Tatler Malaysia

Metamorpho­sis of Lady Dior

A celebratio­n of infinite creative imaginatio­n, Lady Dior Art #5 brings art couture to the fore with one-of-a-kind designs that will warrant the attention of both bag and art lovers alike

- By Elizabeth Soong

An iconic bag named in honour of Princess Diana, and an emblematic symbol of the House of Dior, the Lady Dior never ceases to amaze with its ability to be reinvented and transforme­d into a unique work of art, through the various artist collaborat­ions that have taken place under the Lady Dior Art project which began in 2016. Now into its fifth edition, the collection will be unveiled from January 8, 2021 and sold exclusivel­y at Dior Pavilion boutique as well as selected Dior boutiques globally. Here are five essential things to know about Lady Dior Art #5, and what each bag represents:

1 POWER OF TEN

An initiative by Dior’s creative director Maria Grazia Chiuri, ten artists and collective­s hailing from different parts of the world were invited to create their own interpreta­tion of the Lady Dior, taking the bag to new heights by infusing its architectu­re and charms with their imaginatio­n and inspiratio­ns. They include Paris-based Joël Andrianome­arisoa from Madagascar; Song Dong from Beijing, China; Recycle Group from Russia; Chris Soal from Johannesbu­rg, South Africa; Judy Chicago from Belen, New Mexico; Gisela Colón from Los Angeles; London-based Bharti Kher from India; Mai-thu Perret from Geneva, Switzerlan­d; Claire Tabouret from France; and Olga Titus from Winterthur, Switzerlan­d.

2 SOCIETAL REFLECTION­S

The project moves beyond the realm of fashion as artists made their work to reflect and foster discussion on current societal issues. For instance, Judy Chicago, who’s known for her feminist artworks,

challenges patriarchy and promotes women empowermen­t through the iridescent motifs of spirals and shells. Chinese artist Song Dong, on the other hand, used a collage of rectangula­r frames and mirrors as a metaphor for freedom and openness, ideals he yearned for while growing up in Beijing during the 1980s economic reforms. For Recycle Group, a collective formed by Russians Andrey Blokhin and Georgy Kuznetsov and the offspring of artist-parents, their take on Lady Dior Art symbolises a shifting vision of the world, shaped by contempora­ry digital frenzy. For Franco-vietnamese artist Mai-thu Perret, her alphabet design that’s composed of abstract signs was inspired by an educationa­l method applied in 19th-century German kindergart­ens—symbolisin­g her unique take on civilisati­on and the notion of community.

3 UPCYCLING LUXURY

Known for creating extraordin­ary works of art using ordinary everyday objects, Chris Soal used a similar concept for his Lady Dior bag creations. Delving into the topic of consumeris­m and at the same time aiming to prolong the value of these things, he had toothpicks arranged in such a way to create the texture of fur while bottle caps are folded into the shape of cowrie shells as embellishm­ent. Instead of the signature “O”, Soal turned a bottle opener into a charm, giving it a cheeky functional­ity.

On a personal note, the bag holds a special significan­ce to Soal, as he remembers his mother sporting her own Lady Dior bag and that he was born in the same year it was launched—in 1994.

Soal says he’s inspired and fascinated by learning how the

iconic cannage motif came to be used on the surface of the Lady Dior bag. “I think the same conceptual attentiven­ess that led Christian Dior to notice the rattan cannage design on the salon chairs and then incorporat­e this into his work is similar to my processes of observatio­n and applicatio­n in my work,” he explains. “This environmen­tal attentiven­ess and considerat­ion of even the smallest detail and its potential significan­ce resonates strongly with me, and I can see that the spirit of work through which Christian Dior embodied himself is still present in the house today.”

4 IDENTITY AND CULTURE

Joël Andrianome­arisoa employs a wide variety of materials to explore the complexity of human emotions and how it influences our behaviour and reactions. Aptly naming his creations ‘The Labyrinth of Lady Dior’, Andrianome­arisoa utilised calfskin or radzimir silk to weave delicate millefeuil­le-like textures on the bag’s surface.

Claire Tabouret examines the enigmatic appeal of identity through her figurative paintings, drawings and sculptures. For Lady Dior Art, the French artist paints a self-portrait in the guise of a vampire with a blood-stained mouth, further accentuati­ng the bag with a lace white collar—a subtle evocation of Dracula’s dreamlike costume. In contrast, the other bag depicts a bucolic picture of dancers in a version of faux fur. Her artworks provide a glimpse into the vulnerabil­ity of human relationsh­ips, as a group and as individual­s.

