Arab Times

‘Our Friend,’ an opportunit­y for good cry

‘Baba Yaga’ introduces with a VR movie premiere

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NEW YORK, Jan 24, (AP): If his new movie, “Our Friend, ” makes audiences cry, Jason Segel can sympathize.

He recalls being on an airplane and watching a movie that made him break down so uncontroll­ably that it got the attention of a woman seated next to him.

“I was weeping, full-on weeping, crying so hard, and this woman couldn’t resist trying to find out what I was crying at. And she, like, peeked over and it was ‘Dreamgirls.’ This grown man, bawling his eyes out to ‘Dreamgirls,’” the actor said, laughing, in a recent interview.

“Our Friend,” premiering Friday in theaters and video on demand platforms, certainly covers emotional territory. Segel plays Dane, the best friend of married couple Matt and Nicole (played by Casey Affleck and Dakota Johnson). When Nicole is diagnosed with terminal cancer, Dane moves in with the family to help them during the time she has left.

It’s based on the true story of an experience written about by journalist Matthew Teague in 2015 for Esquire. He wanted to write about what going through a death is really like.

“I felt so unprepared to meet death, even caring for somebody who was dying and that I felt even almost betrayed by the culture. In a way, I feel like we don’t discuss this very openly or very honestly,” said Teague.

Production on the film wrapped before the pandemic but Affleck understand­s it will strike a chord with viewers about grief and loss.

“I think a lot of movies are probably going to be seen through the lens of the experience that we’ve all shared over the last year, whether or not they were intended to be about those things,” said Affleck.

Johnson hopes the movie will remind others to “feel a bit more grateful and a bit more compassion­ate with themselves and others.”

From experienci­ng his own loss, Teague offers advice on what to say to those who know someone who is going through it.

“It’s hard to know what to say. And I think sometimes the best thing you can do is just be there and just offer yourself in some way and to not expect some emotional reaction. Even now, years have passed. I’ll still be in a restaurant and someone will come up and say, you know, ‘I’m so sorry for your loss.’ And I feel like there’s an expectatio­n that I reciprocat­e emotionall­y in some way. And so something I learned is just let people grieve on their own terms.”

Last week Daisy Ridley and Jennifer Hudson went to a movie premiere together. They posed for photos and made remarks from a stage while an audience watched quietly.

Or, more accurately, their avatars did.

The actors were actually on different continents, brought together for a few minutes through virtual reality headsets to walk a red carpet, pose for photos in front of a step and repeat and to speak to a crowd of other avatars on behalf of their short film “Baba Yaga.” It’s being called the first ever VR movie premiere.

“I truly feel like I went to a premiere,” Hudson said later. “But I didn’t leave home! I think it’s a cool way to do it, especially right now.”

She especially liked seeing her team and how much their avatars looked like themselves.

Virtual movie premieres have become standard in Hollywood since the pandemic started. The “events” typically just involve a start time for the film to broadcast on your home screen and, sometimes, a zoom-style Q&A with talent afterward. But Baobab Studios, the 6-year-old interactiv­e animation studio behind a handful of cinematic VR experience­s, decided to push the envelope for “Baba Yaga.”

“I really don’t think we would have ever thought of this if it wasn’t for COVID,” said Eric Darnell, the man behind the “Madagascar” films and co-founder of Baobab. “We usually have our films premiere at festivals.”

“Baba Yaga” actually got a real festival premiere too as part of the Venice Film Festival last year. But as it became increasing­ly clear that there would not be an opportunit­y stateside, the company started working alongside the XR consultanc­y firm MESH to produce the ambitious event, which included designing a rainforest room inspired by the one in the film.

The virtual reality movie premiere is not entirely dissimilar to an actual premiere. There are publicists, filmmakers and actors, things to look at and displays to take selfies with (really). At this particular event, there was also a roped off “restricted” area, although organizers said it was simply there to designate the end of space and not an exclusive side party.

And not unlike at actual events, sometimes you find yourself without anyone to talk to and just awkwardly wander around eavesdropp­ing. But at a virtual reality premiere you can’t even pretend to send text messages or respond to emails. This reporter also had to take off her headset for a few minutes after getting VR dizzy.

Darnell co-wrote and directed the film/experience alongside Mathias Chelebourg. It also features the voices of Kate Winslet and Glen Close. The film and the rainforest room are currently available to experience through Oculus Quest.

Events like this may have been born out of necessity, but they could be the way of the future.

“Even if we did go back to premiering at festivals, I still think this is an amazing way to bring people together and to say let’s celebrate this medium by actually having a party inside of it,” Darnell said.

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