Arab Times

‘Vanity Fair’ packs romance, heartbreak, births & deaths

Luna, McNairy join ‘Narcos: Mexico’

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LOS ANGELES, Dec 16, (RTRS): There’s something comforting about the predictabi­lity of a period piece novel adaptation in the Masterpiec­e Theater tradition. Knowing the story, or even just the rhythms of the genre, there are rarely many surprises. The women will toss off witticisms and cry careful, pretty tears; the men will steel their jaws and declare their love, ideally after reluctantl­y falling for a woman they hadn’t considered before. There will be romance, heartbreak, births, deaths. Even when it’s not a great adaptation, it’s at least familiar, and that can go a long way.

“Vanity Fair” is counting on just such leniency. It’s neither terrible nor amazing, but at the very least, it’s efficient.

In seven episodes spanning years of social climbing, devastatin­g warfare, and undulating class dynamics, this latest version of William Thackeray’s “Vanity Fair” enlists a game cast to follow Becky Sharp (Olivia Cooke), an enterprisi­ng woman constantly trying to better her circumstan­ces by any means necessary, and all those lucky (or unlucky) enough to cross paths with her. Claudia Jessie does her best to bring pathos to the largely thankless role of Becky’s meek friend Amelia, as does the otherwise charismati­c Johnny Flynn (“Lovesick”) as Dobbin, the even meeker soldier who holds an eternal torch for her.

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Occasional­ly, actors like Frances de la Tour (as a rich, no nonsense matriarch) and Anthony Head (as a suggestive nobleman with a wicked bite) get to show what they’re made of with their welcome, scenery-chewing turns.

But the heart of “Vanity Fair” is and always has been Becky. In every version of her story, she’s pretty and talented, perceptive and cunning, magnetic and flirtatiou­s. She’s more than happy to use any of those attributes for monetary gain, and resents any implicatio­n that she shouldn’t (especially if it means she gets to take advantage of a less intelligen­t man). If she were a real person, she’d likely get celebrated in a splashy magazine profile as The Scammer of Our Time.

Cooke is fun in the role, particular­ly when she gets to embrace Becky’s sharper edges. But even when director James Strong gives her the room to fully tackle the role – such as when she, on occasion, flicks her eyes up to make contact with the camera as a sly wink when she’s getting the better of someone – Cooke’s Becky is otherwise bound to a routine production without great ambitions of being more.

Even the bizarrely spooky opening credits (starring Michael Palin as a fourth wall-breaking Thackery) or anachronis­tic song choices closing out each episode feel like halfhearte­d stabs at innovation, since most everything in between sticks to such a basic script. Then again, maybe those attempts at distinctiv­e flourishes feel so out of place because they don’t belong there at all in a series built to please fans of its genre, and nothing more, nothing less.

Drama, 60 mins, 7 episodes; 5 watched for review. Premieres Dec 21 on Amazon Prime.

Cast: Olivia Cooke, Tom Bateman, Charlie Rowe, Claudia Jessie, Simon Russell Beale, Claire Skinner, David Fynn, Johnny Flynn), Martin Clunes, Frances de La Tour, Suranne Jones, Michael Palin.

Crew: Executive producers: James Strong, Julia Stannard, Damien Timmer, Gwyneth Hughes, Tom Mullens, Polly Hill, Victoria Fea.

Also:

LOS ANGELES: Both Diego Luna and Scott McNairy are set to star in “Narcos: Mexico” Season 2, reprising their roles from Season 1.

Production recently began on the second season of the series, which is the fifth season total of the “Narcos” franchise. Luna was recently honored with a Critics’ Choice Award nomination for best actor in a drama series for his performanc­e in in the show. The series itself also garnered a WGA nomination in the episodic drama category.

Originally intended as a fourth season of “Narcos,” which focused on the rise of the cocaine business in Colombia under Pablo Escobar and his Medellin Cartel, “Narcos: Mexico” became a new series, shifting the focus to the beginnings of the Mexican drug trade and how it became what it is today.

Season 1 charted the rise of the Guadalajar­a Cartel in the 1980s as Felix Gallardo (Luna) takes the helm, unifying trafficker­s in order to build an empire. When DEA agent Kiki Camarena (Michael Pena) moves his wife and young son from California to Guadalajar­a to take on a new post, he quickly learns that his assignment will be more challengin­g than he ever could have imagined. As Kiki garners intelligen­ce on Felix and becomes more entangled in his mission, a tragic chain of events unfold, affecting the drug trade and the war against it for years to come.

“Narcos: Mexico” is produced by Gaumont Television for Netflix. Eric Newman will return as executive producer and showrunner. Jose Padilha, Doug Miro, Carlo Bernard, and Andres Baiz are also executive producers.

LOS ANGELES: Joel McHale has been cast as Sylvester Pemberton aka Starman on the upcoming DC Universe series “Stargirl,” Variety has learned exclusivel­y.

The role is being described as “Golden Age Starman” and will be a recurring one for McHale.

A courageous and confident superhero, Starman is a member of the Justice Society of America. He wields a mysterious anti-gravity weapon called the cosmic staff and has a longtime sidekick named Stripesy, who is better known as Courtney Whitmore’s stepfather, Pat Dugan.

McHale is an accomplish­ed actor, standup comedian and author. His prior scripted television credits include “Community,” “The Great Indoors” and “The X-Files” revival, while on the unscripted side he hosted “The Soup” for a dozen seasons and earlier this year moved the pop culture commentary format over to Netflix for “The Joel McHale Show with Joel McHale.” His recent film credits include “The Happytime Murders,” “A Merry Friggin Christmas,” “Deliver Us From Evil” and “Assassinat­ion Nation.”

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