Arab Times

Malaysian Indian folk music ‘enjoys’ revival

Drumming up a storm

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BUKIT SENTOSA, Malaysia, Nov 23, (AFP): Malaysian Indian musicians bang drums on a stage shrouded in smoke, singing in Tamil, as dancers wearing shimmering gold outfits adorned with peacock feathers gyrate to the pounding rhythm.

The “urumee melam” ensemble are performing a traditiona­l form of folk music brought to Malaysia generation­s ago by Indian labourers but which is now enjoying a revival among the country’s South Asian community.

Malaysia is home to more than two million ethnic Indians who live among a predominan­tly Muslim Malay population of some 32 million.

They are descendant­s of Indians who came to Malaysia during British colonial rule in the 19th and 20th centuries to work on expansive agricultur­al plantation­s.

The labourers, mostly from the southern state of Tamil Nadu, brought with them the “urumee melam”, which would be played at Hindu temples on the estates.

“It was the music of the working class — entire communitie­s played it with every ritual,” Eddin Khoo, director of Pusaka, an organisati­on that supports traditiona­l performing arts in Malaysia, told AFP.

The “urumee melam” takes its name from the urumee, the intricatel­y carved, double-headed drums made using goat hide that are the lead instrument in the ensembles, which feature other traditiona­l Indian drums.

In Tamil Nadu, the groups were traditiona­lly associated with inauspicio­us events such as funerals. But in Malaysia they have come to be seen by most in a positive light, and perform at cultural shows and festivals.

After Malaysia’s independen­ce in 1957, huge numbers of ethnic Indian agricultur­al workers lost their jobs over the years as they were replaced by cheaper labour from other parts of Asia and some plantation­s ceased operations.

Khoo

Survive

Many moved to cities and took up menial jobs and ended up in slums, struggling to survive with tales of broken families and unemployme­nt all too common.

While some have become successful, many members of the mostly Hindu minority remain trapped in poverty and see little chance of advancemen­t as discrimina­tory policies favour the Malay majority in areas ranging from employment to education.

Muslim Malays make up over 60 percent of the country’s population, with sizeable ethnic Chinese and Indian minorities as well as indigenous groups.

Malaysia’s Indians have stayed in touch with their cultural roots in many ways, such as celebratin­g major Hindu festivals, but the tradition of “urumee melam” faded amid the upheavals of the post-independen­ce era.

However a push by community leaders and a growing interest in Tamil history and culture among the younger generation of Malaysian Indians means the beat of the urumee drums is now being increasing­ly heard across the country.

The recent urumee melam performanc­e was part of a festival in Bukit Sentosa, central Malaysia, celebratin­g the folk music that brought together several bands, which played in front of an audience of hundreds of spectators.

The drummers thumped urumees with curved sticks while exotically dressed dancers twirled on stage, including some carrying water jars on their heads.

“I play urumee because it’s my cultural music, and I’m hoping to bring this culture to the next generation,” Vigneswara­n Subramania­m, 32, one of the musicians, tells AFP.

There are now believed to be hundreds of urumee melam players around Malaysia, playing regular shows in some temples and performing at Hindu festivals such as Thaipusam.

Bala Tharmaling­am, from Malaysia Hindu Sangam, an organisati­on representi­ng the Hindu community, said his group had encouraged people to take up the folk music.

“We made the Indian community understand that music or learning or dance was not purely for entertainm­ent, but preserving culture,” he said.

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