Jamaica Gleaner

Art aficionado­s gather at Great Huts to celebrate the Legacy of Gene Pearson

- Kimberley Small/Gleaner Writer

GREAT HUTS Resort in Boston Bay, Portland, is positionin­g itself to become the Mecca of recreation and wholesome entertainm­ent for both local and internatio­nal visitors.

The last such activity in that thrust was the Jamaican Arts Odyssey – a three-day ‘sojourn’ into artistry themed for renowned Jamaican artistes, led and curated by the same.

The ‘Great Huts Odysseans’ have become part of the resort’s loyal following and are expected to show up once again later this summer for the staging of the eighth annual Cinema Paradise, Portie Film Festival, opening in Kingston and concluding at the cliff-side getaway.

Two weekends ago, the ecoresort was the final destinatio­n of the Jamaican Arts Odyssey which began on Friday, June 22 at the Grosvenor Art Gallery in St Andrew. There, art aficionado­s gathered to kick off a memorable three-day immersion in art and culture, starting with Nakazzi.

AN INSPIRATIO­N

Her tribute to the ‘Legacy of Gene Pearson’ included an exhibition and personal presentati­on where she openly shared how the late Pearson inspired and taught her how to produce her now famous masks to an appreciati­ve audience. The theme of masks, inspiratio­n and mentorship continued as attendees set off for Great Huts, where the Odyssey continued for two more days.

Set against the jungle-like landscape of the eco-resort, the following day began with an early meditation. Portland-based artist, Joavan Puran, then led a mural painting workshop – whose participan­ts included the art faculty and students of Titchfield High School. The next activity was mask-making with artists Nakazzi, Philip Ambokele Henry, Marcia Henry and Lisa Hendricks.

Internatio­nally acclaimed artist Bryan McFarlane mentored many of the 20 participat­ing artists including Puran. Carrying on the Odysseys theme, McFarlane led a presentati­on titled reclaiming ‘Ancestral Roots’, which explored the mystical and historical significan­ce of African masks.

“It was a thoroughly absorbing experience; a bridge linking us to our past ancestral roots and a ladder lifting our spirits to future possibilit­ies as a race, people and nation,” said Dr Henley Morgan, founder and executive chairman of the Agency for Inner-city Renewal (AIR).

The final day of the Odyssey began on the following Sunday morning with a Paint and Sip Workshop led by McFarlane. Patrons then moved on to portraitur­e and a calabash workshop, followed by more fascinatin­g discussion­s with British photograph­ic artist Lyndon Douglas, and American professor and African art collector James Clemmer.

Anticipate­d to kick off in August, the Odysseans can look forward to another immersive arts experience at the Annual Cinema Paradise, Portie Film Festival, opening at the historic Ambassador Theatre, Trench Town.

Last year, the film festival premiered the acclaimed documentar­y films RasTa: A Soul’s Journey. The festival also screened Queen Nanny: Legendary Maroon Chieftaine­ss (produced by Roy T. Anderson), Rise Up (directed by Luciano Blotta) and Shashame: On The Trail to the Promise Land, along with the local short films called Shock Value (directed by Adrian Lopez), Sugar (directed by Michelle Serieux), and Origins (directed by Kurt Wright).

 ?? CONTRIBUTE­D PHOTOS ?? From left: Finalists Cheryl Foster, Empress Ibie and winner Gabrielle Blackwood.
CONTRIBUTE­D PHOTOS From left: Finalists Cheryl Foster, Empress Ibie and winner Gabrielle Blackwood.
 ??  ?? Mural Painting with Joavan Puran.
Mural Painting with Joavan Puran.
 ??  ?? Paint and sip with Bryan McFarlane.
Paint and sip with Bryan McFarlane.

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