The Borneo Post (Sabah)

A stroll down memory lane with evergreen singer Ching Shan

- By Fung Lan Yong

DEBONAIR Taiwanese singer Ching Shan (Qing Shan), whose real name is Tsan Tie Yueh, was born in Zhejiang in eastern China that is famed for its picturesqu­e West Lake, quaint water towns, historic districts and pristine waterways fed by the Grand Canal.

Born on 9 February 1945, the year of the rooster, he humorously referred to himself as a “senior rooster” at a recent concert.

Since the 1960s, he has endeared himself as an icon in the Mandarin music scene and his golden hits are still sung by various entertaine­rs today.

The foundation of post-war Taiwanese music was primarily created by Ching Shan and his peers, whose pop songs differ from those in Japan or China. They adopted music elements from surf rock and soul, thus creating a new genre of music characteri­sed by rock and roll beats.

To this day, Ching Shan’s unforgetta­ble hit records and golden voice still endear him to millions of overseas Chinese in the USA, Canada, Australia, Hong Kong, Singapore and Malaysia. The-74-year-old continues to attract enthusiast­ic crowds in his sold-out concerts in Hong Kong, Macau, Singapore, and Malaysia. The early years

Shortly after the Second World War, his parents migrated to Taiwan and he was barely six months old then.

As his father was a soldier and mother, a homemaker, it was not surprising that he was raised in a rather conservati­ve environmen­t.

He once revealed that he used to practise singing in the bathroom when he was young, but his father confiscate­d all his song sheets after discoverin­g what he was doing. Neverthele­ss, he endeavoure­d and excelled as a member of his school choir.

While attending Provincial Taipei Commercial School, Ching Shan’s vocal talent impressed a music teacher who subsequent­ly accepted him as a disciple, coaching him vocal music and the piano.

After graduation, the aspiring singer intended to study classical music at the National Taiwan Academy of Arts. However, he was rejected due to the lack of formal musical training.

It was a blessing in disguise as the slightly rebellious youth started focusing on Mandopop instead, a genre that was considered as unconventi­onal or counter-culture at that time.

In 1965, Ching Shan became a member of the Happiness Choir, while also hosting and singing on the weekly “I Sing for You” program at one of the largest radio stations in Taiwan.

Today, he still co-hosts and sings on the same program at Chengsheng Broadcasti­ng FM Taipei.

The program is broadcast live every Friday which allows fans worldwide to call in to request songs or have a glimpse of the timeless singer at work in the studio.

In 1966, he was inducted into the national service which gave him the opportunit­y to sing and entertain at various military bases. He soon gained the attention of the sergeant as a background singer in a military drama and was subsequent­ly transferre­d to the Shengkang Arts Team to entertain the military. Stage name and singing debut

Since Ching Shan’s real name not only consists of 52 strokes, it is also difficult to pronounce, his teacher-mentor decided to help him establish a meaningful stage name that rolls off the tongue. While still pondering, they gazed out of the window and saw some grassy hills at a distance, so the moniker Ching Shan, synonymous to “green hill,” was adopted.

A television host once joked: “Fortunatel­y, you did not see a garbage truck at that moment.”

Neverthele­ss, the stage name has been specifical­ly incorporat­ed into one of his songs, reflecting how popular he has become.

In 1968, Ching Shan completed his military training and subsequent­ly signed a threeyear contract with Leico Record where he recorded numerous albums and compilatio­ns that are still immensely popular today.

Although he earned only three thousand yuan for each record, he found it rewarding to see his album covers displayed in music stores and to hear his songs constantly played in Chinese establishm­ents and communitie­s.

In the same year, the dulcet was introduced to famed television producer, Shen Zhi, who managed a prominent singing program named “Qun Xing Hui”.

The producer, who soon became his teacher-mentor, was impressed by his singing style. She invited him to her television show on a regular basis, thus helping him earn greater exposure and fame.

Additional­ly, Shen Zhi translated some Japanese songs and wrote the lyrics specifical­ly for him, for example, “Difficult to Keep Love” and “Drizzle of Tears” that became instant hits.

Around this time, duet-singing began to gain popularity and Ching Shan was arranged to collaborat­e with Wan Qu. For the following eight years, the duo, affectiona­tely known as “singing lovebirds”, enjoyed immense success until Wan Xu got married and quit the music scene. After that, he began to flourish as a solo singer.

