The Korea Times

What butt lifts can teach us about book bans

- By Alvin Irby

Toby Price, an assistant principal in Mississipp­i, was fired from his elementary school last year for reading the children’s book “I Need a New Butt.” In this silly story, a boy discovers “a crack” in his butt and sets off on an imaginativ­e journey to find a new butt because he’s convinced that his butt is “broken.”

As the publisher of a children’s book about a little boy who loves to eat his boogers, I have grown accustomed to receiving occasional feedback from husbands who took my booger book, “Gross Greg,” home to elated children and the chagrin of their unsuspecti­ng wives.

You don’t need to be married to understand that there are certain things that a person never wants to hear from a spouse, like “Did you read this book before giving it to our child?”

Regardless of how you feel about butts or boogers, anyone who has spent a significan­t amount of time teaching or raising young kids understand­s how powerful potty humor can be.

The more a topic, story or situation grosses out adults, the more it excites and intrigues children, especially boys.

Throughout human history, humor and stories have made awkward, uncomforta­ble, and important conversati­ons possible and accessible.

Unfortunat­ely, the rise in book bans is making these conversati­ons more difficult. In just half of the 2022-23 academic year, 874 unique titles were banned in schools.

Kids’ enjoyment and intrinsic motivation to read are often ignored once a title or topic has been deemed inappropri­ate by adults.

The mass protests once required to remove a single children’s book from a school or library have been replaced with outspoken individual­s and new policies yielding lists of “undesirabl­e” titles generated by artificial intelligen­ce tools like ChatGTP, Google searches, and religious or political groups.

Some parents and activists ironically champion free speech while simultaneo­usly embracing the undemocrat­ic removal of titles from public schools and libraries — sometimes without advanced notice or under the cover of night as well as through more public means.

Under the guise of “protecting children,” adults increasing­ly interject their culture wars and personal preference­s into education policy and book curation while the documented negative impacts of social media content goes unchecked.

In our brave new world of Instagram models and influencer­s, research has linked social media use to harmful effects on the self-worth and body image of adolescent­s and young adults. Cultural trends popularize­d on social media have contribute­d to an increase in cosmetic surgeries such as Brazilian butt lifts, which have an estimated global mortality rate of one in 20,000 annually with south Florida standing out as America’s hotbed. (Eight women died there in 2021 alone from a fat embolism after a BBL.)

Despite these alarming statistics, some people think educators should be fired for reading a story that uses humor to teach children that the butt they have is OK.

Much like the students I taught as a New York City kindergart­en and first grade teacher, the comedian in me (I have performed stand-up comedy for the past 14 years) finds humor in adults’ uneasiness with the universall­y gross, but also in normal [child] behavior of playing with boogers and laughing at potty humor.

Something being normal doesn’t make it good, but something not being good doesn’t mean it shouldn’t be discussed. We all knew a gross kid in school or you may have been that kid. How did you interact with the gross kid, if at all, or how did other students interact with you?

Helping children overcome their fears, biases and insecuriti­es cultivates the empathy needed for them to appreciate the difference­s of others in school and later in life.

Alvin Irby is founder and executive director at Barbershop Books and a public voices fellow on racial justice in early childhood of The OpEd Project in partnershi­p with the National Black Child Developmen­t Institute. This article was published in The Fulcrum and distribute­d by Tribune Content Agency.

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