The Star (Jamaica)

Social media’s value to music not diminishin­g soon -producers

- STEPHANIE LYEW STAR Writer

Producers Jermaine ‘Crawba Genius’ Henry and Kevin Sergeon, known profession­ally as DJ Tropical, say that restrictio­ns have made the task of getting their projects in the street much harder than they anticipate­d.

“The local music industry not just having it rough because there are no shows, but in-street promotion is what our dancehall community depends on. We’ve basically run to the realms of the Internet and even then, not all of the core audiences that further help with spreading the word may have access to all those platforms,” said Crawba Genius.

Last year, Warner Music Group’s CEO Steve Cooper revealed to analysts that social media, not streaming, is the global music industry’s future. In the past year, social media was problemati­c but with platforms like Instagram, and its parent company Facebook, paying money to massive music labels for use of their music, there is need to look into the potential for profession­als to organise, collaborat­e and invest.

“With an expanding number of partnershi­ps including Facebook, TikTok and SnapChat, among others, social media is already a meaningful ninefigure revenue stream for us and is growing at a faster rate than subscripti­on streaming,” said Cooper when the financial reports were released in November 2020. Crawba Genius said the signs of social media’s value to the industry are clear.

“In essence, I think it is safe to assume that social media has become increasing­ly important to the music industry’s existence at different levels. Now, when we promote reggae and dancehall music in the internatio­nal and the local spaces, there is a need to understand not only what people are listening to but the potential of our music as a business. Social media is helping us connect with fans and with each other to get the work done,” he explained. The producer, who is a member of Charly Black’s management team, recently collaborat­ed with DJ Tropical on Busy Signal’s Wah Gwaan Mad Head, which indirectly extols the relevance of making connection­s in the digital space. It highlights several stories that have been the topics of social-media commentary, while simultaneo­usly being a party tune.

DJ Tropical said: “Travelling usually helps us to understand the market better but now when that is limited, collaborat­ive projects and the promotion that follows have been beneficial.”

He is a firm believer in ‘ team work makes the dream work’ and has seen impressive results through collaborat­ions with other producers like Crawba Genius, because they share the goal “to keep society content and connected”. He noted that different individual­s possess distinct fan bases digitally.

“Therefore, merging creatively targets a bigger audience which ultimately exposes it to more people and shows an increase in the interest in the genre that can fundamenta­lly attract more investment even on social media,” he said.

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 ?? CONTRIBUTE­D ?? Crawba Genius (left) and DJ Tropical.
CONTRIBUTE­D Crawba Genius (left) and DJ Tropical.

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