Upstarts outshine veterans ahead of Berlin fest awards
BERLIN: The race for the Golden Bear top prize at the 65th Berlin film festival shaped up as adeadheatSaturday,withbreakout talents looking well placed to pip cinema heavyweights.
Ahead of a gala awards ceremony in the German capital for the Berlinale, as the 11-day event is known, a slow-burn Britishdramaaboutafoundering marriage and a banned Iranian picture emerged as favourites.
Britain’s Charlotte Rampling, a hot pick for best actress, starred in “45 Years” as a woman whose husband learns the body of his long-dead first love has resurfaced.
The movie by Andrew Haigh led a critics’ poll in Berlin’s daily Tagesspiegel and industry magazine Screen, with Britain’s Daily Telegraph giving it five out of five stars.
Rampling has “rarely been better than she is here, in the role of a placid, dog-walking, tea-drinking middle-class Brit, who finds the floor abruptly falling out beneath her,” its reviewer Tim Robey wrote from the festival.
AudiencesalsocheeredIranian filmmakerJafarPanahi’s“Taxi”, the third picture he’s made in defiance of an official ban.
Panahi, who is outlawed from travelling abroad and was absent from the Berlin premiere, appears on-screen as a Tehran cabdriver,swappingstorieswith the denizens of his city.
A mounted dashboard camera allowed him to film in secret, away – at first –from the prying eyes of the Islamic state’s authorities.
Film industry bible Variety called it a “terrific road movie” that offered “a provocative discussion of Iranian social mores and the art of cinematic storytelling”.
Latin American movies were also out in force, with Chilean director Pablo Larrain making a splash with “The Club” about defrocked paedophile priests given refuge from justice by the Roman Catholic Church.
TrademagazineTheHollywood Reporter called it a “grippingly sinisterportrait”andpronounced Larrain, who garnered an Oscar nomination for his 2012 black comedy “No”, to be “one of the more genuine talents working in cinema today”.
Guatemalan drama “Ixcanul Volcano” by Jayro Bustamante, about a teenage girl living with her family on a coffee plantation who plots to run away to the UnitedStateswithherboyfriend, also drew warm applause.
While the latest releases by veterans such as Terrence Malick and Werner Herzog divided critics, Britain’s Peter Greenaway fared better with his audacious biopic “Eisenstein in Guanajuato”.
The sexually explicit film imagines an episode in the life of Sergei Eisenstein, the lionised Russian director of “Battleship Potemkin”,whotriedtorelaunch his career in Mexico in 1931.
During his self-imposed exile, he starts a torrid affair with his local male guide.
Critics said Finland’s Elmer Baeck,whoportrayedEisenstein as an exuberant intellectual and a charming clown, had strong odds to capture a gong as best actor.
Audiences also embraced inventive German heist movie “Victoria” by Sebastian Schipper, shot in a single take on the streets of Berlin. The festival got off to a shaky start on Feb 5 with the premiere of Isabel Coixet’s “Nobody Wants the Night”, featuring Juliette Binoche as the early 20th century Arctic explorer Josephine Peary.
Peter Bradshaw of the Guardian called the picture “a pretty flimsy piece of work... which comes near to being broken on the wheel of its own ponderousness”.
Smaller pictures from Romania and Russia later in the festival won fans, however.
“Sworn Virgin”, the debut feature by Italy’s Laura Bispuri, about a woman in the Albanian mountains who opts to pass as a man rather than live her life in marital subjugation, featured a much-praised turn by its star, Alba Rohrwacher.
AndarareRussian-UkrainianPolish co-production, Alexei German Jr’s dystopian vision of 2017 Russia, “Under Electric Skies”, also found admirers.
“Nasty Baby”, Chilean director Sebastian Silva’s tale of a gay New York couple who want to have a child, scooped the “Teddy Award” on Friday night for the festival’s best LGBT film.
A seven-member jury led by Hollywood director Darren Aronofsky will hand out the prestigious Golden and Silver Bear statuettes, which can propel a film to global box office success and bigger prizes.
Among award winners last year were “The Grand Budapest Hotel” and “Boyhood”, b o t h nominated for Oscars later this month, and the gritty Chinese thriller that won the Golden Bear , “Black Coal, Thin Ice”. — AFP