The Japan News by The Yomiuri Shimbun
MUSEUM BRINGS JAPANESE SWORDS INTO SHARP FOCUS
Japanese swords that change color depending on the light source, setting and viewing angle are delighting visitors at the Japanese Sword Museum in Tokyo. e museum is situated in a corner of the Kyu-Yasuda Garden, not far from the Ryogoku Kokugikan sumo stadium in Sumida Ward, a er relocating from Tokyo’s Shibuya Ward in 2017.
e building, designed by renowned architect Fumihiko Maki, incorporates physical features of the Ryogoku Kokaido public hall, which once stood on the same site before being demolished in 2015.
e circular exterior of the building that extends toward the pond is a distinctive feature of its design. e rst
oor of the facility is open to the public as a place for visitors strolling through the garden to have a respite.
e museum operator, the Society for Preservation of Japanese Art Swords, was established a er World War II to safeguard the country’s swords as artworks because Japan feared occupation forces would con scate them to use as weapons.
e facility features a collection
of about 400 swords, including three designated as national treasures and seven chosen as nationally important cultural properties. One of the three is
“Rai Kuniyuki,” made in the Kamakura period (late 12th century to 1333).
Some of the items belonged to warlords such as Uesugi Kenshin and Date
Masamune.
e museum features di erent exhibits ve to six times a year in its third- oor showroom. In addition to
special exhibitions on themes such as blade patterns, there are also shows that focus on swords and their accessories, which are comparable to important cultural properties that have passed the association’s screening.
Events also include a competition among contemporary cra smen in the form of an exhibition.
In uenced partly by a video game featuring anthropomorphic Japanese swords, a recent trend has seen an increase in the number of female visitors who are fascinated by the weapons.
Also popular at the museum are lectures on sword etiquette, during which visitors learn how to handle and appreciate the weapons by holding them in their own hands, with more than half of the participants being women.
Fumito Arakawa, 35, curator of the museum, welcomes the new demographic.
“In the past, many of the visitors
were older men. Now, many women come to our museum a er starting to play the [video] game. ey have become interested in the exhibition and its themes, and now are frequent visitors,” Arakawa said.
Japanese swords change appearance, depending on the lighting and the angle from which they are viewed, he said.
According to Arakawa, there are three main points in the appreciation of Japanese swords: the shape, which is the beauty of the overall form; the sha of the blade, which is cra ed by folding raw steel made by repeatedly smelting iron sand; and the blade pattern, which is created by a swordsmith using a variety of techniques.
“I want people to view swords as they are, and discover what they like about them without rst lling their heads with too much information,” Arakawa said.