The Borneo Post (Sabah)

French art restorer man devotes himself to Japanese project

- By Yukihiko Sato

KYOTO: A man recently hired at a long-standing art restoratio­n company in Kyoto has taken his first steps towards becoming an expert in restoring Japanese artwork.

Yoan Rosenzivei­g, 36, from Nice, France, has devoted himself to improving his skills since he was employed in September last year at Usami Shokakudo Co. in Kyoto. The company was establishe­d in the middle of the Edo period (1603-1867).

After acquiring the skills and techniques to restore Western artworks to their original state at European universiti­es, he came to Japan to learn the restoratio­n of Japanese art, as well as the Japanese language.

“I want to be a great restorer in Kyoto,” Rosenzivei­g said.

Rosenzivei­g studied the restoratio­n of Western paintings at art schools in France and obtained a master’s degree at a national university in Belgium. He specialise­s in restoring paper. As a student, he restored preparator­y drawings for fresco paintings at museums.

He first became interested in Japan by watching Japanese anime on TV in France as a child.

When restoring Western artworks, durable Japanese washi paper is often used to reinforce the material.

Through this contact with was hi through his work, Rosenzivei­g started to think about visiting Japan, he said. He arrived in 2012 and was referred to Usami Shokakudo by an acquaintan­ce, who knew that the firm accepted foreign trainees.

He told President Naohachi Usami, 58, that he wanted to study the skills and techniques to restore Japanese artworks, but the quota of trainees to be accepted into the firm was already filled. Rosenzivei­g also did not have enough knowledge of Japanese art, so Usami suggested he receive training from a former employee of the firm who was living in the United States.

Rosenzivei­g studied the basics of Japanese artwork restoratio­n at the Boston Museum of Fine Arts for a year from 2014.

“The feel of the paper and the quality of paint were totally different from the ones for Western paintings. Everything I saw was novel to me,” Rosenzivei­g said.

After coming back to Japan in 2015, he attended a Japanese language school for six months. He studied hard and improved his Japanese to the point where he could have everyday conversati­ons in Japanese.

He again visited the Kyoto company last year and expressed his wish to work there. The president was so impressed by Rosenzivei­g’s enthusiasm and the improvemen­t in his skills that he decided to employ him as a regular employee.

Currently, 15 employees work at the firm. As Rosenzivei­g is new at the company, he is in charge of apprentice­ship work, such as restoratio­n for picture mountings and preparing restoratio­n tools for senior workers.

“He comes into work before everyone else each day, cleans the streets around the office building and so on. He matches the Japanese in terms of diligence,” Usami said. “I’m certain he will acquire high-level artistic skills.”

Rosenzivei­g said Japanese artworks are exceptiona­l, as they look like they were easily drawn but show skill and ideas in minute sections.

“I want to be a qualified restorer by learning from senior restorers,” he said.

 ?? — Japan News-Yomiuri photo ?? Yoan Rosenzivei­g, 36, from Nice, France, has devoted himself to improving his skills since he was employed in September last year at Usami Shokakudo Co. in Shimogyo Ward, Kyoto.
— Japan News-Yomiuri photo Yoan Rosenzivei­g, 36, from Nice, France, has devoted himself to improving his skills since he was employed in September last year at Usami Shokakudo Co. in Shimogyo Ward, Kyoto.

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