Drawing inspiratio­n from her Indian and Malaysian heritage, Swiss artist Olga Titus is fascinated by the idea of transcultu­ralism.

For Lady Dior Art, she brings us into a kaleidosco­pic world which gives rise to two distinct universes through a hypnotic display of beads, while on a third bag, decorative masks is her way of paying homage to the arts of the world.

5 DIVINITY OF THE COSMOS

Best known for her minimalist and futuristic monoliths and biomorphic cells, contempora­ry artist Gisela Colón shares Christian Dior’s passion for divinatory arts and constellat­ions. Aptly named ‘Stardust’ and ‘Amazonia’, her enchanting collaborat­ion with Lady Dior Art symbolise interstell­ar magic and the mysteries of the universe. As a signature touch, the Dior charm takes on the shape of a monolith, an emblem which represents equality, power and beauty.

One of India’s most prominent artists, London-based Bharti Kher used the bindi as a starting point for her Lady Dior Art project. The bindi, which is traditiona­lly worn on the centre of the forehead, is a manifestat­ion of the third eye and is also described as “the sacred symbol of the cosmos in its unmanifest­ed state”. The snake forms on the bag are signature motifs from her practice and holds a significan­t meaning to Kher, who describes snakes as “the symbol of the beginning and the life force, as well as transforma­tion and healing.”

 ??  ?? Lady Dior Art bags 1. Mini Lady Dior ‘The Labyrinth of Lady Dior’, by Joël Andrianome­arisoa 2. Lady Dior ‘The Labyrinth of Lady Dior’, by Joël Andrianome­arisoa 3. Mini Lady Dior, by Judy Chicago 4. Lady Dior, by Judy Chicago 5. Large Lady Dior, by Judy Chicago 6. Lady Dior ‘Stardust’, by Gisela Colón 7. Large Lady Dior ‘Amazonia’, by Gisela Colón 8. Mini Lady Dior clutch style bag, by Song Dong 9. Lady Dior, by Song Dong
Lady Dior Art bags 1. Mini Lady Dior ‘The Labyrinth of Lady Dior’, by Joël Andrianome­arisoa 2. Lady Dior ‘The Labyrinth of Lady Dior’, by Joël Andrianome­arisoa 3. Mini Lady Dior, by Judy Chicago 4. Lady Dior, by Judy Chicago 5. Large Lady Dior, by Judy Chicago 6. Lady Dior ‘Stardust’, by Gisela Colón 7. Large Lady Dior ‘Amazonia’, by Gisela Colón 8. Mini Lady Dior clutch style bag, by Song Dong 9. Lady Dior, by Song Dong
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Bharti Kher
 ??  ?? Lady Dior Art bags 10. Mini Lady Dior, by Bharti Kher 11. Lady Dior, by Bharti Kher 12. Mini Lady Dior, by Mai-thu Perret 13. Mini Lady Dior, by Mai-thu Perret 14. Lady Dior, by Mai-thu Perret 15. Lady Dior, by Recycle Group 16. Lady Dior, by Recycle Group 17. Mini Lady Dior, by Chris Soal 18. Lady Dior, by Chris Soal 19. Lady Dior, by Chris Soal 20. Lady Dior, by Claire Tabouret 21. Lady Dior, by Claire Tabouret 22. Mini Lady Dior, by Olga Titus 23. Mini Lady Dior, by Olga Titus 24. Lady Dior, by Olga Titus
Lady Dior Art bags 10. Mini Lady Dior, by Bharti Kher 11. Lady Dior, by Bharti Kher 12. Mini Lady Dior, by Mai-thu Perret 13. Mini Lady Dior, by Mai-thu Perret 14. Lady Dior, by Mai-thu Perret 15. Lady Dior, by Recycle Group 16. Lady Dior, by Recycle Group 17. Mini Lady Dior, by Chris Soal 18. Lady Dior, by Chris Soal 19. Lady Dior, by Chris Soal 20. Lady Dior, by Claire Tabouret 21. Lady Dior, by Claire Tabouret 22. Mini Lady Dior, by Olga Titus 23. Mini Lady Dior, by Olga Titus 24. Lady Dior, by Olga Titus

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