AugustMan (Malaysia)

DANIEL VEERAPEN

MUSIC PRODUCER DIRECTOR / FILM SCORER

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danielvee

MUSIC PRODUCER, DIRECTOR AND FILM SCORER, 33-year-old Daniel Veerapen produces music for a range of people and projects. Having worked on the score and music for various, films, events and artists ‒ like Zainal Abidin, M. Nasir, Vince Chong as well as our Men of the Year recipient, Ash Nair to name but a few. In fact, Daniel was also one of the mastermind­s behind the opening music for the SEA Games in 2017, which took place in Kuala Lumpur ‒ in which he was music director.

How did your family suppo your decision to do music?

I’m thankful that my family were very supportive with not only my decision on a career, but even my brother, who now races cars for a living.

In the beginning it was my grandmothe­r who got me into music by giving me piano lessons. She was adamant that I completed my ABRSM piano exam. Although, ultimately it was my father who was one of my biggest inspiratio­ns, and which has led me to become who I am today.

When did you realise you wanted to do music for a living?

My passion for music grew as I was in high school; and back then I switched to playing the drums instead of the piano, which I thoroughly enjoyed too. Therefore I joined bands and played with the school orchestra and somewhere along the way I realised this is what I wanted to be doing. It also helped that my dad started taking notice of my talent and figured I could hone my skills and put it to good use. That’s the short version of how my career in music kickstarte­d.

What are your sources of inspiratio­n?

This is a tricky question, because people can find inspiratio­n from every where, and in the very beginning, in the most traditiona­l way, it was like I would become inspired by something and I write it out.

However now I’ve evolved to envision the final product, and think about how I want the viewer to feel, and I draw from the emotions that I want the viewers or listeners to revel in. For example if it’s a love story, I think about who would be viewing this, how would they be feeling at this particular scene, and I craft accordingl­y.

In an ideal world, I’d love to be able to sit by the beach and try to find inspiratio­n, but nowadays, when you start working for clients, there’s just no time to do such things.

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