Jamaica Gleaner

Is there a ‘Collywood’ in the making?:

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IN THE opening scenes of the latest Vin Diesel action movie, troops in the Dominican Republic chase the hero through a rainforest and down a twisty mountain road. But in real life, the government is doing all it can to welcome the Hollywood star – or anyone else who wants to produce a film in this Caribbean country.

The filming of some scenes from xXx: Return of Xander Cage is a sign of progress in efforts to persuade the film industry to use the Dominican Republic’s lush mountains, white-sand beaches and colonial architectu­re as a backdrop.

“Now, we are on the map,” said Yvette Marichal, director of a government agency created in 2010 to woo film production companies to the country and to regulate their activities here.

Marichal spoke in a recent interview after returning from the Cannes Film Festival, where her agency had a pavilion promoting the country’s varied landscape along with tax breaks and other incentives to lure companies from other destinatio­ns, including other parts of the Caribbean or the US.

Besides the Vin Diesel action flick, which grossed more than US$300 million at the box office this year, the country’s film credits have grown to include last year’s Netflix production True Memoirs of an Internatio­nal Assassin, as well as 47 Meters Down, which stars Mandy Moore and opens in the US on Friday.

There are small-screen offerings as well, including the Turkish version of the competitio­n series Survivor, which moved from the Philippine­s to the Dominican Republic’s Samana area in the north, as well as the Greek version of the same programme, which is moving from Argentina’s Patagonian region, and a Swedish production of The Bachelor.

All or part of 45 foreign production­s, including fulllength movies, documentar­ies and reality TV shows, were filmed here last year. There were another 20 full-length movies for the domestic market, compared to three in 2010.

Good investment

In the past, the country played host to some notable films. Parts of Apocalypse Now were filmed here as were scenes in Godfather II representi­ng Cuba. In the 2006 movie adaptation of Miami Vice, the Dominican Republic stood in for Haiti, the other country occupying the island of Hispaniola. Those occasional production­s inspired former President Leonel Fernandez, who was looking for ways to diversify the economy and bring jobs to the country of more than 10 million.

“That bit of investment in the Dominican Republic without any type of incentives motivated the president,” said Omar de la Cruz, who served on an advisory board that helped launch a more concerted

effort to attract the film industry.

In 2010, the government establishe­d tax credits for production­s costing at least US$500,000 and exemptions on such things as import duties for audiovisua­l equipment. The movie A Dark Truth, starring Andy Garcia, was the first to take advantage of the new law in 2011.

In addition to the incentives and marketing, universiti­es in the Dominican Republic began offering courses to provide the technical skills that production companies could use to find the local production and technical workers they are required to hire under the law. In 2013, the prominent Vicini family opened Lantica Media, which operates what it describes as the Caribbean’s most modern studio and sound stage facilities, in a partnershi­p with Britain’s Pinewood Studios.

Among the movies that Lantica Media worked on is xXx: Return of Xander Cage, which required hiring 300 local people with technical skills, providing valuable experience for them to work in future major production­s, said Rafael Nunez, a production director at the company’s location in San Pedro de Macoris on the southern coast. The facilities

were also used in 47 Meters Down and True Memoirs of an Internatio­nal Assassin.

Marichal credits some of the success to the country’s varied landscape. “It is incredible how we have almost all ecosystems on this little island,” she said. “The only thing we lack is snow, but for that we have studios.”

The benefits are difficult to measure, but Marichal’s office says that film production in 2016 injected nearly US$87 million into the economy and created 4,000 direct jobs. Most lucrative for the country are the long-running reality TV series, which bring crews staying six months or more at a time. There is also the benefit of promoting the country, already among the Caribbean’s top tourist destinatio­ns.

“It encourages me to see how much the Dominican Republic has achieved in so little time,” Marichal said.

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