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METROPOLIS is driven by a deep passion for cinema. Each month, we dedicate our pages to exploring the latest film releases — from major blockbusters to European and world cinema, as well as the enduring classics that shape the history of the medium. Our coverage includes special features, interviews with leading filmmakers, and critical reviews of both theatrical and streaming premieres. We also follows the television landscape with the same editorial rigor, examining the series that define today’s era of television and streaming. Through insightful articles and reviews, we analyze the key phenomena shaping contemporary visual storytelling. Our scope extends beyond the screen, encompassing video games, comics, and graphic novels — cultural forms that share cinema’s power to narrate, challenge, and inspire. The METROPOLIS team brings together seasoned critics and journalists — some with more than five decades of experience — who regularly attend the world’s major film festivals, identifying the trends that will define tomorrow’s cinema. From Cannes to Locarno, from Venice to San Sebastián, our contributors are on the ground to bring readers the very best of world cinema.
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In This Edition
ArticleA SEASON OF STRIKING CONTRASTS
1. The summer season is upon us. The more pessimistic observers will argue that it is the time of year when the rituals of consumption overshadow any genuine interest in cinema. Yet they will always be counterbalanced by those who believe...
ArticleFJORD- CANNES 2026
ArticleTHE BOROUGHS
The series combines science fiction, mystery, and horror as it follows a group of residents in a retirement community who are confronted with an inexplicable threat. Produced by the Duffer brothers, the series premiered on Netflix on...
ArticleCANNES 2026
METROPOLIS offers unparalleled coverage: more than 60 pages on the world’s best film festival.
ArticleSCARY MOVIE: WHAT'S UP?
Guess Who’s Back? Scary Movie is back, and no horror movie is safe from parody.
ArticleTVCINE - THE MAN WHO DEFINITELY DIDN'T STEAL HOLLYWOOD
«The Man Who Definitely Didn’t Steal Hollywoo» is essential viewing for anyone interested in film history, behind-the-scenes intrigue or financial scandals so audacious they resemble a Hollywood thriller. At times, it feels like a...