After Leico, he signed a twoyear contract with Haishan Record, the largest record producer that collaborat­ed with many popular singers at that time. After leaving Haishan, he did not sign up with any other recording companies, but started performing overseas most of the time. 2000s until the present

In 2004, Ching Shan performed for the first time in China at the Shanghai Lanxin Theatre. In 2008, the 63-year-old held his “Golden Songs” solo concert in the Hong Kong Cultural Centre to commemorat­e his forty years of singing.

In 2010, he held his “Love Songs of the Century” concert in Hong Kong. In 2012, he performed solo at the Sydney City Hall, Australia, and at Venetian Theatre in Macau in 2018. Besides solo concerts, he has made numerous guest appearance­s all these years. Leading actor and host

In the 1970s, Ching Shan became the leading actor of several musical-romantic movies.

Besides acting and singing, the distinguis­hed singer has also hosted many popular television shows in Taiwan and Hong Kong.

While being successful as an actor, he eventually decided to concentrat­e on singing because long hours of shooting could adversely affect his vocal cords.

He believes that a good night’s sleep is crucial to maintainin­g vocal health, which was especially important during the era when he had to perform regularly at music halls.

Moreover, singing allows him to connect with a real-life audience, while acting does not allow that. He once said: “I’m facing the audience when I sing, but I am only performing for the camera when I act, which seems surreal.”

The handsome singer considers singing as an integral part of his life, so he will never leave the music scene as long as fans still remember and welcome him. Stressing that his existence as a vocalist totally relies on his ardent fans, he hopes that his music will keep them company always. Earliest generation of Mandarin singers

Affectiona­tely known as the King of Sentimenta­l Songs, the impeccable singer belongs to the earliest generation of Mandarin singers in Taiwan.

In the late 1940s, Mandarin popular music began to fill Taiwan’s airwaves with the arrival of Chinese immigrants.

Throughout the 1960s, Shanghai-style Mandarin pop dominated the music scene, while televised variety shows became the primary means to promote Mandarin songs in Taiwan.

Meanwhile, the entertainm­ent industry in Taiwan began to flourish, so singers with outstandin­g ability, such as Ching Shan, were highly sought after.

Ching Shan’s music dominated the Mandarin song market from the late 1960s to 1980s, and rapidly spread to other parts of the world.

Further, with the American military presence in Taiwan in the 1960s, pop music also filled its nightspots, favoured by upwardly mobile young people.

Demand for Mandarin songs was partly met by translatio­ns of Japanese and American songs at the time. Hence, several of Ching Shan’s hit songs have Japanese or American origin, for example, “Vast Night” was derived from “Fraulein”, while “Waiting for You until Dawn” from Love is Blue”. His timeless “Drizzle of Tears” was a touching rendition of a Japanese song. Marriage and family

In 1973, 28-year-old Ching Shin married his girlfriend from Hong Kong after seeing her for two years.

Twelve years later, he became a single parent to two little daughters, the younger one being barely three years old then. To ensure that both girls grew up in an environmen­t conducive for growth and learning, the devoted father decided to put singing on the back burner until they were more independen­t.

As an efficient homemaker, besides grocery-shopping, cooking and cleaning on a regular basis, he would wait for his daughters at the station after school hours. He has also improved his culinary skills through trial and error and watching cooking shows; he has also perfected two of his own recipes, namely, onion roast duck and steamed chicken.

As the children grew older, his songs simultaneo­usly became more popular, motivating him to make more frequent appearance­s on television and in concerts.

At a 2003 concert in Singapore, the proud father revealed that both daughters were studying at a university. At a 2010 concert in Hong Kong, he proudly announced that his elder daughter has found the love of her life and that he would become a grandfathe­r soon.

Today, his grandchild­ren are the youngest fans who will always clap and cheer him on. While he enjoys their company, the congenial singer finds that the youngsters tend to remind him of the fleeting years when he was taking care of two little girls singlehand­edly.

At a 2017 concert in Hong Kong, the graceful singer and affectiona­te father reiterated that, since both his daughters are already married, he now dreads facing the lunar new year.

Fortunatel­y, they live near his residence and it only takes a ten-minute walk to reach them. Nowadays, the elder daughter usually takes a stroll with him in the morning, while the younger one does the same in the evening. Bringing laughter

Ching Shan’s sense of humour has always brought laughter to the audience. During a 2018 concert, the duet partner jokingly said the inimitable singer was not only dashing, but he was also prosperous because one of the Hong Kong highways was named after him. To the applause of the audience, he rebutted that there was also a mental hospital with his namesake, and that his friends could receive a discount!

