Arab Times

‘John Wick 4’ gets even more stylish

- By Mark Kennedy

A trip to Paris should be on everyone’s bucket list, even John Wick. The Eiffel Tower, the Arc de Triomphe, the Louvre - what better way to refresh your soul, even as you kick everyone else’s bucket?

The un-retired assassin does indeed dive into the City of Lights in the inventive and thrilling “John Wick: Chapter 4” a sequel which elevates and expands the franchise. The fourth installmen­t is more stylish, more elegant and more bonkers - kind of like Paris itself.

When we last saw Wick, he was half dead in the gutter after being shot and tumbling several stories off the Hotel Continenta­l in New York. He was on the blacklist with a $14 million price on his head. (Inflation has even hit this franchise: The bounty swells to $40 million by the end of part four.)

Wick, as always played with monosyllab­ic and brooding intensity by Keanu Reeves, leaves his customary trail of death, but there’s a shift here. So often the prey in the previous movies, Wick is on the offense in the fourth, taking his demands directly to The High Table, the group of shadowy crime lords that keep order.

This time, the Table’s sadistic frontman is a dandy called the Marquis, played with coiled menace by Bill Skarsgård, who spouts things like: “Second chances are the refuge of men who fail.” But he’s a secret coward, so feel free to boo loudly.

The nine-fingered Wick wants to end his nightmare, naturally, by killing everyone. His too-cool frenemy, Ian McShane’s Winston, challenges him to think differentl­y: “Have you learned nothing?” he asks the man who, to be honest, he shot in the last movie. “You’ll run out of bullets before they run out of heads.”

Returning writer Shay Hatten, along with co-writer Michael Finch, have come up with a possible solution for Wick: Win an old-fashioned duel with the Marquis. Win and be free, lose and be buried.

Not so fast, of course. Along the way, Wick must somehow handle the blind martial arts master Caine, played by Donnie Yen, bringing humor and verve to a fighter who is tasked with either slaying his one-time friend or have his daughter killed.

There’s also Killa, a jumbo-sized card shark played by martial arts star Scott Adkins, and The Tracker, a very talented bounty hunter played by Shamier Anderson.

Don’t forget a swarm of Paris-based amateur bounty-hunters and armored ninjas who seem as plentiful as the city’s baguettes.

All the touches you expect from a Wick flick are here - a cool dog, hand-to-hand combat amid glass display cases, candles and Christian iconograph­y, galloping horses, the screech of metal swords and a new way to hurt someone, in this case, a single playing card. We visit Germany, Japan and end in France, even going to a disused subway platform.

Returning director Chad Stahelski loves combining neon with gloom and now has the budget to rent out space in the Louvre. Of the 14 action sequences - yes, 14 - a few are truly mind-blowing, like a fight in the middle of the traffic circle around the Arc de Triomphe and a drone capturing a complicate­d set piece in a building involving what is being called a dragon’s breath shotgun. Repeating that last bit: dragon’s breath shotgun.

Assassins

If there was a bit of a slog through would-be assassins in “John Wick: Chapter 3 - Parabellum” - you know, shoot, stab, repeat - there is none here. One sequence on a set of outdoor stairs in Paris is almost riotously funny as knives and guns blast away, while the filmmakers add water and fire to a nightclub rave scene that puts clueless dancers next to axe-throwing murderers.

A shout-out to costume designer Paco Delgado, who has outfitted the baddie gunmen in light-colored three-piece suits and combat boots, and the executive baddies in fitted elegance with extravagan­t cravat-style ties. One of the film’s saddest parts is saying goodbye to Lance Reddick, who played Continenta­l Hotel concierge Charon and died on the eve of the movie’s debut.

How does this all end? Actually, on something of a deflating note. Earlier in the film, Wick’s Japan-based friend Shimazu - played awesomely by Hiroyuki Sanada - had asked a question that eternally hangs over this franchise: “Have you given any thought to how this ends?”

This chapter ends in death, of course. But that’s also how it lives.

“John Wick: Chapter 4,” a Lionsgate release that hits theaters Friday, is rated R for “pervasive strong violence and some language.” Running time: 169 minutes. Three and a half stars out of four.

MPAA definition of R: Restricted. Under 17 requires accompanyi­ng parent or adult guardian.

Also:

HONG KONG: Public screenings of a slasher film that features Winnie the Pooh were scrapped abruptly in Hong Kong on Tuesday, sparking discussion­s over increasing censorship in the city.

Film distributo­r VII Pillars Entertainm­ent announced on Facebook that the release of “Winnie the Pooh: Blood and Honey” on Thursday had been canceled with “great regret” in Hong Kong and neighborin­g Macao.

In an email reply to The Associated Press, the distributo­r said it was notified by cinemas that they could not show the film as scheduled, but it didn’t know why. The cinema chains involved did not immediatel­y reply to a request for comment.

For many residents, the Winnie the Pooh character is a playful taunt of China’s President Xi Jinping and Chinese censors in the past had briefly banned social media searches for the bear in the country. In 2018, the film “Christophe­r Robin,” also featuring Winnie the Pooh, was reportedly denied a release in China.

The film being pulled in Hong Kong has prompted concern on social media over the territory’s shrinking freedoms.

The movie was initially set to be shown in about 30 cinemas in Hong Kong, VII Pillars Entertainm­ent wrote last week.

The Office for Film, Newspaper and Article Administra­tion said it had approved the film and arrangemen­ts by local cinemas to screen approved films “are the commercial decisions of the cinemas concerned.” It refused to comment on such arrangemen­ts.

A screening initially scheduled for Tuesday night in one cinema was canceled due to “technical reasons,” the organizer said on Instagram.

Kenny Ng, a professor at Hong Kong Baptist University’s academy of film, refused to speculate on the reason behind the cancellati­on, but suggested the mechanism of silencing criticism appeared to be resorting to commercial decisions.

Hong Kong is a former British colony that returned to China’s rule in 1997, promising to retain its Westernsty­le freedoms. But China imposed a national security law following massive pro-democracy protests in 2019, silencing or jailing many dissidents. (AP)

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