Daily Observer (Jamaica)

Creative industries call for more investment­s

- BY CODIE-ANN BARRETT Senior business reporter barrettc@jamiacaobs­erver.com

THE entertainm­ent fraternity is calling for more investment­s in the cultural and entertainm­ent industries. During discussion­s at Jamaica Stock Exchange’s (JSE) 19th Regional Investment­s and Capital Markets Conference on Thursday at Jamaica Pegasus hotel in Kingston, veteran entertainm­ent profession­als joined forces, emphasisin­g areas within the creative sector that could benefit from increased funding.

“We need to have a proper venture-funding facility run by people who understand creative business because that is more fit for purpose,” said chairman of Pulse Investment­s Limited Kingsley Cooper, highlighti­ng key areas for potential investment­s.

While acknowledg­ing that there have been previous investment­s in creative businesses, Cooper pointed out the potential for extraordin­ary returns from investing in enormous talent, citing examples like Bob Marley and

Producer and playwright Basil Dawkins

Jimmy Cliff. He suggested investing directly in talent, recognisin­g their growth potential. Additional­ly, he proposed equity investment as an alternativ­e option for the financial sector to consider.

During the COVID-19 pandemic the Government, through the Economic Recovery Task Force, conducted a study across various industries in 2020, determinin­g that the entertainm­ent and cultural industry had an economic impact of $84 billion.

“Specific to my area, just large festivals alone were about $28 billion out of that,” said Scott

Managing director of Dream Entertainm­ent Limited Scott Dunn

Dunn, managing director of Dream Entertainm­ent Limited, emphasisin­g the industry’s potential for investment returns.

However, producer and playwright Basil Dawkins believes the authoritie­s do not recognise the potential of marketing Jamaican cultural activities as part of tourism. He suggests moving away from the traditiona­l tourism model to boost support for both the economy and the entertainm­ent sector.

“Kingston may not need to rely on the beach and sun because we have so many other things that we still operate an eight-hour-a-day plant. We can’t have a city that thrives and changes its per capita GDP by operating the same way. I think we should be able to find a methodolog­y to transform corporate Kingston into entertainm­ent Kingston after the corporate office is closed,” suggested Dawkins.

Without the vision, he argues, there will be no developmen­t to move into committed, resilient action. Theatre-scripted plays have been on pause from internatio­nal touring due to promoters overseas being unable to withstand the vigours of COVID-19, plus difficulti­es in obtaining work permits overseas, according to Dawkins. He suggests bringing the people to the plays instead of bringing the plays to the people, as a solution to revitalisi­ng plays locally.

“I am of the view that the vision has to be to make Kingston the cultural and entertainm­ent capital of the region, including the eastern seaboard going up to North America. If it is not as big as that, we are wasting our time,” reiterated Dawkins.

In appealing to potential investors at the conference,

Cooper asserted that in his 40 years in the business there is still not at least one proper performing centre, which he says needs to be a public sector effort due to the high investment risk involved with the private sector attempting that independen­tly.

“I wouldn’t encourage the folks here to put up a performing centre because they won’t make any money for a long time, and they will hold me responsibl­e,” he said.

While internatio­nal artistes have performed, such as at the recent Burna Boy concert at the National Stadium, Cooper pointed out that the infrequenc­y of internatio­nal artistes coming to perform would pose issues. However, a performing centre has to be purpose-built and must contribute to industry developmen­t.

“It must be [done by the] Government, and your return comes from the image of the country and the developmen­t of the people of the country — and that is what government is for. We somehow convince the Chinese to build so many things [so] have them build a proper performing centre and we [will] pay for it in the way

that we pay for everything else,” he explained.

To wrap up the discussion­s, executive director of Jamaica Intellectu­al Property Office (JIPO) Lilyclaire Bellamy used the opportunit­y to announce that, in light of requests for entertaine­rs to have a health and pension scheme fund, progress is being made in that area to offer support to entertaine­rs.

“The Government of Jamaica is putting in place health insurance for our entertaine­rs, and it’s supposed to come on stream in the next financial year,” she said.

She also encouraged sports and entertainm­ent individual­s to obtain a trademark to protect themselves. She advised reaching out to the intellectu­al property office, or an intellectu­al property attorney, for proper guidance. Registrati­on in Jamaica is facilitate­d by a number of internatio­nal treaties, including the Madrid Protocol which will make it easier to protect your trademark in a number of other jurisdicti­ons.

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 ?? ?? Chairman of Pulse Investment­s Limited Kingsley Cooper
Chairman of Pulse Investment­s Limited Kingsley Cooper

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