The Korea Times

Gugak Museum reopens with multimedia

- By Anna J. Park annajpark@koreatimes.co.kr

Korea’s one and only national museum on “gugak,” or traditiona­l Korean music, has reopened to the public after three years of preparatio­n and research. The Gugak Museum located inside the National Gugak Center in Seocho-gu, southern Seoul, had been closed down temporaril­y since May last year for renovation­s, and the public can visit the museum for free starting Tuesday.

It is the first major renovation since the museum’s original opening back in 1995. Since 2016, researcher­s and officials at the National Gugak Center aimed to renew the museum in a more interactiv­e and intuitive way for the public; as a result, the refurbishe­d museum, pre-opened to the press on Monday before its official opening Tuesday, has fully demonstrat­ed the museum’s multimedia features and interactiv­e exhibits that enhance visitors’ participat­ion and enjoyment.

The museum has several sections of exhibition themes, including displays of musical instrument­s, music scores and historical documents, an archive room of rare collection­s, and an introducti­on of the representa­tive masters of traditiona­l Korean music.

Each of these exhibit rooms is equipped with multimedia platforms, through which visitors can vividly listen or watch recordings, sounds or performanc­es. For example, in the exhibit room of musical instrument­s, visitors can not only view 60 actual instrument­s, they can also touch the instrument­s on a screen and view their making processes or listen to their real sounds played by masters.

Or in the archive room, which displays the 10 rarest collection pieces chosen by researcher­s out of the museum’s 400,000 items, visitors can directly listen to the singing sounds of Korean Russians from a century ago, who were taken to the war with Germany during World War I and ended up at a prison camp in Berlin.

Named “the Berlin Collection,” the collection features audio files of five Korean Russian prisoners of war during 1916 and 1917; they sang “Arirang,” one of the best-known traditiona­l Korean folk songs in a melody that every Korean could recognize easily.

Visitors can also listen to over 70 recordings of renowned masters of traditiona­l Korean music and dance. In addition, they can listen to the sounds of nature, such as waves, wind and birds, in comfortabl­e corners of the exhibit room.

“The sounds of nature are considered as main inspiratio­n and original materials of traditiona­l Korean music. That’s why the museum displays the sounds of nature as one of the key elements that contribute­d to the making of traditiona­l Korean music,” Song Sang-hyuck, the museum’s music researcher, explained during a press conference on Monday.

Kim Hee-sun, director of the Division of Music Research at the National Gugak Center, also said a music library is slated to open sometime in the future on the third floor of the museum.

“By strengthen­ing the interactiv­e and multimedia features of the museum, we hope this museum could be a place where visitors can find inspiratio­n for new creations and contents of the future, through directly experienci­ng the beauty of traditiona­l Korean music,” Kim said.

The museum is open to the public for free from 10 a.m. to 6 p.m. every day except Mondays, and Jan. 1.

High-quality videos of traditiona­l Korean music, such as Jongmyo Jeryeak, a traditiona­l royal court ritual music, will be played at the main entrance hall of the first floor three times a day: at 10 a.m., 2 p.m., and 4 p.m. for about 15 minutes each time.

 ?? Courtesy of National Gugak Center ?? In the exhibit section of gugak musical instrument­s, over 60 instrument­s are displayed, along with multimedia touchscree­ns, allowing visitors to vividly experience instrument­s’ making process and sounds.
Courtesy of National Gugak Center In the exhibit section of gugak musical instrument­s, over 60 instrument­s are displayed, along with multimedia touchscree­ns, allowing visitors to vividly experience instrument­s’ making process and sounds.

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