‘Lost City’ mesmerizing adventure

‘Raising Bertie’ gets early summer release

MBy Jake Coyle

odest and majestic at once, the films of James Gray patiently burrow their way into the souls of their characters and, maybe, into you. Gray is painterly and exacting — some might say to a fault. But his movies’ revelations are complex and contradictory — full of life’s messiness — and their formal textures break open with moments of transcendence.

So, yeah, I like them — particularly his last one, “The Immigrant,” and his new one, “The Lost City of Z.” Both are period films with a pulse and a now-ness the genre often lacks. Each plunges us into the passages of early 20th century strivers and leaves us with a shattering final image of departure. Like the tide, they overwhelm and then recede.

“He’s been rather unfortunate in his choice of ancestors,” is how one character explains Percy Fawcett’s predicament early in “The Lost City of Z,” based on David Grann’s nonfiction book. Fawcett (Charlie Hunnam) is a British officer but decoration has eluded him, and his deceased, disgraced father has soiled his name.

Though craving action, he’s assigned in 1906 on a map-making mission to the “blank spaces” of Bolivia where the British are meant to act as “referees” in a territory dispute with Brazil. The expedition into the Amazon jungles soon fills him with a romantic sense of exploration (his wife, Nina, played by Sienna Miller, reads him Kipling’s “The Explorer”), and he travels across the Atlantic in search of glory and redemption. Success, he’s told, would change his lot “considerably.”

On the boat to South America, Fawcett meets his aide-de-camp, Henry Costin (an excellent, heavily bearded Robert Pattinson), who initially eyes his leader warily. “You might be a little too English for this jungle,” he says as they step through flies and snakes.

They and their small team travel up a river and it immediately feels as though “The Lost City of Z” has swum

and “Wheel of Fortune.” Friedman will be honored at the creative arts ceremony on April 28. (AP)

LOS ANGELES:

Nicole Richie knows how to roll with the punches ... and the slaps.

During an interview for “Talk Stoop,” the reality star turned actress was inadvertently slapped by host Cat Greenleaf.

The duo were talking about the end of into the currents of Werner Herzog’s “Aguirre, the Wrath of God” and “Fitzcarraldo” and Francis Ford Coppola’s “Apocalypse Now.” The ominous notes are many: a glassy-eyed rubber baron (Franco Nero) whose business the British are there to protect; a native guide who warns that the river “is always danger”; the onset of hunger among the thinning crew.

But while Fawcett’s journey is grueling and frightful, he finds not madness in the jungle but wonder. His grandiose notions aren’t humbled in the Amazon, they’re elevated. Gray’s camera, too, stays composed, and he leads his epic in a more sprawling direction.

Fawcett believed that he found deep in the Amazon evidence of an ancient civilization. Upon his return to London, he’s hailed as a hero. (Made a celebrity by his exploits, the Stetsonwearing Fawcett was a forerunner to Indiana Jones.) But his claim of a lost city and a civilization older than England’s is mocked. He’s urged not to raise the stature of “the savage.”

The jungle becomes Fawcett’s compulsion, and, to the detriment of all else, he swells with ambition. It’s a huge step up for the magnetic Hunnam, who nevertheless struggles to find much but wide-eyed idealism behind Fawcett’s adventuring. More trips follow, as does WWI, but the tension that moves to the fore in “The Lost City of Z” is over the sacrifices necessitated by his dreams. With every journey taking years, he’s a stranger to his children. (Future “Spider-man” Tom Holland pivotally plays the eldest son Jack).

It isn’t just Fawcett’s sacrifices, either. Nina might have the appearance and size of a traditional secondary spouse role, but she’s beautifully performed by Miller as a proudly independent woman left to raise their children alone. Her own aspirations are obliterated. Colonialism is embedded in Fawcett’s story, but Gray has keenly sought out its quieter, unsung tragedies.

the California drought — a milestone worth celebrating — and Richie put up her hand for a high five. Greenleaf went in, but instead connecting with Richie’s hand, Greenleaf struck Richie’s face, causing her sunglasses to fly off.

“Omigod,” a mortified Greenleaf exclaimed. Richie was momentarily surprised but played off the slap.

“I’m notoriously clumsy,” an apologetic

“The Lost City of Z” may, like early films by Gray, leave some thirsting for more swashbuckling adventure. But if you let the ebb and flow of the Fawcetts’ lives drift over you, the movie is a wellspring.

“The Lost City of Z,” a Bleecker Street, Amazon Studios release, is rated PG-13 by the Motion Picture Association of America for “violence, disturbing images, brief strong language and some nudity.” Running time: 140 minutes. Three and a half stars out of four.

Also: LOS ANGELES:

Gunpowder & Sky Distribution and Kartemquin Films are teaming for the theatrical and digital release of Margaret Byrne’s documentary “Raising Bertie,” Variety has learned exclusively.

“Raising Bertie” is a six-year portrait of three African American boys growing into adulthood in rural Bertie County in eastern North Carolina, exploring complex relationships between generational poverty, educational inequity and race. The film follows Reginald “Junior” Askew, David “Bud” Perry, and Davonte “Dada” Harrell through disappointments, heartbreak and triumphs.

Byrne initially self-financed the project, and eventually received funding from various sources including the MacArthur Foundation, Ford Foundation and the Southern Documentary Fund. The film premiered last year at the Full Frame Documentary Festival. J. Cole is the executive producer.

“Raising Bertie” will open at the at the Maysles Cinema in New York City on June 9, followed by an expansion on June 16 to San Francisco, Chicago, North Carolina and other locations.

Gunpowder & Sky is releasing a new trailer, which features one of the leads declaring that he does not want to work on a farm for the rest of his life. The trailer starts with a speech by Barack Obama who says “At the end of the day, where you come from, how much money you have — there is no excuse for not trying.” (Agencies)

Greenleaf said. (RTRS)

BOSTON:

It turns out Mitt Romney’s “binders full of women” are actual binders after all — filled with the resumes of women who hoped to land jobs in his administration as governor.

The Boston Globe reports Tuesday that it was shown the binders by a former Romney aide. The two white three-ring binders contain about 200 cover letters and resumes with some handwritten notes.

The former Republican presidential nominee made the awkward reference during a 2012 debate in response to a question about workplace inequality. The women in question were seeking work in Romney’s administration when he was governor of Massachusetts. (AP)

LOS ANGELES:

Michael Buble’s wife says their 3-year-old son, Noah, is “well” following treatment for cancer in Los Angeles.

Speaking at a press conference Monday in her native Argentina, actress, Luisana Lopilato said in Spanish that Noah has a long recovery ahead of him. She says the experience has made her value life more.

The family last shared an update on Noah in February, when they said he was progressing well in his battle against the disease.

The family announced Noah’s cancer in November. They didn’t say what type of cancer he has or when he was diagnosed.

The couple also has another son, Elias, who turned 1 earlier this year. (AP)