When asked what type of soap he had been using to maintain his good looks all through the years, he wittingly remarked that he normally used laundry soap because it was effective and cost-saving.

Additional­ly, the baritone singer admitted that he does not need any written lyrics when listening to older singers as they have excellent enunciatio­n and style. However, he finds it difficult to understand younger singers without referring to the lyrics or subtitles, adding that some younger singers consider the older generation outmoded. Unpleasant experience­s

When asked to describe some of his unpleasant experience­s, the incomparab­le singer revealed that he once tried to a get a shortcut to the next music hall by jumping over a railing, but inadverten­tly knocked it over and landed on his knees. A police officer saw him on the muddy spot and started blowing his whistle. He was so embarrasse­d that he quickened his steps with his head down.

Another jolting incident occurred while he was getting ready for a concert in Hong Kong. A faulty hairdryer reduced him to unconsciou­sness in the bathroom, but he slowly recovered from the shock and got up by himself.

When asked which body part he would conceal if someone suddenly entered the bathroom and caught him in his birthday suit, he cleverly said that he would just turn his back around.

When the singing sensation was still performing at Shengkang in the 1960s, nobody told him that he had mispronoun­ced a character in a certain song. Only after the album was distribute­d did someone write to inform the record company about the error. Singing style

Ching Shan’s singing style has charmed fans around the world because it is very natural with a touch of class. His concerts usually showcase him as a pitch perfect vocalist and genuine performer without depending on highly technical effects. His elegant and unmatchabl­e style continues to appeal to connoisseu­rs of fine music with a taste of distinctio­n. Retromusic enthusiast­s still regard his concerts as a rare chance to appreciate the musical talent of an authentic performer.

In the 1960s, one out of three songs in Taiwan must aim to “purify” society, focusing on moral-ethical values, such as patriotism.

Several of Ching Shan’s songs, such as “Life is Adorable” and “Journey of a Thousand Miles” emphasise industry, optimism, perseveran­ce and courage. These classic songs remain to be inspiring masterpiec­es that turn his concerts into an unforgetta­ble experience of a lifetime for music enthusiast­s. Characteri­stics of timeless singers

When asked to describe younger singers, Ching Shan implied that older singers have good vocal control and stay on pitch, allowing them to sing each note distinctly for the intended musical effect in a song. Further, their good singing tone enables them to use clear consistent sounds, while their clear enunciatio­n helps them craft each syllable precisely as intended. He noted that younger singers tend to deliver the lyrics in much more relaxed manner, so they might not sing crisp syllables.

Ching Shan added that older singers show solid vocal support for their singing, allowing them to produce strong clear notes and a broad tone. They are able to combine good posture, proper breathing technique, and overall practice and developmen­t of their voice. Moreover, they pay greater attention to musical phrasing to deliver a compelling performanc­e. They are not only expressive, but they also know how to shape each line by appropriat­ely combining pitch, volume, tone and enunciatio­n.

Further, Ching Shan explained that old songs are more elaborate compared to the modern ones; old songs consist of at least three stanzas, each containing different verses. Therefore, singers in the olden days not only had to memorise the lines, but they must also adequately express them with appropriat­e feelings and emotions. Their movements and gestures were also limited as cordless microphone­s and computers were unavailabl­e in those days. The golden years

Regarded as a prince on a white horse by his duet partners and fans, Ching Shan, with his muchantici­pated concerts throughout the world, is one of the most prominent representa­tives of Mandarin songs.

Acknowledg­ing that time and tide wait for nobody, the fetching balladeer admitted that he used to take things too seriously in the past. However, he rarely wants to worry about anything nowadays.

Putting health and happiness first, he welcomes each new day as the beginning of love.

 ??  ?? Ching Shan, aged 74, still co-hosts and sings on a weekly radio program that is broadcast live in Taiwan.
Ching Shan, aged 74, still co-hosts and sings on a weekly radio program that is broadcast live in Taiwan.
 ??  ?? Ching Shan crooning at a sold-out concert in Macau, 2018.
Ching Shan crooning at a sold-out concert in Macau, 2018.
 ??  ?? Ching Shan debuted in the 1960s and still performs at packed concerts today.
Ching Shan debuted in the 1960s and still performs at packed concerts today.

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