New Straits Times

Sound of unity

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THERE’S always a slight look of confusion among audiences when the Malaysian band Nadir starts to set up on stage. For starters, the band is made up of seven core members. Then, it’s what they bring with them. Apart from the usual suspects — drums, lead guitars, bass guitars and keyboards, the band also sets up an entire ensemble of instrument­s including saxophones, tablas, sitars, boning, gambus, yangqins and occasional­ly, bagpipes among the many.

When Nadir starts playing, the shrugs of confusion very quickly evolve into tapping feet and smiles peppered with looks of wonder and bewilderme­nt. And for the next six to seven minutes, the audience would remain completely enthralled by what they hear: the home-grown band weaves different musical genres seamlessly into a tapestry of Malaysian sounds.

Two years since its inception, the band is finally releasing its first offering.

isn’t just a culminatio­n of their unique sound; it’s also an album which echoes the spirit of the nation. our difference­s yet we revere our roots? I’d say Nadir embodies that idea,” remarks Ashwin Gobinath, Nadir’s band leader and drummer.

Celebratin­g diversity is one thing this band knows a lot about. Seeing a classicall­ytrained carnatic singer perform alongside a pop pianist and a metal guitarist or a neosoul saxophonis­t grooving to the beat of a rock drummer is a combinatio­n you’d never expect to see on stage.

Deeming it “an unlikely fusion of musicians”, Ashwin explains that collective­ly, the band strongly believes in the principle of joining forces and brewing ideas together. “We specifical­ly decided to work together with this very diverse group of guys and girls because of their individual style preference­s. The magic happens when we all come together and combine our skills. It’s like cooking without knowing exactly what you want to make,” he adds, chuckling.

Cooking seems to be a fitting anecdote for Nadir considerin­g they’ve been hailed as a melting-pot of culture by fans and critics alike. As Ashwin notes, the band was first formed based on musical diversity. The seven, which include Ashwin, Zaim Zaidee (bass), Lor Phaik Sim (keyboards and synthesise­rs), Santosh Logandran (tabla and percussion­s), Farique Nadzir (guitar), Stephanie Tham (keyboards) and Adil Johan (saxophone), are all seasoned sessionist with other bands or artistes in their own right. Nadir, says Ashwin, was formed on the basis that each musician wanted to be in a band free of musical limitation­s and boundaries.

The cultural element, he recalls, only came into play when founding members Ashwin, Zaim and Rashdan wrote their very first tune based on a classic Malaysian nursery rhyme, Nadir then recruited percussion­ist and carnatic vocalist Santosh Logandran, who added depth to that ethnosound. “We got him in as a percussion­ist and then slowly, he began weaving his singing prowess into our song writing. His style and ideas constantly lit our creative

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