New Straits Times

Of roots and unity

- su-lyn@nst.com.my For more informatio­n on Kenny Loh’s photobook, visit www.born-in-malaysia.com.

Simply titled A Photo Essay of Kuala Lumpur by Kenny Loh, the exhibition offers a glimpse of our nation’s capital through the lives of the various individual­s who helped build it.

Like stills from a movie reel, each photograph hanging in rows of twos show individual­s whom we can easily recognise and respect as fellow countrymen.

Although we may know nothing of their stories, the bold quotes that accompany each photo help to offer a poignant insight into their being.

“It’s not just the photos that I want people to see. I want people to question it too. So the quotes are perfectly selected to entice inquisitiv­e minds,” confides the affable photograph­er, eyes twinkling.

He goes on to elaborate that the quotes are mere glimpses into who the individual­s are.

“A longer version will be available in my book, but they’ll be no longer than 300 words. I would rather have the photograph­s speak for themselves,” adds Loh.

Some of the photograph­s displayed at the exhibition, which ends tomorrow, can be found in his first book, Born in Malaysia — A Photograph­er’s Journey that debuted in 2013.

The rest will be available in his latest project, A Story of Kuala Lumpur, the third photobook under the Born in Malaysia series that is slated for publicatio­n next month.

BEHIND THE LENS

As we take a seat by the window that overlooks the mismatch of high rise and old structures of the city, Loh recalls his initial trepidatio­ns when the idea for the project was mooted.

“I never really planned on doing a book on Kuala Lumpur. But when I was approached to do so by a friend, I decided to give it a go even though I wasn’t entirely sure what the result would be like,” he confides sheepishly.

Hailing from Ipoh, and having lived overseas for more than 20 years prior to his return in 2010, the easy-going photojourn­alist was unsure of what he would unearth or what kind of images he would be able to capture.

There was also that slight fear that his photograph­s would end up painting a completely different picture of what we know of as the heart of our nation.

“But I love Lat so much and really wanted to follow in his footsteps through the photos I take. He’s my inspiratio­n and that gave me renewed strength,” reveals Loh.

However, during the course of his travels around the city for his latest publicatio­n, Loh gradually began to realise that there was a lot about the capital that he didn’t know about.

“This book is different from my previous publicatio­n. It’s more of a showcase of the faces of the people who helped built the city to what it is today. It also highlights the many facets of the city’s underbelly that common people who work the convention­al 9-to-5 are not privy to,” he shares.

The collection is made up of the many heroes who selflessly extend their help out of a sense of kindness and respect for their fellow Malaysians.

There’s also a section dedicated to the migrants who helped build this concrete jungle we live in. Finally, there’s a section on dan lain-lain where every race, every colour, and everyone we know who makes up this nation is celebrated.

“There’s just so much to be photograph­ed and every time I get out there, I’ll come back with many more subjects to be added into the book. My designer is not happy!” quips Loh.

He goes on to share that during the 12 months or more that it took to compile his

It’s not just the photos that I want people to see. I want people to question it too. So the quotes are perfectly selected to entice inquisitiv­e minds.

Kenny Loh

subjects, he spent more time conversing with the people he met than actually photograph­ing them.

“There are about 170 subjects and that’s a lot of yakking going on,” he confides with a hearty chuckle.

Continuing, Loh adds: “I was also very sure at that time that this would be my last project. I don’t even know how I did it because to compile a book takes patience and stamina. It’s a long journey. And sometimes, things just don’t go as you want it to and that kills your mood.”

A pause, and he continues: “I thought I’d learnt all that in my first book, but I guess not. Because whenever my friends talked me out of ‘retiring’, I ended up agreeing with them and began plotting my next one right after putting this to bed! But I’m also very sure that it’s just one of my excuses to travel.”

THE JOURNEY

The intrepid photograph­er confesses that although he may have spoken to hundreds of people ever since he began this journey of documentin­g our nation, he’s still not very good at starting a conversati­on.

“I was never good at speaking with people. Even more so with girls,” reveals Loh sheepishly, adding: “This was the reason why I gravitated to photograph­y because being behind the lens helped open doors that might not have been possible to open before.”

He also jokes that the camera soon became a convenient tool for starting conversati­ons.

“When I started doing work for the school magazine during my high school days, that was when I met a lot of girls!”

With a smile, Loh recollects a time when he was utterly afraid to approach an old uncle in an old-fashioned optical shop in Ipoh.

“I kept walking up and down in front of the shop, deliberati­ng if I should go in. Unknown to me, the old uncle had been watching me. So, when I finally decided to approach him, he looked so afraid that. It seemed like he was ready to take flight!”

CONCRETE REMINDER

Jokes aside, his photograph­ic documentat­ion of old Malaysia is a concrete reminder that times are changing and much of our culture, as well as heritage which we once held very dear, are dying.

“The people and places I photograph are partly reminders of the things I saw as a kid, and the places I’ve been to with my father,” reminisces Loh, before adding softly: “It started off as a project for my own consumptio­n because whatever I took wasn’t earth shattering.”

But after a while, the photograph­s started giving him a sense of belonging. Although many of the people he knew were no longer there, and the businesses had been taken over by the younger generation, it suddenly became important to him. It turned into a journey of discovery of the Malaysia he used to know and what it had become. Shares Loh: “Ever since the publicatio­n of my book, many started to see similariti­es between themselves and their fellow Malaysians. I remember this one Malay gentleman who was flipping through the book exclaiming to me, “This story makes me understand that the Ah Pek who lives in town and supplies chicken to me has the same aspiration as me.”

Loh is quick to point out that sometimes you don’t really need to travel far to find the best stories.

“My father was my personal story teller and it was heart breaking that it took me so long to actually ask my dad what stories he had,” reveals Loh softly, adding: “It brought tears to my eyes when I finally asked him and all he said to me was: “I thought you would never ask.”

A quick glance at my watch tells me that I should be on my way to my next appointmen­t.

Regretfull­y, I tell Loh that I need to take my leave. He nods before throwing me a loaded question: “We always talk a lot about unity and diversity, but do we truly know what it means?”

Without waiting for my answer, he concludes softly: “I hope that my photograph­s will do justice in portraying how beautifull­y unique we are as a nation. And hopefully that will divert our attention away from those social media posts that attempt to break the roots that we have so strongly cultivated through generation­s. Unity is something we shouldn’t fear because it is this that makes us who we are.”

 ??  ?? Be proud of our heritage, continue its glory - Bring Back the Kebaya movement.
Be proud of our heritage, continue its glory - Bring Back the Kebaya movement.
 ??  ?? Lim Boi Eng and Munah Abdullah, unlikely friends in the heart of Kuala Lumpur.
Lim Boi Eng and Munah Abdullah, unlikely friends in the heart of Kuala Lumpur.
 ??  ?? A mastercraf­tsman in Penang.
A mastercraf­tsman in Penang.
 ??  ?? A recognisab­le face in a place that contradict­s her race.
A recognisab­le face in a place that contradict­s her race.
 ??  ?? I am doing this for my father — a son’s promise.
I am doing this for my father — a son’s promise.
 ??  ?? Alena Murang, a sape player and a media sensation.
Alena Murang, a sape player and a media sensation.
 ??  ??
 ??  ?? Kenny Loh believes that getting to know the personalit­y you are capturing is as important as capturing the right shot.
Kenny Loh believes that getting to know the personalit­y you are capturing is as important as capturing the right shot.
 ??  ??
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