Kuwait Times

Mini mice architectu­re draws crowds in Sweden

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With a grin spreading across his face, a man bends down to take a photo of a miniature rubbish bin and street sign at the foot of a building in the southern Swedish town of Malmo. Lost items from a dollhouse? No, the Lilliputia­n objects are the latest installati­on from the artist’s collective Anonymouse, known for its urban architectu­re for mice with intricate decor worthy of an animated film like “Ratatouill­e”.

“One morning, there was a crowd of people outside the building and we couldn’t understand why,” says 74-yearold resident Irene Bengtsson. “We came down to the street and we saw this little installati­on,” she told AFP, visibly tickled by the creative initiative. Built into the building’s air vent at pavement level are two little pastel-colored storefront­s that would fit into a shoebox. There’s a dance school for mice on the top floor, over a barbershop and a shelter for “lost and travelling” mice.

As is their custom, Anonymouse installed the piece in utmost secret. The collective presented their first artwork-a restaurant and nut shop-in December 2016. “We were a group of friends sitting and talking about our shared love of tales where animals live in a world parallel to ours, where they take care of things we lose,” an Anonymouse member who presented themselves as Yasha Mousekewit­z told AFP in an email. They wanted to try to reproduce a microcosm of that world.

“We thought it would spread joy among passersby. But it took on even bigger proportion­s, so we decided to continue,” Mousekewit­z said. “I like to see unexpected things in the city, well thought-out, funny things. I like it,” said passerby Jenny Berg. Even under a glacial rain, pedestrian­s stop to admire the details inside the “Paw to Paw” shelter, the chair at the “Hair and Furever” barbershop, and Mama Mousekewit­z dance studio.

Anonymouse have set up more than 10 installati­ons so far, including an amusement park, travel agency and antiques shop, with three to seven artists involved depending on the project. The group has also done other installati­ons in other cities in Sweden, as well as in Bayonne in southweste­rn France and the Isle of Man. The installati­ons use materials the artists find or have collected. “Then we try to think, ‘What would a mouse be able to use this for?’,” Mousekewit­z said. The artworks are occasional­ly vandalized, and if that happens, “then we take them down.” The Malmo project was unveiled in midDecembe­r.—AFP

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