Sam Elliott shines in ‘The Hero’

‘Beatriz at Dinner’ seen as tale for Trump era

ABy Jocelyn Noveck

t the beginning of “The Hero,” Lee Hayden, the aging Hollywood Western actor played by Sam Elliott, is recording a radio spot for barbecue sauce. And he’s really, really good at it.

“Lone Star barbecue sauce,” he intones, in a deep, luxuriant drawl that sounds just like, well, Sam Elliott. “The perfect pardner for your chicken.”

You’d buy it in a second, even if you didn’t like barbecue sauce. Then again, Elliott — with his relaxed, confident presence and silvery, 72-year-old good looks — could pretty much sell us anything. And though in his long career he’s never really been a lead actor, a little Elliott goes a long way.

Take his cameo appearance in “Grandma” in 2015, playing just one scene as an old flame of Lily Tomlin’s character. The mood shifts alone in that scene, with two great actors each upping the ante, made it a master class in acting.

Now, in Brett Haley’s “The Hero,” Elliott finally has a film all his own, and he doesn’t squander the opportunity, giving an appealing, honest and nuanced portrayal of an aging actor facing a life crisis. If only the script were a match for Elliott’s performance. It ends up feeling more like an extended sketch than a full-blown film — and an oddly trite, formulaic one at that. Elliott may excel at playing a man of few words, but that doesn’t mean the script should be lacking in ideas.

We meet Lee as he’s facing a crossroads in life. Divorced, and distant from his adult daughter, he lives a solitary existence in Malibu, his only friend seemingly his fellow actor, Jeremy (Nick Offerman), who doubles as his drug dealer. It’s been decades — four, in fact — since he made a movie that he’s proud of, a Western of course. Sometimes, he dreams of wandering around that old movie set.

His agent calls, but he doesn’t have a job to offer. Seems Lee has been chosen for a lifetime achievement award from something called the Western

LOS ANGELES:

Producer and manager Susan B. Landau, whose clients included writer Simon Beaufoy and director Stephen Surjik, died May 31 in Los Angeles after a brief illness, according to her family. She was 65.

Landau managed creatives including Appreciation Guild.

This rather strange career milestone comes at a sticky time for Lee. He’s also received a call from his doctor, with frightening medical news. It’s all making him look back at his life, and wonder how much there is to actually appreciate.

Enter Charlotte (Laura Prepon, of “Orange is the New Black”), the appealing, wisecracking, poetry-loving younger woman he meets at Jeremy’s house as she pops in for an illicit purchase. Charlotte, a standup comic, takes an immediate shine to Lee, despite the obvious age gap. He’s attracted to her, but not sure about that age thing.

Achievement

But Lee needs a date for the lifetime achievement dinner. When his daughter Lucy (Krysten Ritter) demurs, he turns to Charlotte. She’s game for pretty much anything, and to pep up the evening, she pops a little pill. He’s particularly loose when he shows up for the big event, and makes a grand gesture at the dinner that goes viral and launches him back onto the pop culture front burner.

But all is not hunky dory. An audition goes awry. And the budding relationship with Charlotte proves tricky.

It’s tempting to give more detail here, but that would be giving away too much, because, honestly, there’s not a whole lotta there. This is no fault of Elliott, who remains genuine and absorbing throughout. The supporting performances — from the lovely Prepon, who has a few scenes, to Ritter and Katharine Ross, Elliott’s real-life wife, who have much less to do — are right on target. But the actors deserve more to work with.

The irony of the title here, of course, is that Elliott has never really played the hero of his own movie. This one’s a start. Here’s hoping he’ll get some better material to pardner with.

“The Hero,” an Orchard release, is rated R by the Motion Picture Association of America “for drug use, language and some sexual content.” Running time: 93 minutes. Two and a

“Slumdog Millionaire” Oscar winner Beaufoy, “Wayne’s World 2” director Surjik, and “The Originals” co-executive producer Christopher Hollier.

Her own producing credits included the 1990 film “Mr. Destiny,” the 1993 “Cool Runnings,” and the 1999 “An Ideal half stars out of four.

MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.

A dinner party turns into a debate on humanity, racism and empathy in the film “Beatriz at Dinner,” which despite being written two years ago is being hailed as a must-see film in the Trump era.

Mexican-American actress Salma Hayek plays a Los Angeles holistic healer who ends up by chance attending a dinner party at the home of her wealthy clients.

Tension ensues as her character, Beatriz, goes head to head with Doug, played by John Lithgow, a self-satisfied billionaire real estate developer with whom she has nothing in common.

Hayek said Beatriz is the most like herself than any role she has ever played.

“It’s really weird because it was written before this political climate and … you read it and then you start living your life or watching the news and you can’t stop thinking about — you keep going back to Beatriz,” Hayek said.

Shooting on the movie started before the November 2016 election of President Donald Trump, who wants to build a wall on the US border with Mexico to stop illegal immigration and to crack down on people from some predominantly Muslim nations entering the United States.

Variety film critic Owen Gleiberman said the film “has the distinction of being the first dramatic comedy that’s an explicit — and provocative — allegory of the Age of Trump.”

Connie Britton, who plays one of Beatriz’s wealthy clients, said she hoped the film would elicit a wider dialogue among audiences.

“You can really come away … realizing that all of the trends that brought us to where we are now have actually been going on for some time,” Britton said.

“Beatriz at Dinner” will be released in US theaters on Friday. (Agencies)

Husband.”

She earned an Emmy nomination for “Walt Disney’s Wonderful World of Color: Young Harry Houdini,” and an ACE Award for the 1993 “Tiger Town.” (RTRS)

LONDON:

British author Naomi Alderman has won the international Women’s Prize for Fiction with gender role-reversal thriller “The Power.”

Alderman, a prize-winning novelist and online games designer, was awarded the 30,000 pound ($39,000) prize at a ceremony in London Wednesday for her novel, in which girls and women suddenly discover they have the power to electrocute people at will.

Television executive Tessa Ross, who chaired the judging panel, praised Alderman’s “brilliantly imagined dystopia — her big ideas and her fantastic imagination.” (AP)

SULLIVAN, NY:

A man hired to portray the Tin Man in “Wizard of Oz” author L. Frank Baum’s upstate New York hometown was still in his character’s makeup when his mug shot was taken after a drunken driving arrest.

State police say troopers responded Sunday to a report of an intoxicated man on private property in the Madison County town of Sullivan, just east of Syracuse. The homeowner says a man had driven to the home with another person and was asked to leave. (AP)