Arab Times

‘Asian Americans’ explores perseveran­ce

It’s a ‘new story that really is an old story’

- By Terry Tang

Acentury of racist attacks detailed in the new PBS documentar­y series “Asian Americans” might have felt like ancient history just a few months ago.

But through the lens of the coronaviru­s pandemic that originated in China and is now hitting the US, being painted as a foreign enemy has become all too familiar. Hundreds of Asian Americans have reported verbal and physical assaults since the nation’s first infections surfaced in January. Even in cities with large Asian communitie­s, people have hurled century-old slurs like “Chinaman.”

Daniel Dae Kim, a Korean American actor known for TV’s “Lost” and “Hawaii Five-0,” faced racist trolling when he shared his COVID-19 diagnosis on Instagram in March. Kim, who narrates the documentar­y with actress Tamlyn Tomita, has recovered and feels “back to 100%.”

“It’s been very eye-opening to see how much prejudice still exists in America and how deep seated it seems to be. But it’s part of the price one pays for speaking out, even against something as seemingly universal as injustice,” Kim said in an email to The Associated Press. The five-episode series airing between Monday and Tuesday is a sweeping look at Asian Americans’ impact on society, politics and pop culture from the mid-19th century through 9/11. Produced by Asian American filmmakers, the show features reflection­s from US Sen. Tammy Duckworth, “Fresh Off the Boat” star Randall Park and a host of people from other industries. There are also interviews with descendant­s whose family stories are heavily featured.

May is Asian Pacific American Heritage Month, when Asians’ contributi­ons to the American landscape are often highlighte­d.

The virus-related attacks, however, have been a stark reminder of how quickly Asian Americans can go from neighbor to scapegoat. In a Los Angeles Times editorial last month, Korean American actor John Cho wrote how “belonging is conditiona­l. One moment we are Americans, the next we are all foreigners, who ‘brought’ the virus here.”

That anti-Asian sentiment is all the more reason the documentar­y needs to be seen now, Kim said.

“Those who forget history are condemned to repeat it,” Kim said. “Asian Americans have a unique history in America. It’s one that should be celebrated as an indispensa­ble part of our nation’s history.”

Renee Tajima-Peña, a series producer and professor of Asian American studies at the University of California, Los Angeles, had the monumental task of deciding how to fit decades of history into just five hours. She began with the arrival of Chinese railroad workers in the 1800s.

“We start at a time where we can still find people, if they’re descendant­s, with pictures and photograph­s,” Tajima-Peña said. “On the one hand, there was choosing which stories we felt were most important to tell. On the other hand, it’s TV. We have to make sure it’s something that’s watchable and the audience can engage with.”

The series covers well-known events like the Chinese Exclusion Act of 1882, the World War II internment of Japanese Americans and the 1982 beating death of Vincent Chin in Detroit.

Moments

But it also delves into lesser-known moments, like a 1965 labor strike organized by Filipino farmworker­s in California, and spotlights people you may not recognize, like Patsy Mink, a Japanese American who in 1964 was the first woman of color elected to Congress.

There’s also an interview with Tereza Lee, who inspired the now-stalled DREAM Act that would have given a path to citizenshi­p for young people brought to the US illegally as children.

Comedian Hari Kondabolu, known for his documentar­y “The Problem With Apu,” speaks in the series about post-9/11 treatment of Muslim Americans and Southeast Asian Americans. The coronaviru­s-related racism has drawn comparison to that time.

Like Kondabolu did in 2001, many young Asian Americans are now facing outright hate for the first time.

“I had never been targeted the way I had been in 9/11. That shaped how I viewed this country,” he said at a virtual town hall last week. “The generation after 9/11 ... they’re gonna have to question where we are now. It’s going to inform how they will see the world.”

He’s glad that the challenges and prejudices Asian Americans have faced for more than a century are enshrined in a documentar­y.

“Once it’s on PBS, it feels like an official document,” Kondabalu said in an earlier interview. “This marks our place in the history of this country. It wasn’t there before.”

Tajima-Peña wouldn’t alter the episodes to address the pandemic if she could, saying viewers will inevitably connect it to present-day xenophobia. It’s a “new story that really is an old story.”

“The whole COVID crisis, it’s really just amplified all the fault lines in the United States of race and class, poverty, health care. In terms of Asian Americans, of course, it’s this idea we’re so-called foreigners,” she said.

One of her hopes is the series will inspire younger Asian Americans to think beyond social media rants to activism.

“Our backs are against the walls. How do we move forward together? That’s what you see in the series,” Tajima-Peña said. “Asian Americans had to come together to defend our own rights.”

Also:

NEW YORK: Wayne Brady and the folks at “Let’s Make a Deal” want to honor those fighting the coronaviru­s - and they don’t have to wear their capes if they don’t want to.

The CBS daytime game show that usually has a studio audience in zany costumes is asking front-line workers to submit a video audition for an upcoming special online edition of the show.

“The idea sprang into my head because I wanted for us at ‘Deal’ to not only bring smiles to our loyal Deal Family, but to give hope and something to look forward to,” Brady, the host, told The Associated Press.

“In times like this, a small token can go a long way. Whether a joke or a $50 Amazon gift card, when the news is oftentimes bad, I wanted us to be that bright spot in their day.”

Several contestant­s on the “Let’s Make a Deal: At Home” edition of the show have been front-line workers, but the new recruitmen­t is intended to help dedicate an entire show to them.(AP)

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