Arab Times

Ridding house of evil spirits on ‘TV special’

‘Exorcism: Live!’ will be different

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NEW YORK, Oct 29, (Agencies): The Destinatio­n America network’s “Exorcism: Live!” on Friday could either turn out to be the scariest preHallowe­en program on television or the ghostly version of Al Capone’s vault. There isn’t much middle ground.

The mostly live, two-hour telecast will culminate in an attempt to rid a suburban St Louis home of supposed malevolent spirits. The boy who was the subject of the head-turning 1949 exorcism immortaliz­ed in William Peter Blatty’s 1971 book, “The Exorcist”, and subsequent movie, briefly lived in the Bel-Nor, Missouri house.

“This, to me at least, is probably the quintessen­tial American horror story”, said Henry Schleiff, group president at Discovery Communicat­ions who oversees the network, and no stranger to colorful promotions. At Investigat­ions Discovery, he ran a “Wives With Knives” marathon one year as counterpro­gramming on Super Bowl Sunday.

Only three years old, Destinatio­n America is available in about half of the nation’s TV homes. It has establishe­d a specialty in programs about the paranormal like “Ghost Asylum” and “A Haunting”, and is looking for some major attention.

Schleiff brought up Capone’s name unbidden, to promise “Exorcism: Live!” will be different. The reference to Geraldo Rivera’s 1986 special where he opened the gangster’s vault to find next to nothing has become shorthand for much-hyped television programs that fail to deliver.

“I don’t know if I believe in ghosts”, he said. “But I believe in research, and it says 60 percent of people believe in ghosts. I genuinely believe this will be an entertaini­ng and informativ­e show and I’m very proud to be associated with it”.

The exorcism of the boy known as Roland Doe was completed outside of the house, but there’s evidence bad vibes remain there, said Jodi Tovay, who developed the special.

Chip Coffey, a psychic who participat­es in the show, said the spirits communicat­ed with him when he visited the house, and a picture of Pope Francis was mysterious­ly ripped from his hand. “This stuff is real”, Coffey said. “This is nothing to play around with”.

Without that confirmati­on from Coffey and other psychics that something creepy remains there, Tovay said that Destinatio­n America wouldn’t go to the house.

The boy who was the subject of the 1949 exorcism is still alive. Now 80 and living in the Washington, DC area, he guards his privacy and declined to participat­e in the special, Tovay said. Similarly, the people now living in the St Louis house vacated for the production and would not discuss their own experience­s there.

The special will have some pre-produced segments, including stories of past demonic possession­s and excerpts from the diary of Doe’s lead exorcist. They’ll show the bed where he was exorcised. The bulk of the show will be a seance to try and communicat­e with spirits in the house and an effort to try and extricate them. Six TV cameras will be stationed in the house and streamed live online, so second-screen viewers can monitor to see if there’s any activity.

Besides Coffey, the cast of Destinatio­n America’s “Ghost Asylum” series will help with the psychic cleansing.

Tovay is well aware that even if it’s true that the house is haunted, the demons aren’t necessaril­y tied to a TV schedule (9:00 pm EDT). They may decide to lay low.

“I can schedule events, but I can’t schedule demonic activity”, she said. “If that happens, I’m not going to fake it”.

Still, “The Exorcist” story is one of the most frightenin­g she’s ever heard and just retelling that should provide a few chills. She freely encourages skeptics to tune in.

“I dare you not to be scared”, she said.

On CBS’ “Code Black”, the hallways and operating rooms of Angels Memorial Hospital don’t have the gleaming white surfaces seen on the typical medical show. The space is gritty and lived-in, with layers of wear reflecting the building’s 80-plus-year history, as well as its status as a chaotic, overtaxed trauma center.

“We wanted a world that felt made for humans, by humans”, explains creator and showrunner Michael Seitzman. “It had to be as analog as we could make it. We leave tape and Postits everywhere to show a world that’s very lived in, even misspell signs on the walls — anything that will remind us of the humans that inhabit this place”.

Inspired by the 2013 documentar­y of the same name directed by Dr Ryan McGarry (an executive producer on the show), “Code Black” captures the waning days of the original Los Angeles County General Hospital. Built in 1928, it housed the busiest trauma center in the US. The pilot was shot on location at the now disused original facility.

For that initial episode, production designer Richard Toyon took lots of photos of the hospital. When the show went to series, he used them to re-create the facility on the Disney lot in Burbank.

“We wanted a world that felt made for humans, by humans”.

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