or
Welcome to the April/may issue of International Artist! As I write this on a cold March day from my hotel room in Cheyenne, Wyoming, much of the country is still deep in winter. Boston is blanketed in snow, and even Central Park has become a...
Our past three covers, including the issue you hold in your hands, have featured mediums that are occasionally less recognized than the juggernaut that is oil paint. The December/ January and February/march covers were two very...
Each year, the Portrait Society of America’s Members Only Competition offers a glimpse into the depth, diversity and evolving excellence of contemporary painting. Exclusively for our members, this competition celebrates artists who...
There’s a hidden beauty within Old World stonework—an interplay of nature and architecture, texture and time. Each surface reveals something new about light, structure and endurance. In the weathered walls of Italy, the sunlit hilltop...
SCOTTSDALE ARTISTS’ SCHOOL: What do you look forward to the most when teaching at Scottsdale Artists’ School? SHANA LEVENSON: Scottsdale Artists’ School has always been one of my favorite places to teach. Beyond its ideal location near...
1. Palette knives. These are essential in achieving the textural impressionistic vibe I’m going for. Ilike to call it a necessary “crutch” because I’m inherently a detail freak, so utilizing palette knives keeps me loose and untethered. 2....
