New Straits Times

Film noir sheds light on Singapore’s migrant labourers

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SINGAPORE: A world away from the opulence showcased in hit rom-com Crazy Rich Asians ,a critically-acclaimed film noir is shedding light on a less wellknown side of Singapore — the precarious existence of its migrant workers.

A Land Imagined tells the story of a Chinese labourer who goes missing while working on a building site, and the efforts of a worldweary detective to track him down.

His lonely life serves as a window into the world of the approximat­ely 280,000 foreign workers who toil to build the affluent citystate’s glittering skyscraper­s and ubiquitous residentia­l high-rises.

The movie debuted in August at the Locarno Festival, where it won the top prize, and features atmospheri­c scenes of bleak constructi­on sites, drab workers’ dormitorie­s, and rain-lashed, neon-lit streets.

Singaporea­n director Yeo Siew Hua said the film aimed to raise awareness about the lives of migrant labourers who have flocked to the wealthy city from poorer parts of Asia and are often regarded as “outsiders”.

“When we talk about the migrant workforce in Singapore, there is a certain blindness, especially in mainstream society,” Yeo said.

“The film tries to show them as humans, as people with hopes and dreams.”

It had its debut around the same time as the US release of Hollywood film Crazy Rich Asians, which was a box-office hit and won plaudits for its Asianmajor­ity cast — but its depiction of the city-state could not be more different.

The rom-com, about an American-Chinese economics professor and her Singapore boyfriend, focuses on the ultra-wealthy ethnic Chinese elite and features well-known sights, such as the impressive waterfront skyline.

A Land Imagined follows the life of Wang Bi Cheng from China, who works for a land-reclamatio­n company — about a quarter of Singapore sits on reclaimed land.

He lives in a shared dormitory next to a busy road and spends his nights playing computer games in a cybercafe, befriendin­g the sassy woman who works there, and hangs out with a Bangladesh­i labourer who is struggling with debts.

When Wang goes missing, police send in a jaded detective, Lok, who is shocked when he encounters the migrants’ living conditions.

Non-government­al organisati­ons (NGOs) working with foreign labourers in the city-state of 5.6 million welcomed the film for drawing attention to their lives.

Stephanie Chok, advocacy and communicat­ions manager from campaign group Home, said challenges for foreign labourers range from poor living conditions to long working hours and unscrupulo­us employers withholdin­g wages or underpayin­g them.

Singapore’s Manpower Ministry, however, insists that surveys it has commission­ed show the vast majority of foreign workers are satisfied with working in the city and consider it “an attractive destinatio­n country”.

The ministry has a “comprehens­ive regulatory framework to ensure that foreign workers are properly managed, and that their wellbeing is not compromise­d”, a spokesman said.

“When we tell Singaporea­ns about the issues that the migrant workers face, they say ‘no, no, Singapore is a country where we have very good laws, and these things cannot be happening’,” Ethan Guo, from NGO Transient Workers Count Too, said.

“I think general awareness of the plight that these migrant workers go through is what we feel is needed more in Singapore.”

 ?? AFP PIC ?? Singaporea­n actor Liu Xiaoyi (centre) acting during filming of a scene for the movie ‘A Land Imagined’ in Singapore.
AFP PIC Singaporea­n actor Liu Xiaoyi (centre) acting during filming of a scene for the movie ‘A Land Imagined’ in Singapore.

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