Arab Times

Docuseries takes intimate look at Osaka

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LOS ANGELES, July 17, (AP): Those looking for definitive answers about Naomi Osaka and how she copes with the demands of her career and fame shouldn’t expect to find them in a new Netflix docuseries about the four-time Grand Slam champion.

It’s the tennis star’s unresolved questions that are the heart of “Naomi Osaka,” director-producer Garrett Bradley said of the series that was taped over a two-year period starting with the 2019 US Open. Production concluded in early 2021 before Osaka’s withdrawal from the French Open.

The three-part series which debuted Friday is a contemplat­ive, intimate look at a young athlete finding her way. Film of major tournament­s, wins and losses, is interwoven with scenes of Osaka’s time with family and her boyfriend, the rapper Cordae; her training and business demands; Osaka’s reflection­s on her career, multiracia­l identity and the death of mentor Kobe Bryant, and her decision to protest police killings of Black men and women.

“It was really important for me to not go into the project with an agenda or really even with an opinion,” Bradley, a 2021 Oscar nominee for the documentar­y “Time,” said. “I really tried to open myself up to her world and where she was at, and tried to understand the sort of essence of who she was.”

As filming progressed, she said, it became clear that the series’ foundation would be the conundrums faced not only by Osaka but society at large.

Those inquiries are “connected to value systems and self-definition, and how one can create a more holistic understand­ing of themselves in any given environmen­t that they find themselves in,” said Bradley, whose fellow producers include LeBron James, under the umbrella of his SpringHill production company.

Osaka, 23, who was not made available for an interview, withdrew from the French Open last May, citing “huge waves of anxiety” before speaking to the media and revealing that she has suffered long bouts of depression.

She also skipped the just-ended Wimbledon, with her agent saying she wanted personal time, but is expected to compete in the upcoming Tokyo Olympics for her native Japan. Osaka was just a few years old when she, her sister and their Japanese mother and Haitian father moved to the United States.

In a Time magazine essay published July 8, Osaka wrote that, “Believe it or not, I am naturally introverte­d and do not court the spotlight. I always try to push myself to speak up for what I believe to be right, but that often comes at a cost of great anxiety.”

“I do hope that people can relate and understand it’s O.K. to not be O.K., and it’s O.K. to talk about it. There are people who can help, and there is usually light at the end of any tunnel,” she said, thanking Michelle Obama, Michael Phelps and other public figures for offering support.

The Netflix docuseries includes footage of Osaka and her sister, Mari, on the court as youngsters, with the tennis star recalling spending at least eight hours a day at practice, adding, “I was just tired.”

Portrait

Mari Osaka, 25, also played profession­al tennis but said in a social media post in March that she was retiring from the sport because it was “a journey which I didn’t enjoy ultimately.”

The docuseries sketches a portrait of Naomi Osaka as thoughtful and driven to succeed but struggling to cope with her sport’s demands and her future. At one moment of self-reflection she says, “So what am I, if not a good tennis player?”

Filmmaker Bradley cautions that the series should not be seen as definitive, but rather a snapshot of a brief period in a life that continues to “evolve and grow.”

“This moment that we captured was her in the process of a learning curve, which I think she directly articulate­s really beautifull­y, (that) there are elements of fame that are hard to be prepared for,” Bradley said. “The sustenance that she finds is in accepting where she is currently in this moment, and certainly in her family and in her loved ones, but also is in finding her own voice. And that includes choosing when to use it and when not to.”

Asked how she perceived Osaka’s emotional well-being, Bradley said she considers her “an incredibly strong and really brilliant person.”

“She’s in control of her own narrative, and I think that’s a beautiful thing,” she said.

Also:

NEW YORK: Streaming service Paramount+ has landed a documentar­y that offers a glimpse into the personal life of Madonna and her work on the road.

The streaming arm of ViacomCBS said Thursday that “Madame X” will make its debut in the US, Latin America, Australia, Nordic countries and Canada beginning Oct. 8.

Filmed in Lisbon, Portugal, the film “captures the pop icon’s rare and rapturous tour performanc­e,” according to a press release. It features 48 on-stage performers including Madonna’s children, musicians and dancers from around the globe.

The film will take “viewers on a journey as compelling and audacious as Madonna’s fearless persona Madame X, a secret agent traveling around the world, changing identities, fighting for freedom and bringing light to dark places.”

It will come 30 years after the pop star’s groundbrea­king documentar­y “Truth or Dare,” chroniclin­g her life during her Blond Ambition world tour. Her last album, also called “Madame X,” hit the top spot of the Billboard 200 chart in 2019.

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