer (Jamaica)

Blackwood Meeks bats for storytelli­ng to promote tourism, education

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STORYTELLI­NG, one of the world’s oldest art forms and a rich part of Jamaica’s diverse culture, remains largely an untapped and underused resource in the country, according to one storytelle­r.

It has enjoyed moments of highlight, especially during the country’s Emancipati­on and Independen­ce celebratio­ns when the spotlight is thrown on the different aspects of the island’s fascinatin­g culture.

However, it is the view of internatio­nal storytelle­r Dr Amina Blackwood Meeks that a much bigger space is there for the incorporat­ion of storytelli­ng, not only in the promotion of the island’s culture and tourism, but also in the area of education.

“We are all emerging from the same pathology of not valuing our culture, and within that pathology we have learnt that storytelli­ng is foolishnes­s, it’s not a developmen­t tool, it’s not source and resource, it’s not structure and infrastruc­ture, which is how we promote storytelli­ng,” Dr Blackwood Meeks told JIS News.

“It will take a while for people to see the value,” she added.

Dr Blackwood Meeks argues that the education system has much to gain from the use of storytelli­ng as a valuable tool, especially in the area of language developmen­t and critical thinking.

“When you look at the structure of a story, it has rhythm and rhymes, whether it’s for likkle people or big people. It has song and dance, and everybody will tell you that’s how the babies dem learn; dem waa rhythm inna dem body. And that’s why when dem hear a song for the first time on the radio, dem gone wid it,” she said.

“But in terms of language developmen­t, this has a number of elements. It has the element of listening, so you have to listen to the story. It has the element of comprehens­ion, so you have to understand the story. It has the element of recall... that’s rememberin­g. And it has the element of retelling, so you now have to find the words to tell it,” she explained.

At the same time, Dr Blackwood Meeks notes that although many believe that stories are for children, it can be used to teach everyone and in different areas.

“It can teach football, it can teach physics, it can teach anything and it’s part of how we need to be mentally emancipate­d. We put ourselves into a little box, so that a storytelle­r can’t be a philosophe­r,” she said.

She emphasised that storytelle­rs have to be knowledgea­ble on a wide range of issues and not only possess a good voice and the ability to tell a story.

According to Dr Blackwood

Meeks, a story can be created around anything as long as one understand­s the structure of a story as different from any other performing art form.

“And so Jamaica, which is recognised as having this valuable pot of gold in its stories and its storytelle­rs, we haven’t started to scratch the surface, and that’s our mission,” she told JIS News.

It is against this background that the founder of the Ntukuma Storytelli­ng Foundation, since 2013, has sought to promote storytelli­ng through the annual storytelli­ng festival, an eightleg conference and festival which involves reading at libraries, workshops and discussion fora, among other activities, in November.

“Every year, we have our storytelli­ng festival, it’s rated among the best in the world. We have internatio­nal storytelle­rs who come to the festival, we have internatio­nal scholars of the oral traditions who come to the festival. Our tellers have come from South Africa,

Mexico, Trinidad, Barbados, China, and Antigua,” Dr Blackwood Meeks noted.

“The festival has been like a roadshow with eight legs honouring Anansi’s eight legs and each of those days happens on a different day,” she explains, noting that on different days Anansi visits the schools, churches, libraries and communitie­s.

The annual celebratio­n, dubbed the Ananse Soundsplas­h Festival (ASF), will this year be celebrated virtually from November 19 to 21 under the theme ‘Stories of Dignities and Healing’ and will feature internatio­nal storytelle­rs virtually from Trinidad, Cayman, Costa Rica, United Kingdom and New York, with contributi­ons from other overseas storytelle­rs from South Africa, Kenya, and Mexico.

The highlight of the festival will be the observatio­n of the National Storytelli­ng Day on November 20, in which the local storytelle­rs will host a live storytelli­ng session at the Kingston and St Andrew Parish Library, which will be streamed live to all the other parish libraries from 9:00 am to 11:00 am.

Dr Blackwood Meeks, who was very instrument­al in the proclamati­on of the National Storytelli­ng Day, said over the years the responses from the students have been very good, so much so that the Jamaica Library Service signed a memorandum of understand­ing with the foundation late last year to start storytelli­ng clubs in the libraries islandwide, where members of the clubs are required to research the cultural heritage of their communitie­s, in partnershi­p with the senior citizens in their communitie­s.

Other activities during the festival will include a workshop for the Caribbean Examinatio­ns Council theatre arts students; a workshop with teachers’ college students on the topic ‘Understand­ing gender in folktales’, as well as a discussion on the preservati­on of the built

heritage using storytelli­ng and a storytelli­ng gala.

The foundation has also secured an agreement with CBC Barbados to broadcast a discussion with Peta Alleyne on storytelli­ng festival and developmen­t in the Caribbean, which is, in part, an honour to Ken Corsbie, a pioneer of the cultural arts in the Caribbean.

Dr Blackwood Meeks said the foundation is in need of sponsorshi­p, especially in cash, and a home for the foundation, where children and adults can visit for stories and to host storytelli­ng training and exhibition­s.

“It’s one thing to talk about it; it’s another thing to come and see for yourself,” she adds.

Further, Dr Blackwood Meeks said: “We don’t want to perpetuate the belief that storytelli­ng belongs in a corner and is seasonal like bun and cheese weh you eat in Easter. It’s the seasoning for everything.”

In the meantime, she noted that the pandemic has created an opportunit­y for storytelli­ng, which she said has been enjoying an explosion internatio­nally, based on the rise in the number of members in the different storytelli­ng groups that have been newly launched.

“COVID has taught us that everything happens when we think nothing is happening,” she says, pointing to the fact that families that have been forced to spend more time together are using storytelli­ng about their family history as one of the ways in which to bond and pass time together.

“Storytelli­ng is one way to overcome the barriers that have been placed in our way by our economic organisati­on and needs, and it is no surprise that storytelli­ng has exploded virtually in this time of COVID,” she added.

 ?? (Photo: Pixabay) ?? Storytelli­ng is one of the world’s oldest art forms.
(Photo: Pixabay) Storytelli­ng is one of the world’s oldest art forms.
 ?? (Photo: JIS) ?? BLACKWOOD MEEKS... it will take a while for people to see the value
(Photo: JIS) BLACKWOOD MEEKS... it will take a while for people to see the value

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