‘Schitt’s Creek’ ending at its peak

CBS’ ‘All Rise’ to produce coronavirus episode at a distance

ABy Amanda Lee Myers

fter five years on TV, it seemed like “Schitt’s Creek” was just starting to hit its stride. The critically acclaimed comedy - about a shallow, filthy rich family who lose their fortune and are forced to live in a small town they bought as a joke debuted in Canada in 2015, and soon after on Pop TV in the United States.

Its popularity exploded when it became widely available on Netflix in 2017, and it received its first Emmy nominations last year, including one for best comedy series. Now it’s firmly fixed in TV culture and its success is at its peak.

Yet co-creator Dan Levy decided it was time for it to come to an end, just as everything was truly coming up roses for “Schitt’s Creek.” The last episode of the show’s six seasons airs Tuesday night on Pop TV.

“It was important for me that this show remains something that people cherish and that people go back to and revisit year after year or put on when they’re feeling blue,” Levy said. “And in order to do that, you really need to be aware of when is the right time to say goodbye.”

It might be the right time, but it was still an emotional roller-coaster for the “Schitt’s Creek” cast, which includes its other creator, veteran actor (and Dan Levy’s real-life father) Eugene Levy, and Catherine O’Hara, who was wearing her character Moira Rose’s heavy mascara and eyeliner during the show’s final table reads.

She said she cried so much “our makeup artist was calling me Alice Cooper.”

“That last table read of the last two episodes was killer,” said O’Hara, whose character is an outrageously accented, wacky wig-wearing former soap star who can’t wait to ditch the town of Schitt’s Creek.

Eugene Levy, O’Hara’s longtime colleague in comedy, plays Moira’s dapper husband Johnny Rose, an optimistic entrepreneur who seems almost as mystified by his own family as he is by the townsfolk.

He said of his tenure on the show: “This has been six of the most incredible years of my life, and I’ve had a kind of a chunky career.”

Part of what’s been so gratifying for the cast is how it’s connected so deeply with its audience.

“I think when the show started out, it was kind of this quirky little Canadian thing,” said Annie Murphy, who plays Alexis, the Roses’ Paris Hilton-esque daughter. “And then as it gained momentum and we got added to Netflix it reached a much, much wider audience and the responses went from like, ‘Oh it’s the dad from ‘American Pie’ and the mom from ‘Home Alone’ and the creepy, creepy guy from ‘Scary Movie,’ to ‘Oh, my God, this show just got my mom through her chemotherapy treatments,’ or ‘This show allowed me to summon up the courage to come out to my family.’”

Stereotypes

Dan Levy purposefully chose to avoid stereotypes and portray a small, rural town as comfortable.

“To show bigotry and homophobia only emboldens people who have those beliefs,” he said. “It was an unintentional message. But I guess in removing the negativity from the town, the message was just that: Look at the world without hatred and see how much better it is. That was really the goal.”

As for the Roses, Dan Levy says the aim was to show “a family of people who used money to bandage problems” finally getting to know and appreciate one another. “The thesis of the whole show was, ‘Watch this family realize that money can’t buy love.’”

As O’Hara put it, “he wrote a world that he wants to live in.”

There’s been talk of a possible movie spin-off, in the vein of “Downton Abbey,” but Dan Levy says that’s premature. Murphy remains hopeful. “Oh God, I’ve been sending Dan edible arrangement baskets for years now to convince him,” she said, adding some advice for fans. “Join me in writing letters and sending gifts to him.”

For now, the show’s admirers will have to be OK with the series finale, which will be followed by an hour-long documentary showing behind-the-scenes footage of auditions, outtakes and the tearful last table reads.

Emily Hampshire, who plays the sarcastic and plaidcloaked Stevie Budd, joked that she “can’t wait ’til I can release that footage.”

“We were all bawling ... It was tough because you’re also not only saying goodbye to each other, but these characters are saying goodbye,” she said. “It is an ending on both in real life and in the show.”

It won’t all be tears, she promised: “I think people are going to laugh and be very satisfied.”

LOS ANGELES:

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CBS’ courtroom drama series “All Rise” is resuming production with an episode reflecting the coronavirus crisis in the lives of its characters, the network said Monday.

The episode will follow social distancing rules and be taped remotely using social media and other digital technology, CBS said. “All Rise,” as with other TV programs and movies, had suspended production because of the pandemic.

“It’s a unique chance for our ‘All Rise’ family to band together - in our different homes, even cities - to tell a story about resilience, justice and the power of community,” Greg Spottiswood, the drama’s executive producer said in a statement.

Although late-night shows are back on air with their hosts working remotely, freshman drama “All Rise” appears to be the first series to return to production.

The episode set to air May 4 will reflect the pandemic’s impact on the justice system, CBS said. Series star Simone Missick’s Judge Lola Carmichael will virtually preside over a trial that involves an argument between brothers and a stolen car.

The cast includes Marg Helgenberger, Wilson Bethel and Jessica Camacho.

Footage will be shot in cast members’ homes, with special effects used to create the necessary backgrounds, CBS said. A cinematographer operating alone and from a vehicle will shoot exterior footage showing deserted Los Angeles streets. (AP)