French classical music composer faces entrenched sexism

PARIS: Camille Pepin is part of a very rare breed. She is a female composer.

Women have conquered space, risen in the military ranks, but some professions remain resolutely and bewilderingly masculine.

When Pepin turned up for her first day at the Paris Conservatoire -- as usual the only woman in a class of men -- an official told her that her name wasn’t on the list.

But when she insisted that she was and that he look again, he cried, “Ah, you’re a woman!”

Camille is also a man’s name in France.

“I would never have thought,” he apologised. “There are so many men...”

With so few female composers in the classical music repertoire, it was an easy mistake to make.

Pepin has never let everyday sexism get her down though, laughing it off like water off a duck’s back.

“One male composer told me I was getting commissions because I was a woman and not too bad looking,” said the 28-year-old, whose first album, “Chamber Music”, is released later this month.

After a concert of one of her more combative pieces, “a man came to tell me my music was ‘very fresh, flowery and sweet’,” she told AFP.

“I am a woman so clearly those three words” apply, she said wryly.

Pepin, whose music recalls both Claude Debussy and American minimalist composers like John Adams, said sometimes the sexist stereotypes which persist in the classical music world are hard to take.

One “old school” music professor insisted she sit on his right at lunch “because that was a woman’s place” and sent her off to make the coffee.

“I was the only woman in all my classes in the Conservatoire, and it was fine,” said Pepin, who is now working on her first ballet score in her Paris apartment which doubles as a studio. — AFP