The Korea Times

In ‘Good on Paper,’ Iliza Shlesinger becomes leading lady

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Even when she’s technicall­y off, comedian Iliza Shlesinger is always working.

During quarantine she did a full tour of drive-in stand-up shows, refined a new hour of material, launched an online cooking show with her husband and secured a book deal. And on a recent “down day” in Nashville before presenting at the CMT Awards the next evening, she’s not relaxing: She’s doing interviews for her new movie, “Good on Paper,” which hits Netflix Wednesday.

“I’ve just always been very driven,” Shlesinger said. “And it was never about being driven in any particular direction other than up.”

That means for her, the answer is always yes. To the meeting. To the audition. To the gig. To the tour. “Have act. Will travel,” she laughs. Shlesinger is on a forever quest for the elusive Hollywood “yes” and said everything she’s gotten she’s either created for herself or has been hard fought. It’s not that she hasn’t had successes already. In 2008, she became the youngest person ever (and first and only woman) to win NBC’s “Last Comic Standing.” Since then she’s written a book, hosted five Netflix stand-up specials, a Freeform late-night talk show and created and starred in a sketch series in addition to regularly touring.

She also auditions constantly and despite a few breaks in films like “Instant Family,” “Spenser Confidenti­al” and “Pieces of a Woman,” is no stranger to rejection. (It’s just a coincidenc­e that two of them starred Mark Wahlberg.) She is, she likes to say, the queen of the general meeting.

So she didn’t take it for granted when she clicked with a producer who wanted to make “Good on Paper,” which is her first produced screenplay and first leading role in a film. The project is as personal as they come: it’s based on something that really happened to her.

Years ago, Shlesinger met a guy on a plane. Something seemed a little off, but she fell hard. Then it all started to unravel. She realized he’d been lying about everything from day one, from his college to his job on down. The experience was awful, she said, until she started putting it down on the page.

“It was cathartic, you know? It was a way to make something funny out of something truly horrific,” she said. “The screenplay really became a sort of respite. I was constantly auditionin­g, constantly getting rejected, always on the road, always doing stand-up. I would turn to this screenplay it would always remind me, you’re in control of your own destiny as an artist.”

In 2018 she met producer Paul Bernon and much to her surprise, when he said he wanted to make the movie, he meant it. They enlisted Kimmy Gatewood to direct. She suggested “Veronica Mars” veteran Ryan Hansen for the role of the lying suitor. Shlesinger hadn’t heard of him but liked that he wanted to “play a liar and a narcissist.”

“A lot of leading men don’t,” she said. “They want to be Captain America.”

Hansen said he was a fan going in, having known her from the standup specials. Although he didn’t even meet her until the table reads, he quickly realized, “How incredible she really is and what a good writer and actress and standup (she is).”

 ?? AP-Yonhap ?? This image released by Netflix shows Iliza Shlesinger, from left, Margaret Cho and Ryan Hansen in a scene from “Good On Paper.”
AP-Yonhap This image released by Netflix shows Iliza Shlesinger, from left, Margaret Cho and Ryan Hansen in a scene from “Good On Paper.”

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