French jazz violinist Lockwood dies at 62
Ouedraogo dead at 64
PARIS, Feb 19, (AFP): Noted French jazz violinist Didier Lockwood, a disciple of the late Stephane Grappelli, has died of a heart attack in Paris, his agent said.
Lockwood, who turned 62 on Feb 11, died early on Sunday morning. The night before his death, he had performed at Paris jazz venue Bal Blomet.
“His wife, his three daughters, his family, his agent, his co-workers and his record label are sad to announce the sudden passing of Didier Lockwood,” his agent said in a statement.
Lockwood was playing at a jazz festival when he met Grappelli, another French jazz great who founded a string quintet called the Hot Club of France in 1934 with gypsy guitar legend Django Reinhardt.
The violinist invited the then 20-year-old Lockwood to join him on a European tour, kicking off an international career in which he gave around 4,500 concerts and released more than 35 records. “That was the start of my career, the launchpad that got me into the world of popular jazz,” Lockwood told Radio France in 2008.
Lockwood was committed to music education, in 2001 setting up the Didier Lockwood Music Centre in a town south of Paris teaching improvisation according to a jazz violin method he developed.
French culture minister Francoise Nyssen described Lockwood as “deeply generous and outgoing” and said he would be missed by “his friends, music and all the children he wished to enlighten with his passion”.
Borders
“He wanted to make music without borders or prejudices,” she added.
Born in 1956 in Calais to a French-Scottish family, Lockwood, whose father was a music teacher, gained an early taste for improvisation thanks to his elder brother Francis, a jazz pianist.
Aged 17, Lockwood joined a popular French prog rock band called Magma. He later threw himself into a multitude of musical projects and collaborations, experimenting with varied jazz styles, both electric and acoustic, from classical fusion to gypsy swing.
During his career, he wrote two operas, violin and piano concertos, lyrical works and music for films and cartoons.
“France has lost an exceptional musician, a man with rare qualities,” wrote violinist Renaud Capucon on Twitter.
Lockwood’s widow is the coloratura soprano Patricia Petibon, acclaimed for her interpretations of French Baroque music.
The couple had just recorded an album together, said Lockwood’s agent Christophe Deghelt, who called him “Mr. 100,000 volts” and said the musician had a “huge” number of projects under way when he died.
Lockwood was previously married to the singer Caroline Casadesus, with whom he had created a musical called “Jazz and the diva”.
Burkinabe filmmaker Idrissa Ouedraogo,a towering figure in African cinema, died Sunday at the age of 64, the national film makers guild announced in a statement.
Ouedraogo produced or directed some 40 films from the 1980s to the 2000s, set in Africa and often exploring the strains between modern urban and traditional rural lifestyles.
In 1990, he won the Grand Prix award at the Cannes Film Festival for “Tilai”, an African version of a Greek tragedy about family dishonour, which is set in a village and is probably his bestknown work internationally.
“Burkina Faso has lost a filmmaker of immense talent,” President Roch Marc Christian
Kabore said in a statement.
Profile
Ouedraogo “worked hard to raise the profile of Burkinabe and African cinema outside our borders,” he added.
He died at 0530 GMT of an unspecified illness in a hospital in the capital Ouagadougou, the union of filmmakers said.
“He was the maestro of Burkinabe cinema. It’s painful, an inestimable loss for us and for Africa as a whole,” said Rasmane Ouedraogo, who starred in “Tilai”.
Ouedraogo began his career as a cinematographer on the 1981 movie “Poko” which won the best short film award at FESPACO, Africa’s biggest film festival.
After completing his film studies at the prestigious Sorbonne in Paris, he created his first feature-length film “Yam Daabo” (The Choice) about poverty-stricken villagers in the Sahel who must choose to stay and await international aid or leave for a more fertile region.
As well as winning at Cannes, “Tilai” went on to win the Golden Stallion of Yennenga, the top prize at FESPACO, in 1991.
Served by a cast of non-professional actors, the film was in the Moore language, rather than French, to preserve its authenticity.
It was shot in the Mossi area in northern Burkina Faso, where the filmmaker grew up.
“I like this beautiful and brutal scenery,” Idrissa Ouedraogo told AFP in 1990.
“He has inspired a whole generation of young African filmmakers. He has managed to share our stories with the world,” said Burkina Faso filmmaker and documentary maker Michel Zongo.