On their own terms

THIS week’s review features a trio of women (and a band) who are finding their way in the music industry in their respective genres on their terms. Their individual uniqueness begs the question: Is it this that sets them apart from the rest, or is it merely a case of genuine talent?

ALWAYS IN BETWEEN

Jess Glynne

SHE’S a lady with vocals so distinct that every time you hear her sing, it almost feels like Rather Be (her hit single with Clean Bandit) is playing in the background somewhere.

Always In Between is her second album since the world-dominating release with Clean Bandit, and there is that feeling that she still hasn’t achieved the heights that many expected her to. In many ways, this speaks volumes of the state of artistry today, with the market more interested in visual appeal and sociopathic behaviour.

She never grabs the headlines (is it ever a good thing to be on tabloids these days?), hasn’t secured herself a global endorsement with a luxury brand and isn’t married or divorced under acrimonious circumstances to another big name. Not that she really cares anyway.

The album was pre-empted with the release of These Days, a co-release with Macklemore and Rudimental that went to No.1 on the Official Singles Chart in the UK, amongst other countries.

The rest of the album is filled with similarly uplifting messages, of embracing one’s beauty and coming out of adversity much stronger. It is soulful and strong, and beautifully written and performed. In a day and age where artistry is almost solely about virality and visual elements, Jess Glynne is the hero we need, not the one we deserve. Rating: 4.5/5