Anguish of war permeates Boston Symphony’s 2022-23 season
BOSTON, April 21, (AP): Haunted by the horrors of the war in Ukraine, the Boston Symphony Orchestra is sounding a decidedly somber note as it prepares for its 2022-23 season.
The orchestra usually gravitates toward programs with lighter themes - spring, autumn or the American songbook - but the renowned symphony said Wednesday it’s orchestrating a season in which art will imitate life, using classical music to address the tragedies of armed conflict.
The orchestra’s next series of concerts also will include a three-week festival in March dubbed “Voices of Loss, Reckoning and Hope” - a musical exploration of racial injustice, civil rights and gender inequity.
“This more explicit focus on some of the social and cultural issues of our time is a new direction for a BSO season,” orchestra spokesperson Bernadette Horgan told The Associated Press.
Notably, the orchestra under the direction of Andris Nelsons will perform works by prominent Soviet-era Russian composers as it explores the themes of war, including Dmitri Shostakovich’s Symphony No. 13 - a five-movement denunciation of Stalinism based on poems by Yevgeny Yevtushenko. The first movement condemns Soviet revisionist history and antisemitism, invoking a Nazi massacre of Ukrainian Jews.
Omer Meir Wellber will direct the BSO in the American premiere of Israeli composer Ella Milch-Sheriff’s “The Eternal Stranger,” which captures the hostility and rejection experienced by refugees and others who frequently find themselves on the fringes of society.
Other concerts will feature Polish composer Henryk Górecki’s “Symphony of Sorrowful Songs” with soprano Aleksandra Kurzak in the role of a mother who lost her child to war; and Argentine composer Osvaldo Golijov’s “Falling Out of Time,” inspired by David Grossman’s experimental novel about the wartime death of a son - an agonizing loss Grossman himself experienced and wrote “now permeates every minute of my life.”
Nelsons, who grew up in Latvia near the end of the Cold War, said he hopes the season opening Sept. 22 will harness “music’s power to touch our hearts and reveal the many stories and emotions that bring us together as a human family.”
Featured in the March festival will be works by three important American composers, including Julia Wolfe’s “Her Story,” which broadly speaks to the continuing struggle for women’s rights.
Also highlighted: Anthony Davis’ clarinet concerto, “You Have the Right to Remain Silent,” with soloist Anthony McGill, about the emotional consequences of encounters with law enforcement; and Uri Caine’s “The Passion of Octavius Catto,” a reflection of the life of the titular 19th-century Philadelphia civil rights activist.
NEW YORK: Also:
Lincoln Center will hold a series of more than 300 Summer for the City events both indoors and outdoors following two years of programing sharply curtailed because of the coronavirus pandemic.
The performing arts institution first emerged from the pandemic last spring and summer with Restart Stages in outdoor areas at Lincoln Center, ending a 13-month period with no performances for an audience at its campus on Manhattan’s west side.
The Summer for the City festival announced Wednesday starts May 14 and runs to Aug. 14 and will include 10 outdoor venues and three indoors.
“It’s focused on getting people back together again, having people feel safe together again,” said Shanta Thake, who was hired last August as Lincoln Center’s chief artistic officer. “And then the return of things like social dance, doing rituals together, the sing-along, all of these ways that really address the question of what does New York need that only live performance can provide.”
Indoor events at Rose Theater and Alice Tully Hall will be on a choose-what-you-pay basis.
The festival starts with a sing-a-long on Lincoln Center Plaza with the Young People’s Chorus of New York and a speakeasy for the audience under the entrance driveway.
The Mostly Mozart Festival has not been held since 2019, but the Mostly Mozart Festival Orchestra will have six pairs of concerts, including Mozart’s Requiem. In addition, choreographer Kyle Abraham and composer Jlin will present an electronic version of the Mozart composition transformed into “Requiem: Fire in the Air of the Earth.”
Thake had been associate artistic director at the Public Theater before replacing Jane Moss.
“The hope is that we’ll find that balance of what is indoor and outdoor programing as we go into next summer,” Thake said. “How do we really recognize that this has been an incredibly traumatic time for the world, but certainly our city? And what is our role as a cultural institution to step into that and and address it, not just put on shows and pretend nothing ever happened.”