Arab Times

Gato Barbieri dies at age 83

Jazz saxophonis­t

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NEW YORK, April 3, (AP): Latin Jazz saxophonis­t Leandro “Gato” Barbieri, who composed the Grammy-winning music for the steamy Marlon Brando film “Last Tango in Paris” and recorded dozens of albums over a career spanning more than seven decades, has died at age 83.

Laura Barbieri, his wife of nearly 20 years, said her husband died Saturday in a New York hospital from pneumonia. The musician recently had bypass surgery to remove a blood clot. “Music was a mystery to Gato, and each time he played was a new experience for him, and he wanted it to be that way for his audience,” she said. “He was honored for all the years he had a chance to bring his music all

Barbieri

around the world.”

The Argentine-born musician recorded some 35 albums between 1967 and 1982, when he stopped consistent­ly making new records. He toured regularly and went on to record four more albums, including 1997’s smooth jazz “Que Pasa,” which reached No. 2 on Billboard’s contempora­ry jazz charts.

Trademark

Though in poor health, Barbieri, still sporting his trademark black fedora hat, had been performing monthly at the Blue Note jazz club in New York, since 2013. He last performed at the club on Nov 23.

“He was my best friend,” Laura Barbieri said Saturday. “I’m so grateful we had these 20 years together.” She said a public memorial was being planned, but details have not been finalized.

Last year, Barbieri received a Latin Grammy lifetime achievemen­t award for a career that covered “virtually the entire jazz landscape.”

The citation from the Latin Recording Academy credited Barbieri with creating “a rebellious but highly accessible musical style, combining contempora­ry jazz with Latin American genres and incorporat­ing elements of instrument­al pop.”

Barbieri won a Grammy for best instrument­al compositio­n in 1973 for his music for “Last Tango In Paris,” the controvers­ial erotic drama starring Marlon Brando and Maria Schneider that earned two Oscar nomination­s.

When director Bernardo Bertolucci needed sexy music for “Last Tango,” he turned to Barbieri who was known for his distinctiv­e, sensuous, huge-toned tenor sax sound.

Intellectu­al

“It was like a marriage between the film and the music,” said Barbieri of the soundtrack that made him an internatio­nal star, in a 1997 interview with The Associated Press. “Bernardo told me, ‘I don’t want the music to be too much Hollywood or too much European, which is more intellectu­al. I want a median.’”

Barbieri said tango had a special appeal because it is deeply tied to his Argentine soul.

“Always in the tango is tragedy — she leaves him, she kills him. It’s like an opera but it’s called tango,” Barbieri said in 1997, noting that half of Argentinia­ns, including him, had roots in Italy. “The lyrics and the melodies are very beautiful. It’s very sensual.”

Born on Nov 28, 1932, in Rosario, Argentina, Barbieri grew up in a family that included several musicians, but did not take up an instrument until he was 12 when he heard bebop pioneer Charlie Parker’s recording of “Now’s the Time” and began studying clarinet.

After moving to Buenos Aires in 1947, Barbieri picked up the alto saxophone. He earned the nickname “El Gato,” which means “The Cat,” in the 1950s because of the way he scampered between clubs with his saxophone.

He gained national prominence playing alto saxophone in an orchestra led by Lalo Schifrin, the pianist and composer who later made a big impact with his TV and film scores, including “Theme from Mission: Impossible.”

Later in the 1950s, Barbieri switched to tenor saxophone as he began leading his own groups.

In the 1960s, splitting his time between Rome and New York, Barbieri became part of the Ornette Coleman-inspired free jazz revolution, working extensivel­y with trumpeter Don Cherry from Coleman’s groundbrea­king quartet. Influenced by other modern jazz saxophonis­ts — including John Coltrane, Albert Ayler and Pharoah Sanders — he developed a warmer, grittier sound on the tenor sax. He recorded and performed with such avant-garde jazz musicians as Cherry, Carla Bley and Mike Mantler.

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