AugustMan (Malaysia)

HUMBLE BEGINNINGS

Three renowned directors’ debut features that heralded their later blockbuste­rs

- WORDS BY JAMIE TAN PHOTO BY UNSPLASH

BLOCKBUSTE­RS are usually filmed on large budgets that afford their directors the freedom to fulfil their creative visions, but good storytelli­ng needn’t cost hundreds of millions. The following films were the feature debuts of three well-establishe­d directors, and each was filmed on an extremely limited budget (relatively) at the beginnings of their respective careers. Watching them is a good reminder that money isn’t the be-all and end-all to projects – especially those of a creative nature.

1 Following

Christophe­r Nolan’s directoria­l debut, Following, was a neo-noir crime thriller produced on a budget of just $6,000. The 1998 film was self-financed by Nolan and, out of necessity, designed to be as inexpensiv­e to produce as possible. Despite this limitation, however, the film was well received by critics, and won several awards on the festival circuit. It also establishe­d Nolan’s penchant for non-linear storytelli­ng, which he’s since repeated in other works like Memento.

2 She’s Go a Have It

Spike Lee’s feature about a sexually liberal young New Yorker and her three suitors was filmed on a shoestring budget that needed deferred payments for its cast due to cash flow issues. Alas, the project still ran out of funds before it could be completed. Lee screened a rough cut at NYU to raise money for postproduc­tion, and finished with an eventual budget of $175,000. The film was wellreceiv­ed both critically and commercial­ly, and grossed over $7 million domestical­ly.

3 A Fis ul of Fingers

Edgar Wright is best known today for directing blockbuste­rs such as Baby Driver, but his first feature was a $15,000 remake of a spaghe i western that he had originally produced in school. Neither the original nor the remake saw widespread distributi­on, so you’ll have to turn to creative channels to get copies of either. Should you manage to, however, you’ll discover the nascent forms of Wright’s signature pacing and humour that still inform his films today.

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