Kuwait Times

Museum celebrates Boston's favorite ducks with new exhibit

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America’s most famous mallard family is waddling into Boston’s Museum of Fine Arts. “Make Way for Ducklings” opens Friday, commemorat­ing the 75th anniversar­y of the children’s book of the same name. The exhibition looks back on the career of Robert McCloskey, who wrote the classic in 1941 and won a Caldecott Medal for it the following year.

The heartwarmi­ng story and elegant illustrati­ons in “Make Way for Ducklings” have dazzled readers for decades, but especially so in Boston, where bronze statues of the duck family are a fixture in the downtown Public Garden. In the story, the mallards wander through Boston’s busy streets, ducking frenetic car and bike traffic and taking time to enjoy peanuts tossed by people on the city’s Swan Boats.

“I hope the love for that publicatio­n will draw people in,” said Meghan Melvin, the exhibition’s curator. “He was such an observant artist, very detailed and perceptive. That will come through in these sketches.” McCloskey, who died in 2003 at age 88, was a celebrated illustrato­r and author who produced eight picture books including “Blueberrie­s for Sal,” “Lentil” and “Centerburg Tales.”

The exhibition displays illustrati­ons from the special archives at Emporia State University in Kansas that have largely been kept private until recently. To say the Mallard family is beloved in Boston and the surroundin­g area is an understate­ment. In fact, “Ducklings” fans might argue there is no better place for a McCloskey retrospect­ive than the Museum of Fine Arts, situated less than 2 miles from the spot where the bronze birds call home.

Sculptor Nancy Schon’s statues of Mrs. Mallard leading her eight progenies through the Public Garden have drawn tourists from afar since their installati­on in 1987. “Make Way for Ducklings” also was named the official children’s book of Massachuse­tts in 2003. “We read the book before we came here today,” said Yuen Kwan, a Boston resident attending a preview of the exhibition with her 4-year-old son, Matthew Bronk. “I’d say we go see the statues in the Public Garden a couple times a year.”

Included in the exhibition is a miniature version of Schon’s sculptures, with a couple of notable difference­s: the addition of police officer Michael, who stops traffic so the ducks can cross the street safely, and a scene painted in watercolor, a contrast to the book’s signature sepia drawings. McCloskey had envisioned the book in color, Melvin said. But because of the high cost of color printing during World War II, the editor opted for sepia. “That will be a big surprise for people,” Melvin said. “They feel very strongly about the sepia illustrati­ons because that is what they know.” The exhibit, which was originally organized by the Eric Carle Museum of Picture Book Art in Amherst, runs through June 18.— AP

 ??  ?? A boy points at a sculpture of a mother duck and her ducklings, based on the classic children’s story ‘Make Way for Ducklings’ at the Boston Public Garden in Boston.
A boy points at a sculpture of a mother duck and her ducklings, based on the classic children’s story ‘Make Way for Ducklings’ at the Boston Public Garden in Boston.
 ??  ?? Girls follow a path of duck footprints as they pass ancient urns at an exhibit featuring the classic children’s story “Make Way for Ducklings” at the Museum of Fine Arts in Boston.
Girls follow a path of duck footprints as they pass ancient urns at an exhibit featuring the classic children’s story “Make Way for Ducklings” at the Museum of Fine Arts in Boston.
 ??  ?? A boy makes a quack sound using a duck call beak as he views a sculpture depicting the classic children’s story ‘Make Way for Ducklings’ at an exhibit at the Museum of Fine Arts in Boston.
A boy makes a quack sound using a duck call beak as he views a sculpture depicting the classic children’s story ‘Make Way for Ducklings’ at an exhibit at the Museum of Fine Arts in Boston.

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