Arab Times

Wahlberg finds he’s special in ‘Infinite’

- By Lindsey Bahr

The new Mark Wahlberg movie “Infinite” poses an intoxicati­ng scenario for all down-on-their-luck know-it-alls: What if you’re actually a reincarnat­ed immortal who is not just the smartest and the best at everything but also necessary to save humanity? In the world of Hollywood wish fulfillmen­t premises, women get to discover they’re secret princesses. Men get to discover they’re secret geniuses who can wield a katana while riding a motorcycle in a high-speed chase. (I know, I know, there are exceptions).

This particular story is based on a book, “The Reincarnat­ionist Papers” by D. Eric Maikranz, which the author self-published in 2009 with the goal of getting a movie adaptation made. He offered up a cash reward to a reader who could connect him with a literary agent, a publisher or a Hollywood executive. That it worked, and attracted the likes of Wahlberg and director Antoine Fuqua, is almost as far-fetched as “Infinite” itself.

And yes, “Infinite” is infinitely silly, but it’s not without some pleasures, many of which come from Wahlberg delivering lines like “are you talking about reincarnat­ion?” and “I’ve been analyzed in every way possible” in that way that only Mark Wahlberg can - with manic earnestnes­s that under the right circumstan­ces can be passed off as intentiona­l comedy. And although this is overall a sincere endeavor, the existence of Jason Mantzoukas playing a hedonistic sadist with impeccable eyeliner and a glam rock wardrobe even invites the possibilit­y that the filmmakers aren’t asking us to take this too seriously either.

And there are some thrilling stunts with cars and motorcycle­s that may have Tom Cruise and Vin Diesel sending some notes to their respective “Mission: Impossible” and “Fast & Furious” producers wondering why they don’t have that in their new films.

Other notes might include warnings about too much exposition, though. Building a world like this, with warring factions of Infinites (people who remember their past lives), requires a lot of voiceover and explanatio­n woven into conversati­ons. “Infinite” never quite figures out how to do that gracefully while building worthwhile characters and moving the story along.

As Evan, Wahlberg is attempting to be a kind of everyman here, a maître d’ for high end restaurant­s who is unemployab­le after a mental health incident and is worried about paying rent and running out of the pills that keep his mind in check. He has big questions about why he is the way he is and no answers yet: “Did you ever have a dream so real it felt like a memory? Do you ever catch yourself in the mirror and are surprised? Are there things you just know how to do... like you’re rememberin­g, not learning?”

Authentic

But the Infinites catch wind of his existence after he constructs an authentic samurai sword for a local drug dealer in exchange for meds. (Sense memory from his apparent past life as a samurai aside, where this unemployed maître d’ who can’t afford to pay rent got access to the materials and space to make this item is left unexplored). It puts him on the radar of Bathurst (Chiwetel Ejiofor), a nihilist Infinite who’d like to destroy everything, and Tammy (Sophie Cookson), a believer Infinite who’d like everything to not be destroyed. From there it’s a race to explain everything, get Evan to remember his past lives, stop Bathurst and save the word.

The most novel thing about “Infinite” is that it’s not about teens or very young 20-somethings, but it still feels very YA-adjacent. And it’s exactly the kind of big, silly, occasional­ly exciting spectacle that have come to define summer movie season, for better or worse. There’s even an opening for a sequel.

“Infinite,” a Paramount+ release available Friday, is rated PG-13 by the Motion Picture Associatio­n of America for “for sequences of strong violence, some bloody images, strong language and brief drug use.” Running time: 106 minutes. Two stars out of four.

MPAA Definition of PG-13: Parents strongly cautioned. Some material may be inappropri­ate for children under 13.

Also:

HONG KONG: Hong Kong censors now have the power to ban films that endanger national security, prompting concerns that freedom of expression is being further curtailed in a city once known for its vibrant arts and film scene.

Authoritie­s are cracking down on criticism of Chinese Communist Party rule, arresting many pro-democracy activists in the city and implementi­ng a sweeping national security law last year that criminaliz­es actions such as the calls for independen­ce made during months of anti-government protests in 2019.

The Hong Kong government announced Friday that it has amended the guidelines for censors in the city’s Film Censorship Ordinance to include vigilance against any “portrayal, depiction or treatment of any act or activity which may amount to an offense endangerin­g national security.”

Censors have the power to ban films from exhibition to “prevent or suppress any act or activity endangerin­g national security,” it said in a statement.

“The film censorship regulatory framework is built on the premise of a balance between protection of individual rights and freedoms on the one hand, and the protection of legitimate societal interests on the other,” the government said.

The amended ordinance takes Hong Kong a step closer to the censorship of films on the Chinese mainland, which are closely vetted for themes and scenes critical of the Communist Party’s leadership or that do not align with values that the government seeks to espouse.

On Friday, organizers of the 15th Fresh Wave Internatio­nal Short Film Festival canceled the screening of “Far From Home,” a short about political divisions in Hong Kong following the 2019 anti-government protests, after it did not receive approval from censors.

“This film censorship system shows how freedom of expression is disappeari­ng from Hong Kong,” said Anders Hammer, director of “Do Not Split,” an Oscarnomin­ated documentar­y about the 2019 protests. “In 2021 we have seen how the situation is deteriorat­ing further where activists and pro-democracy politician­s are put in prison, charged under the new draconian national security law,” he said.

“And unfortunat­ely, it looks like the local government and Beijing only want to continue with this dissolveme­nt of basic democratic rights in Hong Kong,” he said. (AP)

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