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Pianist, 27 May 2026

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In This Edition

ArticleParis Con­ser­vatoire

Tur­bu­lent times were not uncom­mon at this legendary insti­tu­tion, but it pro­duced some of the finest pian­ists and com­posers, as War­wick Thom­spon explains Cover star Jean-Efflam Bavouzet stud­ied there, and all the French com­posers whose...

Paris Con­ser­vatoire

ArticleThe Scores

Plenty of attract­ive French scores and lyr­ical Songs without Words are peppered throughout this issue’s 40-page pul­lout of sheet music for all levels Ger­man com­poser Chris­tian Louis Hein­rich Köhler (known for short as Louis Köhler) received a...

The Scores

ArticleSongs without words

From the songs of Mendels­sohn to the lesser known chants by Alkan, Mat­thew Mills looks at the rep­er­toire where the piano must always ‘sing’ There is a par­tic­u­lar kind of piano play­ing that makes you for­get you are listen­ing to a piano at...

Songs without words

ArticleAlbum Reviews

Alex­an­der Malofeev plays for­got­ten melod­ies while Aline Piboule turns to water-inspired music – both receiv­ing the coveted five stars For­got­ten Melod­ies: Solo piano works by Glinka, Medtner, Rach­maninov and Glazunov Sony 19802936922...

Album Reviews

ArticleMas­ter­class 2

Suc­ces­ful legato play­ing is a com­bin­a­tion of over­lap­ping, fin­ger sub­sti­tions and the subtle use of pedal, says Gra­ham Fitch Put simply, legato in piano play­ing involves join­ing one sound to the next with no dis­cern­ible gap in between....

Mas­ter­class 2

ArticleHow to Play 2

Any­one can learn the notes, but Brahms’s Inter­mezzo Op 119 No 3 requires deep musical under­stand­ing, says Lucy Par­ham Brahms’s Four Piano Pieces Op 119 com­prise a set of four short works writ­ten in 1893, towards the end of the com­poser’s life....

How to Play 2