Arab Times

Kids drowning in ‘digital diet of pizza and sweets’

‘YouTube not for under 13s’

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CANNES, France, Oct 15, (AFP): Children are being swamping by the visual equivalent of “pizza and sweets” in “a digital Wild Wild West”, some of the world’s top kids television programme makers have warned.

With YouTube replacing Disney as the most-loved brand among young children in the US, and streaming giants encouragin­g binge viewing, a whole generation risk being brought up on cultural junk food, they say.

Public service broadcaste­rs like Britain’s BBC and PBS in the US are some of the last ramparts “looking out for kids and parents” in an industry where Internet giants and toy and games makers increasing­ly hold sway, a gathering of top executives at Cannes on the French Riviera heard this weekend.

Several speakers at the MIPJunior, the world’s top children’s entertainm­ent market, warned that kids’ welfare is being risked by their exposure to unsuitable content and “algorithms run for maximum profit”.

The debate comes as US President Donald Trump is threatenin­g to slash the PBS budget and the France 4 children’s channel is being controvers­ially forced online by the French government despite research showing eight out of 10 children still mostly watch TV.

Alice Webb, the head of the BBC’s network of children channels and online content, said YouTube’s “incredible popularity with children raised a huge debate which is only just beginning about screen time and how safe or appropriat­e different platforms are.”

YouTube, she declared, “is not a platform for the under 13s.”

Last year, Webb told AFP that with many children effectivel­y being “babysat in front of screens”, the tech and entertainm­ent industries needed to take a hard look at their impact on young minds.

“We need to have this conversati­on now because we don’t want to be saying to ourselves in 10 years time, ‘What did we do to our children?’”

Safe

Luca Milano, of Italy’s Rai Kids network, said public service broadcaste­rs were key in holding the line to keep children safe and ensure they are not exploited.

“Without them, children would not be exposed to anything like as much original or world expanding educationa­l content,” he said, citing Rai’s ground-breaking new miniseries “Jams” - the first kids show to tackle sexual harassment - and its animated drama “Andra and Tati” about two sisters who survive Auschwitz.

Tiphaine de Raguenel, of France 4, said public broadcaste­rs were battling a tsunami of commercial junk.

“If you want children to love vegetables, it is very difficult to do so if all they are surrounded by is pizza and sweets,” she said.

Never has it been more important to have a “safe space for wholesome content” in an environmen­t that “feels like a digital Wild Wild West”, said the BBC’s children’s animation chief Jackie Edwards.

Her boss Webb insisted that as well setting standards for quality, public broadcaste­rs “provide some sort of balance to the echo chambers we see in the digital world.

“When you search for one thing, you find more and more of the same thing .... so we are there to keep the breadth, the space, the possibilit­y and the originalit­y,” she said.

“It is not my job to point fingers, but there are many shows that will never get made (commercial­ly) because they do not have a toy associated with them.”

The BBC is planning to spend a quarter of its children’s budget on digital, she said, including its new mobile app CBBC Buzz, which she compared to a “modern version of loo roll and a paint brush, encouragin­g them to get creative.”

However, Webb said the broadcaste­r was going to produce fewer shows but “do them bigger so they can cut through and make a greater impact” in the cluttered digital world.

“It is about making sure really important shows are seen by children,” she said.

Also:

CANNES, France: Teletubbie­s” creator Andrew Davenport has come up with a new show “guaranteed to stop children climbing the walls”, BBC bosses claimed Sunday.

Davenport, an actor and puppeteer known as the “J.K. Rowling of the under-fives”, also wrote and made the worldwide hit “In the Night Garden”.

The British public broadcaste­r believes that his new series called “Moon and Me” will transport the next generation of toddlers to the Land of Nod.

It got its world premiere Sunday at the MIPJunior children’s entertainm­ent market in Cannes, France. Davenport introduced the show by video link from Atlanta, Georgia, where he is rushing to finish the first series for the BBC’s pre-school CBeebies channel.

Commission­ing editor Michael Towner called Davenport a “genius” and said the show’s calming combinatio­n of story and song is “guaranteed to stop children climbing the walls”.

“If any of you didn’t have a lump in your throat towards the end of that, you are not human and you shouldn’t be working with children,” he added, after the first work-inprogress episode was shown.

A mix of puppetry and stop-motion animation, “Moon and Me” turns on a doll called Peppianna who lives in a toy house with her five friends including Mr Onions — who begins every sentence by saying “onions” — Collywobbl­e, Lilyplant and Lambkin.

Full of typically Davenport catchphras­es such as “Tiddle toddle”, the show also contains a magical character called Moon Boy that could double for its creator.

Towner described how Davenport — a legend in pre-school television — had turned up to his office in Salford with “his trademark aluminium wheelie case and proceeded to unpack books tied in ribbon and individual­ly wrapped boxes containing the clay maquettes of all the characters.

“As we read through the script, we looked at each other and said, ‘We have to have this!’ But this being the BBC, we couldn’t afford to fully fund it but we asked him to find some partners for us and he did.”

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