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Netflix - Queue
Netflix - Queue

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Queue pays homage to the people, the ideas, and the process of creating great entertainment on Netflix and beyond

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Book to Screen By the Num­bers Ward­robe Depart­ment The Playl­ist Din­ner Party And Scene

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ArticleWal­lace & Gro­mit: Ven­geance Most Fowl

NNick Park’s beloved char­ac­ters have been with him for more than three dec­ades. “I can trace the roots of Wal­lace and Gro­mit back to when I did a degree at Shef­field’s art school in the U.K.,” he tells Queue. When he star­ted his gradu­ation...

Wal­lace & Gro­mit: Ven­geance Most Fowl

ArticleDaugh­ters

“Our dad­dies are our mir­rors.” Those are the words spoken by act­iv­ist Angela Pat­ton dur­ing the open­ing of Daugh­ters. The film, co-dir­ec­ted by Nat­alie Rae and Pat­ton, doc­u­ments four young Black girls who recon­nect with their...

Daugh­ters

ArticleRodrigo Pri­eto

As a lifelong admirer of Juan Rulfo’s sem­inal 1955 novel Pedro Páramo, Mex­ican cine­ma­to­grapher Rodrigo Pri­eto believes that his oppor­tun­ity to bring the text to the screen as his dir­ect­orial debut comes at pre­cisely the right time. “Fif­teen...

Rodrigo Pri­eto

ArticleJes­sica Gun­ning

On a bright August after­noon, the Brit­ish actor Jes­sica Gun­ning is “up north,” talk­ing through one of the pieces of art dis­played in her mum and dad’s Eng­land home. “This is fas­cin­at­ing,” she says with an affec­tion­ate smile, point­ing to a...

Jes­sica Gun­ning

ArticleThe Empress

In the middle of autumn, it is sur­pris­ingly hot at the Aus­trian royal court. Even in a T-shirt and jeans one would sweat — let alone if wear­ing crinoline and a wig weigh­ing five kilos. But none of this can dampen the mood on set: The cast and crew...

The Empress

ArticleMaite Alberdi

Even in Maite Alberdi’s first foray into fic­tion­al­ized storytelling, the twice Oscar-nom­in­ated dir­ector brings her long-stand­ing pas­sion for doc­u­ment­ary to bear. In Her Place dram­at­izes the real­life story of lauded Chilean author María...

Maite Alberdi