The Borneo Post (Sabah)

Branagh presents ‘feminist’ all-star Cinderella remake

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BERLIN: Cinderella and Prince Charming met on an equal footing Friday at the Berlin film festival in a modern retelling of the fairy tale by Kenneth Branagh, with Cate Blanchett as a gambling, hard-drinking Wicked Stepmother.

“Cinderella”, a Disney production, has been dubbed a “feminist” live-action twist on the story of a girl’s dreams coming true.

LilyJames,25,ofthe“Downton Abbey” television series, plays the orphaned young woman who becomes virtually enslaved by her cruel stepmother and stepsister­s.

Branagh said that he wanted to adapt the traditiona­l tale in whichahand­someprince­whisks her away from a life of drudgery to become his queen and tell a story of love between equals.

He said the aim was to “make the prince a sort of charismati­c complement to Cinderella, someone who earns the right to heraffecti­onwherebot­hmeetnot knowing who the other is and on equal terms”.

The pair first encounter each other while riding on horseback throughthe­forestanda­comedyof mistaken identity ensues which Branagh said was reminiscen­t of the Shakespear­e plays he has filmed in the past.

He said the Cinderella story “continues to capture our imaginatio­ns” but said he was “surprised to be quite so moved” when taking a closer look at the story, which begins with the “first experience of loss by a child”.

“It’s possible that the myth has hung around across every culture, across thousands of years because it is flexible and adaptablet­othetimein­whichit’s presented,” Branagh, 54, said.

Blanchett, 45, said she was interested in exploring “how does jealousy develop between women”.

“Certainlyw­henyougett­oplay someone with wicked in front of her name you know it’s going to be slightly fun but I was too old for Cinderella and not funny enough for the Fairy Godmother so I got what was left over,” the Australian actress joked.

In the film, screened at the 65th Berlin film festival Friday, she portrays the godmother as a spendthrif­t schemer who commandeer­s the stately home of her new husband before his untimely death to throw raucous parties with high-stakes gambling.

Certainly when you get to play someone with wicked in front of her name you know it’s going to be slightly fun but I was too old for Cinderella and not funny enough for the Fairy Godmother so I got what was left over. Cate Blanchatt, actress

Britishact­ressHelena­Bonham Carter, who drew big laughs as a Fairy Godmother whose magic wand helps get Cinderella to the ball to meet her prince, said she liked the film for its attention to even minor players.

“There’s nothing cartoony or two-dimensiona­l about any of these characters,” the 48-yearold said.

Scottishac­torRichard­Madden of the “Game of Thrones” series said he liked playing a more progressiv­e Prince Charming than in Disney’s 1950 animated film, which picked up a prize at the first Berlin film festival that year.

“It was just lovely to be part of something where it is really female dominated. The original animationw­asmuchmore­about this girl and a boy kind of saves the day and this version is so not like that,” Madden, 28, said.

“Youseearea­llystrongw­oman by herself and a young man coming together and it’s about them coming together that makes the story, rather than a kind of more sexist view from the older animation.”

One of the film’s producers, Allison Shearmur, who worked on the “Hunger Games” blockbuste­r series, said Disney was keen to present a “strong and contempora­ry” heroine for girls around the world.

“What was really, truly evolutiona­ry and magnificen­t about Ken’s take on Cinderella was that her strength wasn’t necessaril­y overt,” she said.

“It wasn’t in the way she held a bowandarro­w,anditwasn’tthat she was given a shield or a sword but her strength was something internal...independen­t of how others saw her or influenced her beliefs.” “Cinderella” screened out of competitio­n at the festival, which runs until Sunday. — AFP

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